出版社：Faculdade de Filosofia e Ciências Humanas, Pontifícia Universidade Católica do Rio Grande do Sul
摘要：In line with hypothetical views of nature and art, this article aims at showing the role of painting within Schelling’s philosophy. Submitting pictorial works to new theoretical and speculative conditions, his thought frequently impels us into a different treatment of visibility. Being like this, this paper equally aims at indicating that Schelling’s definition of painting echos and anticipates some questions raised by contemporary philosophy – specially by phenomenology – about image.
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