摘要：The apparent content of truth deployed in the saturation of logical relationships that construct artistic objects is the cause of a process of intensification of experience that culminates with the interruption of the logical processes of identification. The process of surpassing the logical nature of such objects will become a necessary condition, and will take to the extreme the internal necessity of form towards its ironic destruction. The consequences of this .failure. will be exhibited as the .success. of an exceptional manner of experience. This crucial fact will become evident in the heteronomous contexts of art
