Current bibliography.

Larson, Kelli A.

[The current bibliography aspires to include all serious contributions to Hemingway scholarship. Given the substantial quantity of significant critical work appearing on Hemingway's life and writings annually, inconsequential items from the popular press have been omitted to facilitate the distinction of important developments and trends in the field. Annotations for articles appearing in The Hemingway Review have been omitted due to the immediate availability of abstracts introducing each issue. Kelli Larson welcomes your assistance in keeping this feature current. Please send reprints, clippings, and photocopies of articles, as well as notices of new books, directly to Larson at the University of St. Thomas, 333 JRC, 2115 Summit Avenue, St. Paul, MN 55105-1096. E-Mail: KaLarson1@stthomas.edu.]

BOOKS

Andersen, Richard F. Ernest Hemingway and World War I. New York, NY: Cavendish Square, 2015. [Overview geared to young adults. Andersen covers the influence of World War I and the Paris expatriate scene on EH's life and works before moving into a familiar biography of the author. Analyzes SAR and FTA, including plot synopses and discussions of major characters, themes, and symbols. Numerous black-and-white photos.]

Chamberlin, Brewster S. The Hemingway Log: A Chronology of His Life and Times. Lawrence, KS: UP of Kansas, 2015. [Comprehensive and detailed chronology of EH's life, work, and cultural contexts beginning with the 1835 birth of Mark Twain and ending with the 2013 publication of the second volume of EH's letters. Drawn from biographies, memoirs, letters, notebooks, and collections, Chamberlin's entries form a near day by day calendar of important and influential people, places, and events making up EH's cultural milieu. Attempting to correct some of the myths and confusions written about EH over the years, Chamberlin's appendices cover such topics as EH's 1936 dustup with Wallace Stevens, introduction to Martha Gellhorn at Sloppy Joe's in Key West, and his espionage activities with the FBI. Extensive footnotes and index.]

Donaldson, Scott. The Impossible Craft: Literary Biography. University Park, PA: Pennsylvania State UP, 2015. [Detailed account of the challenges Donaldson faced while writing numerous literary biographies on EH, F. Scott Fitzgerald, Edwin A. Robinson, and others. Donaldson addresses such practical issues as the difficulties of determining relevant details, dealing with surviving family, and over identifying with one's subject. Always attuned to the craft behind the genre, Donaldson discusses the problems of sorting out the real EH behind his public persona and EH's often contentious relationships with his biographers. Includes a survey of the most current EH biographies on the market. Helpful index.]

Hemingway, Mariel. Out Came the Sun: Overcoming the Legacy of Mental Illness, Addiction, and Suicide in My Family. New York, NY: Regan Arts, 2015. [Memoir by EH's granddaughter about growing up in a family struggling with mental illness and addiction. Frequent but brief references to EH throughout.]

McFarland, Ron. Appropriating Hemingway: Using Him as a Fictional Character. Jefferson, NC: McFarland, 2015. [Popular fiction study centered on the numerous refashionings of EH as a fictional character in novels, stories, movies, and poems. For each work, McFarland describes the extent of the author's appropriation of EH's life, writing style, and characters and corrects biographical and historical fallacies to set the record straight. While fictional biography clearly keeps the EH legend alive, McFarland also hopes that such fictional takes will encourage readers to return to EH's writing.]

Rhodes, Richard. Hell and Good Company: The Spanish Civil War and the World It Made. New York, NY: Simon & Schuster, 2015. [Biographical approach based on eye witness accounts of the war by writers, reporters, artists, and nurses. Rhodes relates EH's experiences at the Hotel Florida while reporting for NANA, including the April 1937 shelling of the hotel during an assault on Madrid. Notes that EH's 1938 short story "Night Before Battle" was based on an elevator encounter with a trio of drunks at the Florida. Also recounts EH's efforts, along with others, to garner American support at home for the Spanish Republic. References to EH throughout.]

