In this summer issue of 2015, we are pleased to present several essays discussing 16th century Netherlandish art: one on the artist Jan de Beer, a second on Quentin Massys's Tax Collectors , and a third on the likely source of Pieter Bruegel the Elder's Nestrobber . Another article focuses on themes of Solomonism in Peter Paul Rubens's Triumph of the Eucharist tapestries. The issue concludes with the fifth and final part of Tom van der Molen's critical translation of D. C. Meijer Jr.'s article on the Amsterdam civic guard portraits, published in one of the first issues of Oud Holland . This installment focuses on the portraits of Govert Flinck.