摘要：This study aims to describe the form of garap on music accompaniment of Rejung Rasan-Dirasan in Musi Rawas Regency. This study used the descriptive qualitative method. The data collection used: (1) recording technique, both audio and audiovisual; (2) notes; (3) in-depth interviews with some informants; (4) literature study and documentation analysis. The primary data source analyzed was Cikwan as the speaker and some of the public figures in Musi Rawas Regency, South Sumatra. The study results show that the garap form of oral-literary is different from the music structure of Javanese gamelan tradition in general. It submits to the techniques of Rejung Rasan-Dirasan in Musi Rawas Regency.