Rodenberg, Hans-Peter. The Making of Ernest Hemingway: Celebrity, Photojournalism and the Emergence of the Modern Lifestyle Media. Berlin: Lit Verlag, 2014. [Blends biography with media studies to examine the forces behind the creation of the EH legend. Rodenberg analyzes EH's long-term symbiotic relationship with celebrity media, from his early self-promotion as an apprentice journalist at the Kansas City Star to his tragic death. Covers trends in advertising and publishing during the first half of the century, focusing on the rise of the glamour industry, gentleman's magazines, photojournalism, and the Hollywood image of the virile male. Concludes that EH's meteoric fame eventually eclipsed his talent.]

Wheeler, Robert. Hemingway's Paris: A Writer's City in Words and Images. New York, NY: Yucca, 2015. [Inspired by MF, this collection of ninety-five stunning black-and-white photographs captures the people, streets, and favorite haunts of EH's Paris during the first half of the twentieth century. Accompanying narrative highlights the modernist milieu and EH's love for Hadley.]

ESSAYS

Adair, William. "The Sun Also Rises: Sgt. Stubby the Dog in the Window and Other War Allusions." Notes on Contemporary Literature 43.4 (September 2013) : 7-8. [Explicates subtle World War I allusions, including celebrity war dog Sergeant Stubby, the pictures of "dead" game animals (soldiers) Jake sees in Burguete as well as the 144th Infantry Regiment and other "war" numbers and dates to show the past is not far from Jake's mind as he writes his novel. See Adair's note (The Hemingway Review 34.1 (Fall 2014) : 76-81) for an extended treatment of war allusions during Jake and Bill's night out in Paris.]

Anesko, Michael. "The Torments of Spring: Jake Barnes's Phantom Limb in The Sun Also Rises." Literature and Medicine 33.1 (Spring 2015): 52-69. [Examines the neurological and psychological after-effects of Jake's accidental transgendering, concentrating on the phenomenon of phantom limb sensation on Jake's conflicted sexuality. Anesko argues that Jake's phantom member is capable of experiencing stimulation and thus leaves him in a bisexual limbo, unable to satisfy Brett but more accepting of a relaxed masculinity that opens up a range of new kinds of masculine intimacy.]

Armengol, Josep M. "Revisiting Masculinity and/as Whiteness in Ernest Hemingway's Green Hills of Africa and Under Kilimanjaro." Masculinities in Black and White: Manliness and Whiteness in (African) American Literature. New York, NY: Palgrave Macmillan, 2014. 71-89. [Masculinity study. Contending that race and gender are interdependent in EH's works on Africa, Armengol analyzes how EH's imperialistic and sexist worldviews in GHOA dramatically change to a defense of "both sexual and racial difference" in UK. (Reprint of "Rac-ing Hemingway: Revisions of Masculinity and/as Whiteness in Green Hills of Africa and Under Kilimanjaro" in The Hemingway Review 31.1 (Fall 2011): 43-61.)]

Beegel, Susan F. "The Monster of Cojimar: A Meditation on Hemingway, Sharks, and War." The Hemingway Review 34.2 (Spring 2015): 9-35.

Behun, Molly, Rachel M. Busse, Shannon Heitkamp, and Lesley Roe. "Current Bibliography." The Hemingway Review 34.2 (Spring 2015): 142-52.

Boelhower, William. "Hemingway, the Figure of the Bicycle, and Avant-garde Paris." The Hemingway Review 34.2 (Spring 2015): 52-71.

Cain, William E. "Sentencing: Hemingway's Aesthetic." Society 52.1 (February 2015): 80-85. [Striving for more than a stylistic analysis at the sentence level, Cain attempts to explain the larger concept of EH's aesthetic encompassing the author's writing, art, and language. Cain focuses on EH's decisions to include, exclude, and revise sentences and the effects of those choices on the reader. Laments that EH could not sustain his masterful aesthetic beyond the 1920s.]

