摘要：This paper presents an analysis of the film M. Butterfly, directed by David Cronenberg, in 1993. This film is a version based on the opera Madame Butterfly, by Puccini. It aims to demonstrate the power and the strength of social representations as mechanisms for the production of meaning which allow social actors to construct, deconstruct and reconstruct the world in which they live and for which they loook for its meaning.
关键词：Social representations;Construction of meaning;Versions of the self;Representaciones sociales;Producción de sentido;Versiones del yo”.
