期刊名称：Cinema : Journal of Philosophy and the Moving Image
电子版ISSN：1647-8991
出版年度：2014
期号：6
页码：94-121
出版社：New University of Lisbon
摘要：This article reexamines and reevaluates two aspects of Deleuze's cinema books: their hardly acknowledged exploration of the problem of the "new," and their taxonomy of different thought-images. It charts how these two aspects intertwine and how they relate to changes within Deleuze's philosophy as a whole. What changes in Deleuze's thought do the cinema books give expression to. There may seem to be a clear shift, as influentially argued by Paula Marrati and partly by Raymond Bellour, between Deleuze's 1960s call for a "thought without image" and the cinema books' (and What is Philosophy. 's) affirmation of a plurality of images of thought. But this article will critically examine and argue against there being a shift in this sense. The explorations of thought-images in the cinema books will instead be revealed to reflect complications and an altered focus in Deleuze's conception of the "new." How does this altered conception of the new manifest itself in the cinema books' examina - tions of thought-images. And how does it relate to varying notions of the new within De - leuze's philosophy at large.