Camastra, Nicole J. "'A Study in Pain': Musical Variations and Ernest Hemingway's 'The Gambler, the Nun, and the Radio.'" American Short Story. Eds. Michael Cocchiarale and Scott Emmert. Ipswich, MA: Salem P, 2015. 99-113. [Analyzes the story's experimental structure and thematic treatment of pain in light of the musical concept of variations, a popular contemporary genre emphasizing differing perspectives of the same musical idea. Camastra reads the ending as fairly optimistic with Frazer able to tune out his anxieties about the future by listening to the radio. Concludes that the structure of variations enabled EH to revisit important themes of his oeuvre such as courage, resiliency in the face of adversity, and vocational identity.]

Carroll, Peter N. From Guernica to Human Rights: Essays on the Spanish Civil War. Kent, OH: Kent State UP, 2015. Pp. 71-87: "American Tourists in Spain." [Surveys authors sympathetic to the Republican cause such as EH, Martha Gellhorn, and Josephine Herbst, recounting their wartime activities as witnesses, reporters, and volunteer fighters. Carroll stresses EH's love of the Spanish people over his commitment to politics and relates the bitter controversy with the Lincoln veterans following the publication of FWBT which many characterized as anti-communist. Argues against speculation regarding Milton Wolff, last commander of the Lincoln Brigade, as the prototype for Robert Jordan.]

Pp. 88-112: "Ernest Hemingway, Screenwriter: Letters About For Whom the Bell Tolls." [Reprints EH's 1942 correspondence with Paramount critiquing the screenplay for the movie version of FWBT. Among his chief concerns were the script's political ramifications for the current war, numerous factual errors, and bad dialogue. Carroll follows up with an explication of EH's objections.]

Ciocia, Stefania. "Tim O'Brien, Ernest Hemingway, and the Short Story Cycle Tradition." Tim O'Brien. Ed. Robert C. Evans. Ipswich, MA: Salem P, 2015. 82-99. [Comparison study of The Things They Carried with IOT, opening with a discussion of their partial adherence to the conventions of the short story cycle before moving into an analysis of "Soldier's Home" and "Speaking of Courage." Ciocia argues that O'Briens Norman Bowker tries to break through the silence and half truths of maladjusted veterans like Harold Krebs by attempting to say what Krebs would not say. Concludes that Bowker's need to bond with his audience by telling his story contrasts sharply with Krebs' desire for silence and solitude.]

Clark, Robert C. "L'Ancienne: Ernest Hemingway's In Our Time." American Literary Minimalism. Tuscaloosa, AL: UP of Alabama, 2015. 22-48. [Explores EH's contributions to American minimalism through a close reading and stylistic analysis of EH's precise molding of narrative in the stories and vignettes of IOT. Clark draws on manuscripts to illustrate EH's theory of omission in action, focusing on his use of spare details and nonintrusive narration to achieve emotional depth and thematic complexity.]

Coffman, Chris. "Visual Economies of Queer Desire in Gertrude Stein's The Autobiography of Alice B. Toklas." Arizona Quarterly 70.4 (Winter 2014): 49-83. [Treats the narrative's multiple perspectives in relation to modernism. Coffman details Stein's homosocial bonding with other artists and writers of the modernist period, looking specifically at how The Autobiography establishes Stein's masculinity through, among other things, her relationships with men such as EH, Picasso, and Sherwood Anderson. Coffman discusses Stein's response to EH's later hostility toward his early mentors.]

Coker, Christopher. "Robert Jordan: I Can Do No Other: For Whom the Bell Tolls, Ernest Hemingway." Men at War: What Fiction Tells Us About Conflict, from The Iliad to Catch-22. New York, NY: Oxford UP, 2014. 107-18. [Summarizes the plot before moving into a brief discussion of Jordan's values and heroism. Coker characterizes Jordan as a "liberal ironist" who cares about others simply because he does and concludes that for EH, "true courage was to continue fighting even when one has no idea what one is fighting for."]

