摘要：Ethan and Joel Cohen's film Oh Brother! furnishes a genuine deconstruction of both the Homeric story and the southern recreation of such tale by William Faulkner, an author that was convoked in another of their films, Barton Fink. The Cohen's incursion through Mississippi is a plea on behalf of the claim that the best option in order to defend and promote a valuable tradition is to renew it entirely and to open it again toward the future
