Current bibliography.

Diedrich, Carlee ; Gaither, Alexis ; Grondahl, E.L. 等

[The current bibliography aspires to include all serious contributions to Hemingway scholarship. Given the substantial quantity of significant critical work appearing on Hemingway's life and writings annually, inconsequential items from the popular press have been omitted to facilitate the distinction of important developments and trends in the field. Annotations for articles appearing in the Hemingway Review have been omitted due to the immediate availability of abstracts introducing each issue. Kelli Larson welcomes your assistance in keeping this feature current. Please send reprints, clippings, and photocopies of articles, as well as notices of new books, directly to Larson at the University of St. Thomas, 333 JRC, 2115 Summit Avenue, St. Paul, MN 55105-1096. E-Mail: KaLarsonl@stthomas.edu.]

BOOKS

Ammary, Silvia. The Influence of the European Culture on Hemingway's Fiction. Lanham, MD: Lexington, 2015. [Focusing on the language, food, customs, spaces, and literature of France, Spain, and Italy, Ammary examines the transformative effects of the Old World exemplified through theme and character in EH's major fiction, including FTA, FWBT, MF, SAR, and ARIT. Drawing on race theory and transnational studies, Ammary concludes that EH's Europe becomes "an alien culture that is sufficiently different from his American roots, and yet this otherness serves him and his characters to fulfill their psychological needs to grow up and learn and become one of the initiated through suffering and loss." Geared to both students and scholars. Includes a bibliography for further reading and helpful index.]

Hotchner, A.E. Hemingway in Love: His Own Story: A Memoir. New York: St. Martin's P, 2015. [Update of Hotchners 1966 Papa Hemingway based on their thirteen-year friendship. Hotchner explains that the current memoir, made up of excised portions of the 1966 manuscript, his original notes, and fifty-year-old recollections, reconstructs what EH told him about those tumultuous years spent in 1920s Paris. Relates EH's reminiscences regarding "the only real love" of his life, first wife Hadley Richardson, and his ultimate betrayal of her with Pauline Pfeiffer. Also comments on EH's relationships with his third and fourth wives and F. Scott Fitzgerald.]

Mazzeno, Laurence W. The Critics and Hemingway, 1924-2014: Shaping an American Literary Icon (Studies in American Literature and Culture: Literary Criticism in Perspective). Rochester, NY: Camden House, 2015. [Thorough synthesis of EH's critical reputation from its earliest beginnings in the 1920s to the present. Drawing on commentary from academia and the popular press, Mazzeno pays as much attention to the critics as he does to EH, exposing their biased collaboration "in creating and sustaining his reputation as a literary and cultural icon." Mazzeno primarily reviews the history of EH's reputation chronologically, examining important developments and trends in the field as he describes shifts in the authors reputation and explains the cultural and social influences behind it. Geared to scholars, students, and the general reader. Helpful index.]

Sanderson, Rena, Sandra Spanier, and Robert W. Trogdon, eds. The Letters of Ernest Hemingway Volume 3, 1926-1929. New York, NY: Cambridge UP, 2015. [Including all known surviving letters from 1926 through April 1929, this is the third volume of an estimated seventeen volume series of EH's correspondence. On a personal level, the letters cover the collapse of his first marriage to Hadley Richardson, his second marriage to Pauline Pfeiffer, the birth of their son Patrick, relocation to Key West from Paris, and his father's suicide. On a professional level, they document his progress from the literary expatriate scene to the mainstream market with the publication of SAR, TOS, MWW, and the writing of FTA. While his editor Max Perkins receives the lion's share of correspondence, other literary recipients include F. Scott Fitzgerald, Ezra Pound, and John Dos Passos. Helpful endnotes follow each of the 345 letters, identifying responses to people, places, and events. Editorial introductions survey the scope of EH's correspondence and letter-writing habits, and trace the progression of his literary career. Includes useful introductory materials such as a detailed chronology of the covered years and maps.]