Constantakis, Sara and Anne Devereaux Jordan. "A Moveable Feast." Novels for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels, Vol 48. Farmington Hills, MI: Gale, Cengage beaming, 2014. 182-201. [Critical overview situating the narrative within the historical and cultural contexts of World War I and the Lost Generation. Includes a brief biography of the author, plot summary, descriptions of important people mentioned in the memoir, and excerpts of criticism ranging from 1992 to 2015.]

Daiker, Donald A. "In Defense of Hemingway's Young Nick Adams: 'Everything Was Gone to Hell Inside of Me.'" Texas Studies in Literature and Language 57.2 (Summer 2015): 242-57. [Defends against criticism of Nick as immature and unkind through a close reading of both "The End of Something" and "The Three-Day Blow." Interpreting Nick's treatment of Marjorie in light of Nick's own emotional turmoil, Daiker characterizes his behavior as honest and respectful. Daiker also addresses Bill's supposed influence on the break up and Marjorie's response signaling the start of her recovery. Closes with a discussion of EH's influence on Raymond Carver's "What We Talk about When We Talk about Love."]

--. "What to Make of Hemingway's 'Summer People'?" The Hemingway Review 34.2 (Spring 2015): 36-51.

--. "Hemingway's Neglected Masterpiece: 'Cross-Country Snow.'" MidAmerica: The Yearbook of the Society for the Study of Midwestern Literature 41 (2014): 23-38. [Lamenting the story's lack of serious critical consideration, Daiker provides a close reading within the context of IOT to reveal the story's carefully crafted structure and thematic significance. Daiker draws on unpublished manuscripts in his exploration of important EH themes such as resiliency in the face of adversity and the value of friendship, concluding that the story ends with Nick optimistically headed home to face his responsibilities.]

Dettman, Jonathan. "Eclipse and Re-emergence of a Critical Discourse on Hemingway in Cuban Literature and Film." Latin Americanist 58.3 (September 2014): 31-50. [Discusses the molding of EH's image by various Cuban artists according to evolving political and economic situations during the island's Soviet and post-Soviet periods. Dettman focuses on the writings of Guillermo Cabrera Infante, Edmundo Desnoes, Leonardo Padura and on the films of Fausto Canel, Tomas Gutierrez Alea and others in his discussion of EH's changing image.]

Groff, Bethany. "Ernest Hemingway's Return from the Italian Front." World War I (1914-1919). Ed. Michael Shally-Jensen. Ipswich, MA: Salem P, 2014. 206-08. [Overview of EH's experiences as an ambulance drive at the Italian Front. Reprints portions of a 1919 New York Sun article and letter to EH's parents by fellow ambulance drive and friend Ted Brumback detailing EH's wounding.]

Hayes, Kevin J. "A Closer Look at Hemingway's Friend Mike Ward." Notes and Queries 61.4 (December 2014): 594-97. [Sets the biographical record straight concerning Mike Ward, mentioned in MF and best known as the subject of EH's often related Parisian bar-fight anecdote.]

Hays, Peter L. "Hemingway as Social and Political Writer." The Hemingway Review 34.2 (Spring 2015): 111-17.

Helama, Samuli. "Ernest Hemingway's Description of the Mountaintop in 'The Snows of Kilimanjaro' and Climate Change Research." The Hemingway Review 34.2 (Spring 2015): 118-23.

Herlihy-Mera, Jeffrey. "Cormac McCarthy's Debt to Ernest Hemingway's Maestro: Allusions to Arnold Samuelson in All the Pretty Horses." Cormac McCarthy Journal 12.1 (2014): 89-94. [Explores connections to the troubled life of Arnold Samuelson, EH's young Key West apprentice, boat hand, and subject of his Esquire article "Monologue to the Maestro," found in McCarthy's novel.]

Hernandez, Alexa. "Man Up: The Obsessive Use of Joke in For Whom the Bell Tolls." CCTE Studies 79 (October 2014): 81-88. [Textual analysis of instances where speakers use the word "joke" to establish or enhance their masculinity. Hernandez points to EH's calculated insertions of humor within unhappy situations to emphasize the novel's ironic lack of humor.]

