摘要：Michael Ragussis in his book, The Subterfuge of Art: Language and the Romantic Tradition, indicates how Lawrence’s novels must educate readers to the special demands that they make.They typically set up a dialogue between, on the one hand, the narrative voice which employs a constantly shifting and evolving vocabulary and, on the other hand, a reader who must learn not to hold on to a conventional and fixed terminology.In this way, Lawrence’s longer fictions are heuristic in quite a radical...