Wyatt, David. Hemingway, Style, and the Art of Emotion. New York, NY: Cambridge UP, 2015. [Reassesses EH's canon to show his evolving style as more emotionally vulnerable than previously thought. Contends that EH's struggle with emotional reticence led to a lifelong revisioning of his writing style marked by his shift away from omission toward inclusion. Wyatt sums up the reader's emotional response to EH's characters as anxiety, embarrassment, and remorse in light of the successive phases of his early, middle, and late writing career. Wyatt adds a fourth response, forgiveness, in his analysis of FWBT. Discusses IOT, iot, SAR, FTA, DIA, GHOA, OMS, GOE, MF, among others. Geared to scholars, students, and the general reader.]

ESSAYS

Armstrong, Joel. '"A Powerful Beacon': Love Illuminating Human Attachment in Hemingway's A Farewell to Arms!' The Hemingway Review 35.1 (Fall 2015): 78-96.

Beall, John. "Hemingway's Formation of In Our Time!' The Hemingway Review 35.1 (Fall 2015): 63-77.

Bennett, Eric. "Canonical Bedfellows: Ernest Hemingway and Henry James." Workshops of Empire: Stegner, Engle, and American Creative Writing during the Cold War. Iowa City, IA: U of Iowa P, 2015. 142-205. [Comparison study focusing on the reasons behind the seemingly odd pairing of EH with James in graduate creative writing workshops of the Cold War era. Highlights EH's influence on and appeal to students, emphasizing his strict self-discipline in both writing and lifestyle and "meaty individualism." Bennett contrasts EH's stylistic contributions with James's more theoretical offerings focused on art rather than the artist. Frequent references to EH's canon throughout.]

Bewell, Alan. "Hyena Trouble." Studies in Romanticism 53.3 (Fall 2014): 369-97. [Brief reference to the hyena's and M'Cola's failure to sustain big game hunting's code of honor in GHOA.]

Brandt, Stefan L. "A Farewell to the Senses? Hemingway, Remarque and the Aesthetics of World War I." North America, Europe and the Cultural Memory of the First World War. Eds. Martin Loschnigg and Karin Kraus. Heidelberg: Neckar Universitatsverlag Winter GmbH, 2015. 215-25. [Comparison study of FTA with Remarque's All Quiet on the Western Front. Contends that though both authors convey their anti-war sentiments through the arousal of emotional response in their readers, EH relies on the technique of indirect and subtle omission, while Remarque directly and explicitly depicts the pain and brutality of war. Brandt discusses FTA's opening and closing and contrasts Henry's silent despair with Paul Baumer's open expression of feeling.]

Brioso, Cesar. "Boxing Ernest Hemingway." Havana Hardball: Spring Training, Jackie Robinson, and the Cuban League. Gainesville, FL: UP of Florida, 2015. 20-36. [Biographical sketch of EHs drunken pugilistic encounter with Dodger pitcher Hugh Casey during the Dodgers' 1942 spring training in Cuba.]

Cain, William E. "Comparison and Contrast: Orwell, Hemingway, and the Spanish Civil War." George Orwell. Ed. John Rodden. Ipswich, MA: Salem P, 2013. 59-78. [Argues both EHs FWBT and Orwell's Homage to Catalonia use the backdrop of war to retrospectively raise ethical and epistemic questions regarding the choices, commitments, and sacrifices one makes within the limitations of personal knowledge. Suggests EH and Orwell concluded ones only duty is to do one's best. Specifically explores Robert Jordan's choice to accept his fatal mission in the face of love and a seemingly unwinnable war.]

Calloway, Catherine. '"The Sea Change,' Clara Dunn, and the Hemingway-Pfeiffer Connection." Arkansas Review 45.2 (August 2014): 80-86. [Biographical account arguing that EH based the story's lesbian character on Pauline and her relationship with Dunn, her old college friend and traveling companion. Draws on their correspondence as evidence of a potential homosexual attraction that spurred EHs suspicion and resentment.]

Cardoni, Alex A. "Medicine and Medicines in Hemingway's Arkansas." Arkansas Review 45.2 (August 2014): 104-12. [Biographical exploration of EHs experience with medicine and the pharmaceutical industry through his father's occupation, relationship with Pauline Pfeiffer's family, and the suffering he witnessed in WWI. Cardoni speculates on the specific form and dosage of medications EH features in short stories written during his time in Piggott, Arkansas, including "A Simple Enquiry," "A Natural History of the Dead," "God Rest You Merry, Gentlemen," "A Day's Wait," and "The Snows of Kilimanjaro."]

