摘要：In May 2013, six collaborators and I produced and presented “Work and Play at the Threshold of Visibility.” For my part, the intent of this collaboration was to use the skills of performers and the craft of theatre to explore poorly understood aspects of life within the modern surveillance apparatus. This article describes and critiques that work, placing it in the context of other artistic and theatrical explorations of surveillance, describing its successes and failures, and suggesting avenues for further research.
