摘要：In the age of technology, films have become the most popular form to convey the message of art. With this issue in mind, the present study has examined Kiarostami’s Through the Olive Tree (1994) from a postmodern perspective. The postmodern techniques used for this research are similar to those applied in literary studies. Through this investigation, it has been suggested that Abbas Kiarostami’s Through the Olive Tree has some common features with a postmodern novel. In this respect, both focus on the instability of meaning and the inadequacy of language to thoroughly exhibit the truth. Accordingly, Kiarostami has more focused on the process of filmmaking to convey his message. In conclusion, he has emphasized the significance of audiences’ involvement in a film by using postmodern techniques.
其他摘要：In the age of technology, films have become the most popular form to convey the message of art. With this issue in mind, the present study has examined Kiarostami’s Through the Olive Tree (1994) from a postmodern perspective. The postmodern techniques used for this research are similar to those applied in literary studies. Through this investigation, it has been suggested that Abbas Kiarostami’s Through the Olive Tree has some common features with a postmodern novel. In this respect, both focus on the instability of meaning and the inadequacy of language to thoroughly exhibit the truth. Accordingly, Kiarostami has more focused on the process of filmmaking to convey his message. In conclusion, he has emphasized the significance of audiences’ involvement in a film by using postmodern techniques.
关键词：postmodernism;film;feminism;fall of grand narrative;historical metafiction