Clark, Anna Leigh. "Ernest Hemingway in the North Woods." Michigan Literary Luminaries: From Elmore Leonard to Robert Hayden. Charleston, SC: History P, 2015. 15-31. [Biographical account of EH's connection to Northern Michigan and his writings inspired by childhood summers spent at Windemere. Comments on the region's only recent promotion of its tie to the famous author. Brief references to "Up in Michigan," "The Last Good Country," "Big Two-Hearted River," and other stories related to Michigan.]

Debeljak, Erica Johnson. "The Accidental Hero: Ernest Hemingway and Slovenia." Brick 95 (Summer 2015): 91-98. [Praises EH's rendering of the Isonzo Front in FTA for its realistic treatment of war and representation of the land despite EH's never having been in Slovenia.]

DiBattista, Maria. "The Real Hem." Modernism and Autobiography. Eds. Maria DiBattista and Emily O. Wittman. New York, NY: Cambridge UP, 2014. 170-81. [Seeks to extract "the real Hem" from his legendary public persona and fictions through an analysis of MF-RE. Asserts the importance of carefully reading EH's style in his portrayal of relationships with others, especially writers, which reveals how he sought truth and viewed himself and the autobiographical genre.]

Dodman, Trevor. "No Separate Peace: A Farewell to Arms as Trauma Narrative." Shell Shock, Memory, and the Novel in the Wake of World War I. NY: Cambridge UP, 2015. 83-110. [Reads Henry's retelling of his past trauma as a form of "prosthetic thinking," attempting to make whole a now uncertain, fragmented body and consciousness. Includes a history of America's response to shell-shocked WWI veterans and asserts Henry's shell shock, though never explicitly mentioned, causes dissociation with his body, present reality, and emotional awareness, ultimately leading to an inability to control and articulate his present even as he attempts to reconcile it with the past. Reprint with revision of '"Going All to Pieces': A Farewell to Arms as Trauma Narrative." Twentieth Century Literature 52.3 (2006): 249-74.]

Doyle, Michael F" III. "Hemingway's Pursuit of Self-Reliance." Litteraria Pragensia: Studies in Literature and Culture 24.48 (December 2014): 66-78. [Influence study situating SAR within the context of Emerson's writings, particularly "Self-Reliance." Analyzes SAR as a test of Emerson's vision for America to create a distinct cultural identity devoid of European thought. Identifies each character as broken and imperfect, but nonetheless striving for independence and freedom from past traditions within a lost generation.]

Feith, Michel. "Intertextual Homelands, Reimagined Communities in Two Southwestern Novels by Louis Owens." Recherches Anglaises et Nord-Americaines 46 (2013): 121-34. [Brief commentary on EH's influence on the tradition of nature writing in Native American literature.]

Fuchs, Daniel. "Ernest Hemingway, Literary Critic." Writers & Thinkers: Selected Literary Criticism. New Brunswick, NJ: Transaction Publishers, 2015. 1-26. [Reprint from American Literature 36 (1965): 431-51.]

Hawkins, Ty. "Modern War and American Literature: Ironic Realism, Satire, and Escape." Violence in Literature (Critical Insights Series). Ed. Stacey Peebles. Ipswich, MA: Salem P, 2014. 54-68. [Examines the concept of modern war, characterized by nationalism, industrialism, and total immersion, in Crane's The Red Badge of Courage, Hellers Catch-22, and FTA. Categorizing FTA as an example of the "separate peace" escape war narrative, Hawkins analyzes the question of whether or not life after war exists, concluding that Frederic and Catherine are doomed to fail from the beginning.]

Hawks, Howard. "Ernest Hemingway." Hawks on Hawks. Ed. Joseph McBride. Lexington, KY: UP of Kentucky, 2013. 116-19. [Interview. Hawks reminisces about his and news photographer Robert Capa's relationships with EH. Sheds light on EH's aversion to Hollywood.]

Herlihy-Mera, Jeffrey. "'Mojado-Reverso' or, a Reverse Wetback: On John Grady Cole's Mexican Ancestry in Corrnac McCarthy's All the Pretty Horses." Modern Fiction Studies 61.3 (Fall 2015): 469-92. [Brief treatment of Hemingway connections found in McCarthy's work.]

