摘要：In “How Wang Fo Was Saved”, the essay distinguishes three kinds of people in terms of their relationship to the world of art: the outsiders, the insiders, and the in-between. Wang Fo and Ling are the only insiders who really follow Dao (the way of all things). The essay argues that, Daoism is not only seen in Wang Fo’s paintings, it’s also lived by Wang Fo and Ling.
其他摘要：In “How Wang Fo Was Saved”, the essay distinguishes three kinds of people in terms of their relationship to the world of art: the outsiders, the insiders, and the in-between. Wang Fo and Ling are the only insiders who really follow Dao (the way of all things). The essay argues that, Daoism is not only seen in Wang Fo’s paintings, it’s also lived by Wang Fo and Ling.
