摘要：In our country, architecture was considered as a career and technology not as an art. But mastersof the profession were considered skilled artists that the value of their art wasn't considered so much at their era,so that less beautiful building can be traced from the past that biography of its creator is clear to us. Paintingstyles and new calligraphy, theater, cinema and other related arts are all a continuation of past art. But art ofcontemporary architecture in Iran is not enjoyed from the support of past. The art and cultural gap is evident incontemporary architecture. Homes, public buildings, streets and other examples of architecture not affected somuch by our rich past and this defect may be named as a crisis of identity, this research aims to revive nativearchitecture in the form of modern architecture and linking past and present and future architecture, researchmethods are analytical-descriptive with library and field methods, in a way that is able to adjust contemporaryarchitecture in a proper physical and in relation to cultural and artistic past of recreation and with modern life.This article tried to investigate facilities, features and architectural elegance of the past and emphasize to use itsconcepts in new architecture more than ever. The results show that the architecture of Lords has great potentialof cultural, artistic, aesthetic and well-being that can be used in modern architecture
