摘要：Through two productions of Shakespeare's The Tempest by Canadian director Robert Lepage—a play in Wendake acted by Wendat actors, and an opera—Caliban's island moves from a natural forest in an Indian reserve to the Scala of Milano.Theatre in nature or play within the play, both productions appear as reappropriations of Shakespeare's play, in which Caliban and Ariel stand for all Aborigenes dispossessed by colonization represented by a complex Prospero who makes First Nations his slaves while appearing as their reflection.
其他摘要：Through two productions of Shakespeare's The Tempest by Canadian director Robert Lepage—a play in Wendake acted by Wendat actors, and an opera—Caliban's island moves from a natural forest in an Indian reserve to the Scala of Milano. Theatre in nature or play within the play, both productions appear as reappropriations of Shakespeare's play, in which Caliban and Ariel stand for all Aborigenes dispossessed by colonization represented by a complex Prospero who makes First Nations his slaves while appearing as their reflection.
关键词：La Tempête; Caliban; île; Canada; Premières Nations; Hurons-Wendat;colonisation; opéra; musique; miseen scène; Robert Lepage; Thomas