Kallay, Katalin G. "The Bark-Peelers of the North: A Reading of Ernest Hemingway's Indian Camp." Indigenous Perspectives of North America: A Collection of Studies. Eds. Eniko Sepsi, Judit Nagy, Miklos Vassanyi, Janos Kenyeres, James W. Oberly, and Jozsef Fulop. Newcastle upon Tyne, England: Cambridge Scholars, 2014. 206-14. [Explaining the difficulties of intercultural communication, Kallay argues for the usefulness of literature in breaking down racial prejudice in her reading of "Indian Camp." Discusses the inclusion of Native American spirituality as well as the symbolic significance of the number two denoting the differences and parallels between the two cultures.]

Khan, Uddin Jalal. "Treatment of the Spanish Civil War in Malraux's Man's Hope, Orwell's Homage to Catalonia, and Hemingway's For Whom the Bell Tolls." Perspectives: Romantic, Victorian, and Modern Literature. Newcastle upon Tyne, England: Cambridge Scholars, 2015.446-74. [Compares the authors' differing perspectives on the Spanish Civil War, contending that EH, though anti-Fascist, remained politically "uncommitted." Khan explains that while Malraux ignores the divisiveness within the Republican government that contributed to Franco's victory, Orwell openly condemns both the authoritarian power of the Communists and their damaging internal struggles. Concludes that while EH remained politically neutral in his reporting for NANA, his anti-war sentiments emerge in FWBT through his humanitarian concern for those fighting on both sides.]

Ledden, Dennis B. "Self-Parody and Satirized Lovers in The Torrents of Spring." The Hemingway Review 34.2 (Spring 2015): 91-104.

McParland, Robert. "Ernest Hemingway and F. Scott Fitzgerald: Friendship and Rivalry." Beyond Gatsby: How Fitzgerald, Hemingway, and Writers of the 1920s Shaped American Culture. Lanham, MA: Rowman & Littlefield, 2015. 15-44. [Explores the influence of EH's and Fitzgerald's 1920s fiction on the reshaping of the new American novel. McParland gives greater attention to Fitzgerald's contributions but provides a brief biography of EH's Paris apprenticeship, conflicted friendship with Fitzgerald, and break from Stein along with a survey of the composition, publication, and critical reception of IOT, SAR, and FTA.]

Meyers, Jeffrey. "Lee Miller and Martha Gellhorn: Parallel Lives." Antioch Review 73.1 (Winter 2015): 56-64. [Compares Gellhorn's life with contemporary photographer and model Lee Miller, noting both women's inablity to form stable relationships with husbands and lovers. Meyers recounts familiar elements of Gellhorn's contentious marriage to EH.]

Paul, Gill. "Ernest Hemingway & Agnes von Kurowsky." World War I Love Stories: Real-life Romances from the War that Shook the World. East Sussex, UK: Ivy P, 2014.80-91. [Familiar recounting of EH's wartime romance with Red Cross nurse Agnes von Kurowsky.]

Pekkanen, Hilkka. "Who's Got Rhythm? Rhythm-Related Shifting in Literary Translation." Palimpsestes 27 (2014): 129-47. [Translation study of rhythmic elements in the rendering of English novels into Finnish, including SAR and FWBT. Concludes that rhythm is only one influence governing the multidimensional and interactive process of translation.]

Takayoshi, Ichiro. "Americans in Spain." American Writers and the Approach of World War II, 1930-1941: A Literary History. New York, NY: Cambridge UP, 2015. 72-98. [Overview of the global tensions leading up to the Spanish Civil War and the scope of EH's considerable involvement, including his NANA dispatches, collaboration on the propaganda documentary The Spanish Earth, fund raising efforts for the Republic, and writing of FC and FWBT. Analyzes EH's characterization of the war through the lens of FWBT. Takayoshi focuses on the nuances of EH's political collaboration with Communists, his evolving process for distinguishing the truth of the war, and the obstacles he faced while writing FWBT. (Portions reprinted from "The Wages of War: Liberal Gullibility, Soviet Intervention, and the End of the Popular Front." Representations 115.1 (Summer 2011): 10229.)]

