摘要：Over the past fifteen years, Brasília has nurtured an innovative blend of choro, rock, Northeastern Brazilian dance rhythms, and the experimental music of Hermeto Paschoal. The resulting hybrid genre features extended improvisations, improvisations that occasionally become fixed, repeatable parts of the composition through a process of auditory exchange from one musician to another. The music of harmonica player Pablo Fagundes exemplifies these tendencies.
关键词：Improvisation, Brasília, instrumental music, harmonica, choro, baião, Hermeto Pascoal, Hamilton de Holanda, Pablo Fagundes
