摘要：In article the concept of absurdity of Alexander Vvedensky's poetry is analyzed. The author draws a conclusion that the consciousness is necessary for the person not for knowledge, and for suffering. And also to fill the emptiness with hallucinations. Unlike the French existentialism Vvedensky understands absurdity not as absurd, an illogicality, and as denial of metaphysical deafness at the person. The absurdity is a unique opportunity not to be the deaf among become deaf. In article the dramatic art of the play «Fir-tree at Ivanov» is analyzed. The author notes that the structure of desire of the person differs in nothing from desires at animals. In the play anybody deceives nobody because deception is possible in the knowledge horizon. And this horizon as the author notes, just and isn't enough for heroes of the play. But isn't present in the play and a hint on self-deception. All tell only the truth, but anybody in anything doesn't trust. In article the special attention is paid to idea of a madhouse of Vvedensky. It is noted that to be the madman, it is optional to go crazy. For this purpose it is necessary to remember what wasn't, and to forget that was. The madman not the one who calls himself the madman, and the one who will be called the madman by the doctor. The author draws a conclusion that time is a way of the existence doubled, which isn't coinciding with itself the person. Affecting itself, we always create time in which there are values and ghosts.
