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  • 标题:The TV-Production Shift During the COVID-19 Health Crisis: How TV Language Changed As a State of Alarm Was Enforced in Spain
  • 本地全文:下载
  • 作者:Belén Andueza-López ; María López-Plaza
  • 期刊名称:Trípodos. Facultat de Comunicació Blanquerna.
  • 印刷版ISSN:2340-5007
  • 出版年度:2020
  • 卷号:47
  • 期号:2
  • 页码:161-172
  • 语种:English
  • 出版社:Facultat de Comunicació Blanquerna URL
  • 摘要:TV script writers, camera operators, directors, editors and producers alike have been working under the strictest rules to comply with all the health and labour standards. The production team —specifically, its director— makes im­portant decisions as regards pre-pro­duction, recordings, actual production and post-production. Upon going live, a director relies on their team’s profes­sionalism, being ultimately responsi­ble for deciding what —and how and when— is seen on screen, as well as for its visual quality. A director is the per­son at the heart and core of a program broadcast on TV (Bernad, 2016). This paper aims at bringing to public notice a change of method in live TV production team work during the first month of lockdown, as well as in the workplace shift. It also aims to reveal the increase in the use of video con­ferencing signals, Skype or WhatsApp, which have replaced the traditional satellite and radio frequency signals, a process entailing visible quality losses. The analysis system is based on ques­tions posed to those professionals in­volved in TV broadcasts during the first month of State-of-Alarm enforcement by means of video calls, online surveys and WhatsApp messages.
  • 关键词:quality; coro­navirus; Skype; TV; production
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