Current bibliography.

Larson, Kelli A.

[The current bibliography aspires to include all serious contributions to Hemingway scholarship. Given the substantial quantity of significant critical work appearing on Hemingway's life and writings annually, inconsequential items from the popular press have been omitted to facilitate the distinction of important developments and trends in the field. Annotations for articles appearing in The Hemingway Review have been omitted due to the immediate availability of abstracts introducing each issue. Kelli Larson welcomes your assistance in keeping this feature current. Please send reprints, clippings, and photocopies of articles, as well as notices of new books, directly to Larson at the University of St. Thomas, 333 JRC, 2115 Summit Avenue, St. Paul, MN 55105-1096. E-Mail: KaLarson1@stthomas.edu.

BOOKS

Beckerman, Marty. The Heming Way: How to Unleash the Booze-Inhaling, Animal-Slaughtering, War-Glorifying, Hairy-Chested Retro-Sexual Legend Within, Just Like Papal New York: St. Martin's Griffin, 2012. [Part parody, part biography, and part social commentary, Beckerman's humorous take on all things EH, including the manly arts of drinking, hunting, and womanizing lost to contemporary society, is filled with details and facts of the author's life. Beckerman's message: "Hemingway could tell us so much, if we only knew how to listen." Includes over 150 photographs.]

Lamb, Robert Paul. The Hemingway Short Story: A Study in Craft for Writers and Readers. Baton Rouge, LA: Louisiana State UP, 2013. [Close reading of five representative short stories including "Indian Camp" "Soldier's Home" and "A Canary for One" analyzes EH's artistic technique and methods of construction. His study of "Big Two-Hearted River" for example, focuses on the nature of reading and writing, interpreting the story as a metafiction concerning the writing of stories. And his examination of "God Rest You Merry, Gentlemen" analyzes the story in relation to semiotic confusion and the consequences of misreading. Lamb's examination of EH's conscious, creative craft complements his cultural studies approach and situates each short story within its own distinct genre.]

Wiener, Gary, ed. War in Ernest Hemingway's For Whom the Bell Tolls (Social Issues in Literature Series). Detroit, MI: Greenhaven P, 2012. [Collection of reprinted essays by such well known EH scholars as Jeffrey Meyers, Scott Donaldson, and Carlos Baker. Broken into three sections, the volume opens by providing a broader context for EH's lifelong interest in war and thematic preoccupation with fear, heroism, and courage. Section Two focuses on the novel itself, its form, politics, and realistic portrayal of war from a number of perspectives including the historical, sociological, and biographical. The volume closes with contemporary perspectives on the wars in Afghanistan and Iraq. Includes a chronology and bibliography of additional readings on the subject of war and Hemingway.]

ESSAYS

Ahrenhoerster, Greg. "Would Karl Max Call for an Overthrow of ESPN? Sports as an Opiate of the People." In American Sports Fiction (Critical Insights Series). Eds. Michael Cocchiarale and Scott D. Emmert. Ipswich, MA: Salem P, 2013. 131-50. [Drawing on Marx's theories, Ahrenhoerster examines the limitations and benefits of sports addiction as a method for easing the pain and pressure of life. Looks at Cayetano and Sister Cecilia from "The Gambler, the Nun, and the Radio," concluding that pursuing sports solely to relieve one's pain is a poor choice.]

Austad, Jonathan A. "From Dada to Nada: The Dadaist Influence on Hemingway's Works between 1922 and 1926." In Paris in American Literature: On Distance as a Literary Resource. Eds. Jeffrey Herlihy-Mera and Vamsi K. Koneru. Madison, WI: Fairleigh Dickinson UP, 2013. 53-67. [Discusses the Dadaist influence on EH's early aesthetics, arguing that the movement's focus on abstract ideas and nihilistic sentiments are reflected in IOT, "A Clean, Well Lighted Place" and his early poetry. Addresses EH's parody of Dadaism in "A Divine Gesture." Concludes that the stories of IOT are similar to Dadaist collages in their juxtaposing random images of the modern world to create spontaneity, absurd contradiction, and negation.]

