摘要：In article activity of sign figures of the Russian vanguard of Vladimir Evgrafovich Tatlin, the first Soviet designer, and Efim Vladimirovich Ravdel, the first rector of the Highest state art and technical workshops is considered. The special attention is paid to the Penza period of their life. In 1905 Tatlin began the vocational education in Penza in Art school of N.D. Seliverstov upon termination of whom gained the diploma of the artist with the right of teaching drawing, drawing and calligraphy. During training he was admitted to school in Tsege's salon, participated in an exhibition of the third salon of the Golden Fleece magazine in Moscow. Then Tatlin moves to Moscow where arranges own workshop. Revolutionary events found Tatlin in St. Petersburg where he became the informal leader of «futurists». In April, 1918 he was appointed the chairman of the Moscow art board of Department FROM Narkompros. He taught in picturesque workshops of the Moscow and Petrograd Svomas. Ravdel since 1918 was the head of department of arts of Board of National education of the Penza provincial council of country and working deputies; I organized drama studio, national conservatory, the museum; I participated in exhibitions, debates, etc. In detail the reform of the Penza art school (1918-1920) which was carried out by it, attraction of pedagogical shots (D.P. Buryshkin, D.M. Iofan, etc.), a set of entrants, etc. is considered; creation of an architectural workshop of the Penza free state art workshops. In 1920 Ravdel went to Moscow where held the rector's position of Highest state art and technical workshops (1920-1923).
