摘要：This audio-essay explores the relationship between soundscape recordings and property. Three field recordings of the author’s family fruit farm examine the emplacement and territorialization of sound but also the means by which certain signals might dislocate the discourses of ownership; stereo recordings of the acreage have been displaced by a more connective topology, courtesy of the beehives. The accompanying essay deploys an auto-ethnographic approach to reflect upon how sound recording practice can negotiate foundational ideologies within late capitalist culture.
