摘要：En aquest treball es proposa que, per a la composició de Las Lanzas , Velázquez va conèixer i va fer servir una estampa del taller del gravador Frans Hogenberg (ca. 1530-1590) en què es representa l’encontre amistós d’Ambrosio de Spinola i Maurici de Nassau el febrer de 1608.
其他摘要：This paper proposes that Velazquez’s famous painting, The Surrender of Breda, is based on an engraving made by the workshop of Frans Hogenberg (ca. 1530-1590), which depicts the friendly encounter between Ambrosio Spínola and Maurice of Nassau in February 1608.
关键词：pintura espanyola del segle XVII;Frans Hogenberg;Maurici de Nassau;Ambrosio de Spinola;Justí de Nassau;Breda;Bernard Salomon;Claude Parradin;Diego Angulo;pintura española del siglo XVII;Frans Hogenberg;Mauricio de Nassau;Ambrosio Spínola;Justino de Nassau;Breda;Bernard Salomon;Claude Parradin;Diego Angulo;seventeenth-century Spanish painting;Frans Hogenberg;Maurice of Nassau;Ambrosio Spínola;Justin of Nassau;Breda;Bernard Salomon;Claude Parradin;Diego Angulo
其他关键词：seventeenth-century Spanish painting; Frans Hogenberg; Maurice of Nassau; Ambrosio Spínola; Justin of Nassau; Breda; Bernard Salomon; Claude Parradin; Diego Angulo
