摘要：It is common to consider images as subordinate to thought and its structures. However, Deleuze’s philosophy developed an effort to reverse that assumption. He supports a new possibility of thought, and modern cinematography offers a significant image for this alternative to the extent that it frees thinking from the logical structure of narrative cinema. Modern films struggle to find new forms, and their images challenge philosophical thought to become different from tradition. In short, modern cinema frees philosophy from the burden of its own presuppositions.
其他摘要：It is common to consider images as subordinate to thought and its structures. However, Deleuze’s philosophy developed an effort to reverse that assumption. He supports a new possibility of thought, and modern cinematography offers a significant image for this alternative to the extent that it frees thinking from the logical structure of narrative cinema. Modern films struggle to find new forms, and their images challenge philosophical thought to become different from tradition. In short, modern cinema frees philosophy from the burden of its own presuppositions.
