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  • 标题:La arquitectura de la Seducción: Un análisis de las arquitecturas digitales en la sociedad de consumo
  • 本地全文:下载
  • 作者:Jorge León-Casero ; Carlos Cámara-Menoyo
  • 期刊名称:Arte, Individuo y Sociedad
  • 印刷版ISSN:1131-5598
  • 电子版ISSN:1988-2408
  • 出版年度:2015
  • 卷号:27
  • 期号:3
  • 页码:447-462
  • DOI:10.5209/rev_ARIS.2015.v27.n3.46485
  • 语种:Spanish
  • 出版社:Servicio de Publicaciones de la Universidad Complutense
  • 摘要:Currently new digital tools used in architecture are often at the service of a conception of architecture as a consumer society’s cultural good. Within this neoliberal cultural frame, architects’ social function is no longer seen as the production of urban facts with sense of duty, but as a part within the symbolic logic that rules the social production of cultural values as it was defined by Veblen and developed by Baudrillard. As a result, the potential given by the new digital tools used in representation has shifted from an instrument used to verify a built project to two different main models: At the one hand the development of pure virtual architectures that are exclusively configured within their symbolic value as artistic “images” easily reproducible. On the other hand the development of all those projects which -even maintaining their attention to architecture as a built fact- base their symbolic value on the author’s image and on virtual aesthetics and logics that prevail over architecture’s materiality. Architects’ sense of duty has definitely reached a turning point .
  • 其他摘要:Currently new digital tools used in architecture are often at the service of a conception of architecture as a consumer society’s cultural good. Within this neoliberal cultural frame, architects’ social function is no longer seen as the production of urban facts with sense of duty, but as a part within the symbolic logic that rules the social production of cultural values as it was defined by Veblen and developed by Baudrillard. As a result, the potential given by the new digital tools used in representation has shifted from an instrument used to verify a built project to two different main models: At the one hand the development of pure virtual architectures that are exclusively configured within their symbolic value as artistic “images” easily reproducible. On the other hand the development of all those projects which -even maintaining their attention to architecture as a built fact- base their symbolic value on the author’s image and on virtual aesthetics and logics that prevail over architecture’s materiality. Architects’ sense of duty has definitely reached a turning point.
  • 关键词:arquitectura digital;Baudrillard;estética virtual;función social del arquitecto;especulación cultural
  • 其他关键词:digital architecture;Baudrillard;virtual aesthetics;architect’s sense of duty;cultural speculation
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