期刊名称：ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences
印刷版ISSN：2194-9042
电子版ISSN：2194-9050
出版年度：2005
卷号：XXXVI-5/W17
出版社：Copernicus Publications
摘要：There are many compelling arguments, worldwide, for the recording of indigenous art sites which are endangered by "people pressures". The Baiame cave painting in the Hunter Valley of Australia (lat. 33 S, Long 151 E) is one such site. Traditional methods for recording rock art sites are reviewed from the perspective of archaeologists, indigenous peoples, the general public and surveyors/photogrammetrists. Needs and expectations of these diverse groups can range from approximate sketches to 3-D computer models and animations. Previously a laser scanner was used in conjunction with digital photography to produce a realistic 3-D model of the Baiame cave (El-Hakim et. al., 2004). Some simple surveying measurements were needed to 'tie' the spectral information on the cave wall to the digital elevation model (DEM) defined by the laser scanning. A second attempt at modelling the same cave has recently been undertaken using surveyed control points, digital photography and automated image correlation software commercially available with the Leica Photogrammetric System to produce a DEM and orthophotography. The relative merits of both approaches are discussed and the implications arising from their adoption outlined. The output of such a 3-D processes are reviewed with respect to the present and possible future expectations of users
关键词：Archaeology; Cultural Heritage; Laser Scanning; Image Correlation; Digital Photogrammetry; Virtual Reality
