摘要：The edited volume Digital Sound Studies brings together various voices addressing the potential of digital approaches to sound, practically and theoretically [Lingold et al. 2018]. Contributors explore methodologies, platforms, and initiatives that demonstrate interdisciplinary and inclusive work that centers sound and listening while demonstrating how such work can advance humanities scholarship. The contributions provide a balanced critique of DH as a norm and culture alongside detailing digital sound studies' contributions to DH, the humanities, and the public. The volume is an excellent resource for those interested in digital sound studies.