Tangedal, Ross K. "Excuse the Preface: Hemingway's Introductions for Other Writers." The Hemingway Review 34.2 (Spring 2015): 72-90.

--. "Designed to Amuse: Hemingway's The Torrents of Spring and Intertextual Comedy." Midamerica 41 (2014): 11-22. [Close reading of the "Author's Notes" to readers critiquing his early mentors, the nature of authorship, and the publishing industry. Tangedal concludes that with these experimental intertextual elements EH was able to mimic Sherwood Anderson's authorial persona while simultaneously satirizing it.]

West, Kevin R. "What He Says about 'the Cat': Enrique Vila-Matas on Hemingway's 'Cat in the Rain.'" The Hemingway Review 34.2 (Spring 2015): 105-10.

Yoshioka, Fumio. "Through a Brutal Night into a Dawn of Adolescence--Ernest Hemingway's 'Indian Camp.'" Reading Short Stories: British, Irish and American Storytellers. Okayama City, Japan: School of Letters, Okayama U, 2014. 292-313. [Close reading exploring the night's tumultuous events, Nick's initiation into life and death, and changes in his relationship with his father. Yoshioka discusses the significance of light symbolism, cyclical movement, and representations of fatherhood.]

INTERNET RESOURCES

Ali, Sundus Muhsin and Khalid Shakir Hussein. "The Comparative Power of Type/Token and Hapax Legomena/Type Ratios: A Corpus-based Study of Authorial Differentiation." Advances in Language and Literary Studies 5.3 (2014): 112-19. http:/journals.aiac.org.au/index.-php/alls/index. [Highly technical linguistic study on the viability of statistical processing in determining stylistic differences and authorial consistency in four experimental authors: EH, Joyce, Woolf, and Faulkner. Passages drawn from SAR and FTA reveal both EH's overall stylistic constancy and distinction from the others.]

Fike, Matthew A. "Hemingway's Francis Macomber in 'God's Country.'" Journal of Jungian Scholarly Studies 9.5 (2014): http://www.thejungiansociety.org/. [Psychological approach applying Jung's theories of the personal and collective unconscious to Macomber's psychological growth. Fike argues that Macomber overcomes both his mother complex and connects with his inner ancient hunter persona, concluding that whether or not Margot shot at the buffalo is irrelevant since her goal was to destroy primordial masculine strength.]

Flood, Alison. "Letter from Ernest Hemingway's Widow Could Solve Cuban Farmhouse Mystery." The Guardian (12 February 2015): http://www. theguardian.com/books/2015/feb/12/letter-ernest-hemingway-wife-martyhouse-cuba-finca-vigia?. [On a newly discovered 1961 letter by Mary Hemingway in which she expresses her desire that the Finca Vigia be donated to the people of Cuba. Contradicts her later claim that the property was coerced from her.]

DISSERTATIONS

Casto, William J. "Fordism & Modernist Forms: The Transformation of Work and Style." DAI-A 76/02(E), August 2015.

Civille, Michael. "Illusions of Prestige: Hemingway, Hollywood, and the Branding of an American Self-Image." DAI-A 74/07(E), January 2014.

Ellis, Charles Steven. "Escape as Motif and Theme in Modern American Fiction: Kate Chopin, Edith Wharton, F. Scott Fitzgerald, and Ernest Hemingway." DAI-A 76/02(E), August 2015.

Gibson, Jason M. "The American Dream: A Place of My Own, a Place to Call Home." DAI-A 74/10(E), April 2014.

Gutkin, Len. "Dandiacal Forms." DAI-A 76/07(E), January 2016.

Ooms, Julie. '"Our Grand Narrative of Women and War': Writing, and Writing Past, a Gendered Understanding of Home Front and War Front in the War Writing of Hemingway, O'Brien, Plath, and Salinger." DAI-A 76/02(E), August 2015.

