摘要：At the intersect ion between past and present, classical and "vulgaris", oral and written, is the middle element, the connecting element, the "ent re-lugar". Bhabha (2001) defines the term as t he space o f transit ion. The current study approaches the sense of "connection" to the role that the cordel plays in the Brazilian culture. Culture that is constantly from conflicting clash (and at the same time harmonious) cultures of different et hnic gro ups and people, far fro m t heir origins, unite the historical threads of their experiences in forming an imaginary fabric of memory founders speeches fro m foreig n territories. Link between cultures, emphasis is placed on the cordel t hat links stories and figure as a bricolage, in the manner of Claude Levi- Strauss (1989): a derivative of which so me classify as art called "gro ss" or "naive", but that is able to perform a large number of diverse tasks. Product desig ned to "serve" as a bridge passage, connects and builds narratives, gives coherence to the images brought fo rth by the memory of each gro up. Thus concepts such as "entre-lugar" proposed by Bhabha (2001), subsidize the reflections o n the role t hat the co rdel has assu med nowadays by the path continu ity of a memory t hat puts t he challenges o f transfo rmation and develop ment necessary for engagement and adaptat ion o f cultural product string to the social syst em configured to weave the historical sett ing the XXI century.
关键词："Entre-lugar". Folhetos de cordel. XXI Century.
