标题：Exhibition Review: Regina Mamou “Unfortunately, It Was Paradise” Chicago, IL, City Gallery in the Historic Water Tower October 2013 - January 19, 2014
期刊名称：Contemporaneity : Historical Presence in Visual Culture
印刷版ISSN：2153-5914
出版年度：2015
卷号：4
页码：213-220
DOI：10.5195/contemp.2015.142
语种：English
出版社：University Library System, University of Pittsburgh
摘要：Mist shrouds an open field; the softness suffocates. In Fieldwork (Blue) Regina Mamou stages the paradox of immanence and imminence—God always and everywhere on the verge of appearing: a stifling remoteness, an intimate distance. The "field" could be visual, physical, conceptual; The "work" is the visual object, the photograph, or the physical work of agriculture, or the conceptual realm of the divine: God in the godliness of good works, of work accomplished in the service of collective wellbeing.
其他摘要：Mist shrouds an open field; the softness suffocates. In Fieldwork (Blue) Regina Mamou stages the paradox of immanence and imminence—God always and everywhere on the verge of appearing: a stifling remoteness, an intimate distance. The "field" could be visual, physical, conceptual; The "work" is the visual object, the photograph, or the physical work of agriculture, or the conceptual realm of the divine: God in the godliness of good works, of work accomplished in the service of collective wellbeing.
