摘要：August Wilson’s twentieth century cycle including “Joe Turner’s Come and Gone” concentrates for the most part on the lives and experiences of his black characters; but because their lives are inseparable from those of white Americans, Wilson’s work also consistently examines whiteness through a black perspective. This paper studies his work’s deep involvement with his Racial Other.
其他摘要：August Wilson’s twentieth century cycle including “Joe Turner’s Come and Gone” concentrates for the most part on the lives and experiences of his black characters; but because their lives are inseparable from those of white Americans, Wilson’s work also consistently examines whiteness through a black perspective. This paper studies his work’s deep involvement with his Racial Other.
