摘要：The following discussion is a critical assessment of the “Story of the End of the World: 73 Questions We Must Answer”, an exhibition at the Miraikan. The Tohoku earthquake and tsunami on the 11 th of March 2011 created the necessity for collective catharsis regarding various threats posed by the future. I will argue that the outcome of the exhibition differs significantly in content, presentation and meaning to the more conventional visions of the future presented elsewhere in the museum.
