期刊名称：Estudos de Literatura Brasileira Contemporânea
印刷版ISSN：2316-4018
出版年度：2015
期号：46
页码：279-299
语种：English
出版社：Estudos de Literatura Brasileira Contemporânea
摘要：The aim of this paper is to examine the way the aesthetics of film noir is appropriated by Lourenço Mutarelli in his graphic novel Diomedes: a trilogia do acidente . Torn between an attempt to represent the real and a strong impulse towards stylization, this aesthetics acts as a structuring element of the narrative, creating a world characterized by excess and degradation, from which apparently there is no way out.
其他摘要：The aim of this paper is to examine the way the aesthetics of film noir is appropriated by Lourenço Mutarelli in his graphic novel Diomedes: a trilogia do acidente. Torn between an attempt to represent the real and a strong impulse towards stylization, this aesthetics acts as a structuring element of the narrative, creating a world characterized by excess and degradation, from which apparently there is no way out.
