摘要：This work proposes a reflection of a phenomenon that occupies a large part of the speeches of Postmodernity, the spectacle of the real. We focus our reading in the eyes of the subject which is in front of shows from which emerges the real media. Departure of the analyses of some portraits that cause surprise, paintings that depict the boundary between the animal and human, the masculine and the feminine. Our journey ends in the reality show, in other words, the real show. In this sense, the sophistication of the "Linha Direta", Globo TV show, is notable, with scenes from "simulation" play with such perfection details of crimes, based on photographs of experts, police statements and testimonials, becomes case imperceptible to the Viewer to establish the boundary between fiction and information. Show as the television genre magnetizes the gaze of the Viewer. We are dealing with the experience of impulse escópica, a look at the threshold of the fascination with death.
