摘要:This is more of an engagement with Curtis’ classic text than a book review, its author being more concerned with expanding on the significance of some of the points made in Patio and Pavilion.Hatton explores the relationship between the artwork (mostly examples of sculpture) and its architectural container (that is, the pavilion, museum or gallery), and way in which that binary is deconstructed in the work of a number of architect-artists from Mies van der Rohe through to Dan Graham, where the pavilion itself becomes the object of display.
关键词:pavilion; sculpture; installation; display; Penelope Curtis; Mies; Dan Graham