期刊名称：Tabula - Journal of the Department of Humanities, Juraj Dobrila University of Pula
印刷版ISSN：1331-7830
出版年度：2021
卷号：18
页码：69-90
DOI：10.32728/tab.18.2021.6
语种：English
出版社：Department of Humanities, Juraj Dobrila University of Pula
摘要：Ovaj rad razmatra sli膷nosti u izboru si啪ea i motiva u novelama Tetoviranje (1910) japanskoga knji啪evnika Tanizakija Jun'ichira i Lud slikar (1935) korejskoga knji啪evnika Kima Dong-ina te postavlja hipotezu o njihovoj mogu膰oj povezanosti. Kako bi prona拧la odgovor na pitanje jesu li ta djela zaista povezana, autorica ovoga rada usporedila je zajedni膷ke knji啪evne utjecaje na obje novele i analizirala strukture i motive u novelama. Rezultati su pokazali da su oba djela napisana pod utjecajem istih knji啪evnih djela: tema odnosa izme膽u umjetnosti i nasilja te motiv opsjednutoga 啪eljom da stvori remek-djelo umjetnika najvjerojatnije su inspirirani romanom Slika Doriana Greya Oscara Wildea i kratkom pri膷om Ovalni portret Edgara Allana Poea, dok su motivi seksualnoga karaktera inspirirani radom Psychopathia sexualis Richarda Freiherra von Kraffta-Ebinga. Ne samo da su knji啪evnici bili inspirirani istim djelima ve膰 je i sama novela Lud slikar intertekstualno preradila Tanizakijevo Tetoviranje prilagodiv拧i motive korejskim realijama i u膷iniv拧i strukturu kompleksnijom.
其他摘要：This paper discusses similarities in the choices of plots and motifs in the short stories The Tattooer (1910) by Japanese writer Tanizaki Jun'ichirō and Tale of a Mad Painter (1935) by Korean writer Kim Dong-in, and hypothesizes a possible connection between them. In order to find out whether these works are really connected, common literary influences on both stories and analyzed stories’ structures and motifs were compared in this thesis. Results revealed that these two works were written under the influence of the same literary works: the theme of the relationship between art and violence and the motif of the artist obsessed with the desire to create an artistic masterpiece in The Tattooer and Tale of a Mad Painter are most likely inspired by Oscar Wilde's novel The Picture of Dorian Gray and Edgar Allan Poe's short story The Oval Portrait, while motifs of sexual perversions are inspired by Psychopathia Sexualis by Richard Freiherr von Krafft-Ebing. Not only two stories were written under the same influences, but the story Tale of a Mad Painter itself intertextually reworked Tanizaki’s The Tattooer adjusting motifs to Korean realities and making the structure more complex.
