出版社：Faculdade de Letras, Pontifícia Universidade Católica do Rio Grande do Sul
摘要：Based on the theoretical support of Gilbert Durand (2002), his imaginary theory, this study aimed to realize a hermeneutical analysis of the book Doze noturnos de Holanda (1987), by Cecília Meireles. This was possible by verifying how the writer deals with the images and symbols that express an euphemistic attitude and an acceptance of Tânatos horrendous’ face, based on the typical structures of the nocturnal regime of imaginative, in its mystical and syntactical facet.
关键词：Cecília Meireles;Imaginário;Regime noturno da imagem