Inoue, Ken. "On the Creative Function of Translation in Modern and Postwar Japan: Hemingway, Proust, and Modern Japanese Novels." Translation and Translation Studies in the Japanese Context. Eds. Nana Sato-Rossberg, Judy Wakabayashi, and Jeremy Munday. London, England: Continuum, 2012. 115-33. [Discusses the 1940s Japanese debate over the role of creativity in literary translation and the notion of whether or not literary translations themselves constitute literature. Briefly examines Sei Itos literal translation of "Hills Like White Elephants," emphasizing its preservation of EH's foreign syntax. Surveys the impact of Japanese translations of EH's works on the development of new literary forms.]

Jefferson, Sam. " Ernest Hemingway: A Strange Fish." Sea Fever: The True Adventures that Inspired Our Greatest Maritime Authors, from Conrad to Masefield, Melville and Hemingway. London: Adlard Coles Nautical, 2015. 95-116. [Biographical study focusing on the people and events in EH's life that purportedly inspired OMS, such as his relationships with Cuban fisherman Carlos Gutierrez and his unfortunate marlin fishing incident with old friend Mike Strater. Details how the sea and his boat, Pilar, gave EH the necessary solace from his tumultuous life to create a novella with such "a profound understanding of nature, the sea, and the magic of man's relationship with both its unfathomable depths and the creatures therein." Includes excerpts from EH's journalism for the Toronto Star and Esquire, personal correspondence, and colleague testimonies.]

Josephs, Allen. "The War in 'Big Two-Hearted River."' Violence in Literature (Critical Insights Series). Ed. Stacey Peebles. Ipswich, MA: Salem P, 2014. 202-15. [Reprint from North Dakota Quarterly 79.3-4 (2012): 9-19 and more recently Josephs's On Hemingway and Spain: Essays & Reviews 1979-2013. Wickford, RI: New Street Communications, 2013.]

Karslake, Rachel. "Alice the Beautiful: Removing Society's Judgment in Hemingway's 'The Light of the World.'" MidAmerica 41 (2014): 105-14. [Contends that Alice "is the most obvious source of light" in the story. Karslake cites Tom's homosexuality and Native American ancestry as reasons for his and Nick's removal from the bar, leaving both outcasts. Claims Nick's narrative position as "other" allows him to eschew societal norms and find physical and intellectual beauty in Alice, a morbidly obese prostitute.]

Kim, Wook-Dong. "'Cheerful Rain' in Hemingway's A Farewell to Arms." Explicator 73.2 (April-June 2015): 150-52. [Argues against the traditional interpretation of rain as a tragic symbol, pointing to Frederic and Catherine's entrance to Switzerland as an instance in which rain signifies peace and happiness.]

Larson, Kelli A. "Current Bibliography." The Hemingway Review 35.1 (Fall 2015): 124-35.

Lawrence, Jeffrey. '"I Read even the Scraps of Paper I Find on the Street': A Thesis on the Contemporary Literatures of the Americas." American Literary History 26.3 (Fall 2014): 536-58. [Positions EH as the modernist exemplar of the U.S.'s "writer-as-experience" aesthetic, which directly contrasts with Latin America's "writer-as-reader" position, represented in Jorge Luis Borges' work. Asserts both subject positions merge in the writings of Robert Bolano to inspire the current generation of Latino-American writers. References SAR's Jake Barnes and Robert Cohn.]

Long, Adam. "Introduction: View from the Hill." Arkansas Review 45.2 (August 2014): 75-79. [Announces the Hemingway-Pfeiffer Museum and Educational Center's exhibit View from the Hill: The Globally-Connected Pfeiffer Family explicating the family's modern international history. Notes how EH was influenced by the Pfeiffers not only intellectually and financially, but also creatively, suggesting that Henry's fleeing to Switzerland in FTA was inspired by Washington Pfieffer's exile to Lugano, Switzerland, during WWI. Briefly introduces Arkansas Review scholarship that further highlights the Hemingway-Pfeiffer connection.]

Mandel Miriam B. "Dating the Narration of Hemingway's A Farewell to Arms: San Siro." The Hemingway Review 35.1 (Fall 2015): 53-62.