SCHOLARSHIP IN LANGUAGES OTHER THAN ENGLISH

Dtting, Hans. Ernest Hemingways Bloedbruiloft. Benadering van een Mythe. Soesterberg: Aspekt, 2015. [Dutch]

Fairbanks, Kaori. Heminguuei no Isaku: Jiden eno Kikyu to Hensan Sareta Tekusuto. Tokyo: Benseishuppan, 2015. [Japanese]

Fuchs, Thomas. Hemingway: Ein Mann mit Stil. Hamburg: Mare Verlag, 2014. [German]

Imamura, Tateo and Akiko Manabe. Heminguei to Paundo No Venetsuia. Place of publication not identified: Sairyusha, 2015. [Japanese]

Karnofsky, Eva. Kuba furs Handgepack Geschichten und Berichte-Ein Kulturkompass. Zurich: Unionsverlag, 2015. [German]

Steen, Paul van der. Negenenhalf Leven. De Literaire Bundel voor Kattenliefhebbers. Amsterdam: Xander Uitgevers B.V, 2015. [Dutch]

Takano, Yasushi. Anesuto Heminguuei Kami Tono Taiwa. Kyoto: Shoraisha, 2015. [Japanese]

BOOK REVIEWS

[Books are arranged alphabetically by author. Reviews are also arranged alphabetically by author and follow the book's bolded citation.]

Donaldson, Scott. Death of a Rebel: The Charlie Fenton Story. Madison, NJ: Fairleigh Dickinson UP, 2012.

Flora, Joseph M. "Book Reviews." South Atlantic Review 78.1-2 (2015): 177-81.

Hemingway, Ernest. The Sun Also Rises: The Hemingway Library Edition, Supplemented with Early Drafts and Deleted Chapters. Ed. Sean Hemingway. New York, NY: Scribner, 2014.

Trogdon, Robert W. "Book Reviews." The Hemingway Review 34.2 (Spring 2015): 128-32.

Josephs, Allen. Beyond Death in the Afternoon. A Meditation on Tragedy in the Corrida. Wickford, RI: New Street Communications, 2013.

Paul, Steve. "Book Reviews." The Hemingway Review 34.2 (Spring 2015): 135-38.

Mandel, Miriam B., ed. Hemingway and Africa. Rochester, NY: Camden House, 2011.

Camastra, Nicole J. "Reviews." Amerikastudien/American Studies 59 (Winter 2015): 26.

Leman, Peter. "Reviews." Wasafiri: International Contemporary Writing 75 (Autumn 2013): 89-90.

Nickel, Matthew. Hemingway's Dark Night: Catholic Influences and Intertextualities in the Work of Ernest Hemingway. Wickford, RI: New Street Communications, 2013.

Cadegan, Una M. "Reviews." American Catholic Studies 125.4 (Winter 2014): 87-88.

Sindelar, Nancy W. Influencing Hemingway: People and Places That Shaped His Life and Work. Lanham, MD: Rowman & Littlefield, 2014.

Ledden, Dennis B. "Book Reviews." The Hemingway Review 34.2 (Spring 2015): 138-41.

Spanier, Sandra, Albert J. DeFazio III and Robert W. Trogdon, eds. The Letters of Ernest Hemingway Volume 2, 1923-1925. New York: Cambridge UP, 2013.

Poe, George. "The Hadley Years in Paris." Sewanee Review 122.4 (Fall 2014): 675-80.

Sigal, Clancy. Hemingway Lives!: Why Reading Ernest Hemingway Matters Today. New York, NY: OR Books, 2013.

Tyler, Lisa. "Book Reviews." The Hemingway Review 34.2 (Spring 2015): 132-35.

Wood, Naomi. Mrs. Hemingway. New York, NY: Penguin, 2014.

Wagner-Martin, Linda. "Book Reviews." The Hemingway Review 34.2 (Spring 2015):124-28.

KELLI A. LARSON

University of St. Thomas