期刊名称：Estudios de Historia Moderna y Contemporánea de México
印刷版ISSN：0185-2620
出版年度：2008
期号：36
页码：5-43
语种：English
出版社：Universidad Nacional Autónoma de México
摘要：This essay continues the investigation of an earlier article, also published in this journal, by examining artistic representations of Cuauhtémoc in the post-revolutionary period, and especially after 1940, when the figure of the last Aztec king became widely and variously deployed as a political and cultural emblem. The essay will describe how in the post-revolutionary era internal contradictions, which were latent within the imagery, broke into the open and ignited controversy over the meaning and use of the Cuauhtémoc symbol.
其他摘要：This essay continues the investigation of an earlier article, also published in this journal, by examining artistic representations of Cuauhtémoc in the post-revolutionary period, and especially after 1940, when the figure of the last Aztec king became widely and variously deployed as a political and cultural emblem. The essay will describe how in the post-revolutionary era internal contradictions, which were latent within the imagery, broke into the open and ignited controversy over the meaning and use of the Cuauhtémoc symbol.
关键词：Cuauhtémoc; art; indigenism; nationalism; Edmundo O'Gorman; David Alfaro Siqueiros; Diego Rivera; José Vasconcelos.
其他关键词：Cuauhtémoc; art; indigenism; nationalism; Edmundo O'Gorman; David Alfaro Siqueiros; Diego Rivera; José Vasconcelos.
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