Maus, Derek C. "Ernest Hemingway (1899-1961)." Literature and Politics Today: The Political Nature of Modern Fiction, Poetry, and Drama. Ed. M. Keith Booker. Santa Barbara, CA: Greenwood P, 2015. 134-35. [Encyclopedic overview of EH's political engagement throughout his literary career. Suggests his overall experience with WWI led to a general disillusionment with politics, evidenced in SAR and FTA. Mentions his involvement with the Spanish Civil War where he was often viewed as a Communist sympathizer, a view subverted in FWBT.]

McKenna, Martha Barry. "Narrative Inquiry as an Approach for Aesthetic Experience: Life Stories in Perceiving and Responding to Works." Journal of Aesthetic Education 49.4 (Winter 2015): 87-104. [Pedagogical approach employing narrative inquiry. McKenna outlines her process of helping teachers develop skills of aesthetic perception and response to visual and performing arts for use in their own classrooms. Analyzes the form and content of works from various media, including sketches from MF focused on the development of EH's writing.]

Meyers, Jeffrey. "Hemingway and Van Gogh." Notes on Contemporary Literature 45.1-2 (2015): 2-3. [Compares Van Gogh's The Night Cafe to "A Clean, Well-Lighted Place," arguing for Van Gogh's influence in the way EH uses polarities such as light versus shadow and dignity versus degradation to reconstruct the artist's themes of despair, isolation, emptiness, and death.]

Milligan, Peter N. "Etxea (history of the San Fermin fiesta)." Bulls Before Breakfast: Running with the Bulls and Celebrating Fiesta de San Fermin in Pamplona, Spain. New York: St. Martin's P, 2015. 68-89. [Creative nonfiction piece including a short commentary on EH's history with and SAR's influence over the public's perception of the Fiesta de San Fermin. Briefly considers EH's lasting impact on the fiesta and popular culture.]

Paparoni, Ginerva. "The Limit Situation and the Leap of the Dancer in Hemingway's Death in the Afternoon and The Undefeated." II valore della letteratura. Scritture in onore di Luigi Sampietro. Ed. Paola Loreto. Milan, Italy: Mimesis, 2015. 145-52. [Not seen]

Pizer, Donald. "Hemingway in Action: A Dos Passos Painting from the 1924 Pamplona Fiesta." The Hemingway Review 35.1 (Fall 2015): 97-101.

Pottle, Russ. "Hemingway and The Journal of the American Medical Association: Gangrene, Shock, and Suicide in 'Indian Camp.'" The Hemingway Review 35.1 (Fall 2015): 35-52.

Ragsdell-Hetrick, Danell. "Catherine, the Baby and the Gas: The Fatal Effects of Twilight Sleep in A Farewell to Arms." Arkansas Review 45.2 (August 2014): 115-19. [Quasi-medical analysis arguing Catherine and her baby died from an overdose of the anesthetic Twilight Sleep as evidenced by her physical symptoms and altered cognitive state and by the baby's discoloration and lack of movement. Suggests Frederic caused the overdose by twice increasing Catherine's dosage and proposes his actions serve as EH's modernist warning against "progressive" medical practices.]

Richards, Bernard, ed. "Nick Adams Stories." The Greatest Books You'll Never Read: Unpublished Masterpieces by the World's Greatest Writers. New York, NY: Hachette Books, 2015.138-41.[ Recounts the familiar story of EH's lost manuscripts, speculating briefly on what might have happened to them.]

Ross, Lillian. "How Do You Like It Now, Gentlemen?" Reporting Always: Writings from The New Yorker. New York, NY: Scribner, 2015. 51-77. [Reprint from The New Yorker 26 (13 May 1950): 36-62.]

Schmidt, Amy. "Forty Plus Coats of Paint: Pauline Pfeiffer-Hemingway as an (Almost) Delta Debutante." Arkansas Review 45.2 (August 2014): 87-100. [Argues present scholarship has done Pauline a disservice by overlooking the critical interaction of her southern belle identity with her subversive attitudes towards gender roles and bodily stylization. Suggests that Pauline's interest in disrupting tradition may have inspired Catherine's gender-bending in GOE.]

