摘要：The search and subsequent redefinition of the personal and social identity constitutes one of the main objectives of everyone individual, as well as the differentiation and dialectical relationship between the self and the others. Similar dynamic and multidetermined process has been influenced by the symbolic and socialized action of the property groups and of others legitimize for the purpose agencies (family, peer-groups, mass-media, etc.). Likewise, we proceed to the presentation of identity in the daily life, goffmanian way, in the social stage where it shows manifold roles, way of characters in scene with several scripts to perform. Actor's personal identity derives from a socialized identity constructed from and by social relationships. In this article, by a psychosociological analysis perspective and with a dramatic art approach, we resort to the "theatrum mundi" analysis with the purpose of exemplify those self theatrical (re)presentations in the social scene.
关键词：Psychosocial identity;Dramatic art approach; Ortega y Gasset; Private/public self;Theatrum mundi;Identidad psicosocial;enfoque dramatúrgico;Ortega y Gasset;yo privado/público;theatrum mundi.
