出版社:International Academy of Science and Higher Education
摘要:In the article the grotesque is considered as one of representative subcategories of comic, which possesses the brightest plastic figurativeness, plays form destructive and transcendental functions. The oxymoron is interpreted as grotesque algorithm, which cancels the conservative idea of absurdity as something unacceptable, impossible and reveals its harmonizing role. In pragmatic aspect the grotesque implicature is deduced, and сomeme is presented as a wide range of the speech acts, dominated by an expressive provocative. Within the scope of grotesque, the addressee is elevated to the role of the co-author.