Shul'ts, Sergei. "Hemingway and Tolstoy: 'The Snows of Kilimanjaro' and 'Death of Ivan Il'ich.'" Tolstoy Studies Journal 25 (2013): 82-89. [Comparison study drawing on the theories of twentieth-century philosophers Husserl, Heidegger, and Bakhtin. Shul'ts focuses on the similarities and discrepancies in Tolstoy's and EH's narrative structure, character placement, construction of subjective reality, and attention to fate and predetermination. Emphasizes how EH's Harry appreciates the natural world and dies an individualistic death, while Tolstoy's Ivan transcends worldly concerns to find universal meaning in his death.]

Stodola, Sarah. "Ernest Hemingway." Process: The Writing Lives of Great Authors. New York: Amazon, 2015. 132-42. [Familiar biography of EH's professional life, along with details of his writing habits and processes.]

Strohmer, Shaun. '"The Snows of Kilimanjaro': Ernest Hemingway." Short Story Criticism, Vol. 212. Ed. Lawrence J. Trudeau. Detroit, MI: Gale, 2015. 231 24. [Opens with a brief survey of the story's publication history and critical reception, focusing on the autobiographical protagonist and major themes such as the life of the artist, the role of masculinity, and presentation of death. Reprints critical essays ranging from 1949 through 2013 by such well-known EH scholars as Robert W. Lewis, Linda Wagner-Martin, and David L. Anderson. Concludes with an annotated bibliography of further readings, including biographies, bibliographies, and criticism.]

Tackach, James. "Project Healing Waters Fly Fishing and Hemingway's 'Big Two-Hearted River.'" The Hemingway Review 35.1 (Fall 2015): 102-05.

Trogdon, Robert W. "'I am constructing a legend': Ernest Hemingway in Guy Hickok's Brooklyn Daily Eagle Articles." Resources for American Literary Study 37 (2014): 181-207. [Details EH's mutually beneficial relationship with fellow reporter Guy Hickok, mentioned in "Che Ti Dice La Patria?," beginning with their initial 1921 meeting in Paris. Reprints six of twelve previously unknown Hickok articles about EH, demonstrating in part the development of EH's early reputation. Includes explanatory notes and a list of Hickok's other EH writings.]

Vernon, Alex. "The Rites of War and Hemingway's The Sun Also Rises." The Hemingway Review 35.1 (Fall 2015): 13-34.

--. "Afterthoughts on 'The Rites of War and The Sun Also Rises' Inspired by For Whom the Bell Tolls!' Hemingway Review Blog. Hemingway Society, 17 December 2015. Web. 22 Dec. 2015. [Companion piece. Vernon argues for the significance of the war-corrida correlation through connections with Robert Jordan, Pilar, Andres, and Finito. See The Hemingway Review 35.1 (Fall 2015): 13-34.]

Zakeviciene, Indre. "Lithuanian Literature in the Scope of Distant Reading." Interlitteraria 19.1 (2014): 120-30. [Briefly applies network theory to the Madame Lecomte's restaurant scene in SAR to show that bar space generates congenial connections useful for broadening one's knowledge.]

INTERNET RESOURCES

Barker, Christopher. "Hemingway's Death in the Afternoon and the Fear of Death in War." War, Literature, and the Arts 26 (2014): http://www.usdfa.edu/ dfey/wla. [Presents DIA as EH's therapeutic counsel to violent, inexplicable trauma, especially during war, by demonstrating the naturalness, inevitability, and goodness of suffering and death via the tragic bullfight. Argues the "rules of the ritual" make unfathomable suffering more tenable and allow for the necessary reflection when confronting death.]

DISSERTATIONS

Bennett, Mark S. "Terrorism and Sentiment in Twentieth-Century Fiction: Conrad to DeLillo." DAI-A 76/01(E), July 2015.

McDuffie, Bradley Roy. '"Up the long, long street"': The Poetry, Other Writings, and Life of Donald Junkins." DAI-A 77/04(E), October 2016.

Wagenblast, Becky Ann. "Gender and Agency in Tender is the Night, Save Me the Waltz, and The Garden of Eden" DAI-A 77/03(E), September 2016.

