This article will demonstrate that the artistic context in the North Alentejo region, very dynamic in the 16th century and enriched by the presence of both national and international artists, evolved slowly during the late 17th and 18th centuries to a reality marked mainly by the activity of local painters, most of them unknown, which became increasingly versatile, working in oil painting, fresco and also gildings. To better characterize this reality, some examples will be presented of artists who worked in various techniques as proved by documentary evidences. The materials now presented were a relevant contribution for the project "Gilt Teller: an interdisciplinary multi-scale study of gilding techniques and materials in Portugal, 1500-1800".