摘要：Hip hop is a powerful vehicle for the expression of identity and resistance in contemporary Aboriginal popular music. This paper examines the origins of Aboriginal hip hop and explains the reasons for its cultural and political significance. By looking at the influence of reggae in Aboriginal hip hop, especially in the work of CuzCo (Wire MC and Choo Choo), it locates hip hop’s history in terms of the reggae tradition in Aboriginal popular music, represented here by the work of No Fixed Address in the early 1980s. In this way hip hop is understood as part of a longer history of Aboriginal transnationalism. The paper seeks to understand how and why transnationalism is such an important element of Aboriginal political expression. It concludes by arguing that transnationalism represents a speaking position from which Aboriginal Australians can negotiate the cultural hegemony of the state.