SCHOLARSHIP IN LANGUAGES OTHER THAN ENGLISH BOOKS

Bude, Frans. Achter het Verdwijnpunt. Gedichten Over Verlies en Eindigheid, Maar Bruisend van Vitaliteit en Zeggingskracht. Amsterdam: Meulenhoff, 2015. [Dutch]

Chen, Rongbin. Wei Xian de You Yi: Chao Yi Hai Ming Wei & Fei Zi Jie Luo. Tai Bei Shi: Nan Fang Jia Yuan, 2015. [Chinese]

Fernandez de Castro, Alex. La Masia: Un Mirdpara Mrs. Hemingway. Valencia: Universitat de Valencia, 2015. [Spanish]

Leiwig, Horst. Nachtschwarz, Himmelgrau 23 Kurzgeschichten uber Gewinner und Verlierer. Verl Chiliverlag, 2015. [German]

Strassle, Andy. An den Zerbrochenen Stellen Stark Essays uber Ernest Hemingway. Basel Informationsluecke-Verlag, 2015. [German]

Wenzl, Bernhard. Great War Literature. World War I In US-American War Novels. Munich: GRIN Verlag GmbH, 2015. http://nbn-resolving.de/ urn:nbn:de: 101:1-201504097468. [German]

Zezelj, Aleksandra. "Proza Ernesta Hemingveja iz ugla teorija roda i razlike." Diss. U of Belgrade, 2016. http://phaidrabg.bg.ac.rs/o:10314 or http:// eteze.bg.ac.rs/application/showtheses?thesesID=2359. Serbian]

ESSAYS

Campillo-Fenoll, Marcos. "La Ansiedad de la Influencia: La Renovada Presencia de Ernest Hemingway en la Escritura de Grabriel Garcia Marquez." Revista de Estudios Columbianos 41-42 (2013): 38-48. [Spanish]

Perilli, Carmen. "Mitologias de Autor en la Escritura de Leonardo Padura Fuentes: Entre Heredia y Hemingway." Revista Iberoamericana 79.244-245 (July-December 2013): 989-99. [Spanish]

Tong, Man. "On Tang Xinmei's Translation of A Farewell to Arms." Journal of Modern Literature in Chinese 11.2 (Spring 2014): 129-45. [Chinese]

BOOK REVIEWS

[Books are arranged alphabetically by author. Reviews are also arranged alphabetically by author and follow the book's bolded citation.]

Carroll, Peter N. From Guernica to Human Rights: Essays on the Spanish Civil War. Kent, OH: Kent State UP, 2015.

Guill, Stacey. "Book Reviews." The Hemingway Review 35.1 (Fall 2015): 118-21.

Chamberlin, Brewster S. The Hemingway Log: A Chronology of His Life and Times. Lawrence, KS: UP of Kansas, 2015.

Wyatt, David. "The Hemingway Log: A Chronology of His Life and Times." The Hopkins Review 8.4 (Fall 2015): 608-11.

Cohassey, John. Hemingway and Pound: A Most Unlikely Friendship. Jefferson, NC: McFarland, 2014.

Flora, Joseph M. "Book Reviews." The Hemingway Review 35.1 (Fall 2015): 115-18

Donaldson, Scott. The Impossible Craft: Literary Biography. University Park: Pennsylvania State UP, 2015.

Downing, Ben. "The Impossible Craft: Literary Biography." The Hopkins Review 8.4 (Fall 2015): 588-95.

Kale, Verna. "Book Reviews." The Hemingway Review 35.1 (Fall 2015): 112-15.

McFarland, Ron. Appropriating Hemingway: Using Him as a Fictional Character. Jefferson, NC: McFarland, 2014.

Curnutt, Kirk. "Book Reviews." The Hemingway Review 35.1 (Fall 2015): 106-11.

Spanier, Sandra, Albert J. DeFazio III and Robert W. Trogdon, eds. The Letters of Ernest Hemingway Volume 2, 1923-1925. New York: Cambridge UP, 2013.

Graham, Sarah. "The Letters of Ernest Hemingway Volume 2, 1923-1925." Times Literary Supplement (4 April 2014): 23.

Mendelson, Edward. "The Letters of Ernest Hemingway: volume 2, 1923-1925." New York Review of Books 61.13 (2014): 30-31.

Wheeler, Robert. Hemingway's Paris: A Writer's City in Words and Images. NY: Yucca, 2015.

Bevilacqua, Thomas. "Book Reviews." The Hemingway Review 35.1 (Fall 2015): 121-23.

Carlee Diedrich, Alexis Gaither, E.L. Grondahl, and Meghan D. Heitkamp

University of St. Thomas