摘要：Carmelina Sánchez-Cutillas, a poet who should be read in the frame of the peculiarity of postwar Valencian literature, adds to her civic commitment a deep speculation about the role of women from their marginalization in the space of domesticity. The purpose of the present work is to conduct an analysis from the perspective of gender and to examine the existing interrelations at a symbolic and linguistic level between Un món rebel (1964) and Conjugació en primera persona (1969), in order to trace the evolution of the female identity process in both poem collections.