Bissell, Tom. "Still Rising." In Magic Hours: Essays on Creators and Creation." San Francisco, CA: Believer Books, 2012. 167-69. [On the relevancy of SAR for today's reader, praising EH's descriptions of Paris, bullfighting, and fishing. Reprinted from Believer 4.9 (November 2006): 167-71.]

Calanchi, Alessandra. "Clue doing the Home: Crime Fiction and the Art of Internal Detection??' In The House of Fiction as the House of Life: Representations of the House from Richardson to Woolf Eds. Francesca Saggini and Anna Enrichetta Soccio. Newcastle upon Tyne, England: Cambridge Scholars, 2012.204-17. [Investigates the use of domestic space in detective literature, concluding with a brief analysis of the bedroom in "The Killers??' Comments on the hopelessness of the wall imagery and EH's introduction of the tough guy prototype to crime fiction.]

Carlson, Peter. "Ernest Hemingway Toasts J.D. Salinger." American History 48.3 (August 2013): 26-27. [Recounts their two brief meetings during WWII in which Salinger was thrilled to receive high praise from the famous novelist.]

Curnutt, Kirk. "Ernest Hemingway's Books of Common Prayer." In Crisis of Faith (Critical Insights Series). Ed. Robert C. Evans. Ipswich, MA: Salem P, 2013. 165-86. [Surveys prayer scenes throughout EH's major works, arguing that instead of utilizing the beliefs and rituals of a specific religion, EH samples from a variety, often in opposition with one another, in his search for spiritual relief. Reading prayer as a gauge of morality, Curnutt analyzes how EH's protagonists in IOT, SAR, FTA, FWBT, and OMS adapt rituals in a meaningful way to bring order and balance to the chaotic modern world.]

Daiker, Donald A. "In Search of the Real Nick Adams: The Case for 'A Very Short Story'" The Hemingway Review 32.2 (Spring 2013): 28-41.

Dimock, Chase. "The Nightinghouls of Paris: Robert McAlmon's Queer Paternalism and the Twilight of the Expatriate Movement" In Paris in American Literatures: On Distance as a Literary Resource. Eds. Jeffrey Herlihy-Mera and Vamsi K. Koneru. Madison, WI: Fairleigh Dickinson UP, 2013.6986. [In his examination of the largely neglected McAlmon, Dimock briefly discusses the rise of Paris as a popular American tourist destination following the publication of EH's glorified version of the expatriate lifestyle in SAR.]

Espunya, Anna. "Sentence Connection in Fictive Dialogue." In The Translation of Fictive Dialogue. Eds. Jenny Brumme and Anna Espunya. Amsterdam, Netherlands: Rodopi, 2012. 199-215. [Linguistic approach treating the challenges of translating dialogue from English into Spanish and viceversa. Analyzing a fragment from "The Short Happy Life of Francis Ma comber," Espunya reveals how tone is modified in the Catalan translation, resulting in a weakening of Wilson's assertiveness and self-confidence.]

Feldman, Andrew. "Ernest Hemingway and Enrique Serpa: A Propitious Friendship." The Hemingway Review 32.2 (Spring 2013): 58-76.

Fruscione, Joseph. "Hemingway, Faulkner and the Clash of Reputations." New England Review 33.1 (Winter 2012): 62-79. [Biographical examination of EH and Faulkner's complicated and contentious relationship of more than three decades. Focusing on their correspondence and public statements, Fruscione discusses how the sustained psychological and artistic influence of their intense rivalry affected the writers.]

Gietschier, Steven P. "Slugging and Snubbing." Nine: A Journal of Baseball History & Culture 21.1 (Fall 2012): 12-46. [Detailed discussion of EH's interactions with members of the racially integrated Brooklyn Dodgers during 1947 spring training in Cuba. Attempts to set the record straight regarding EH's alleged racial insensitivity. Also recaps EH's lifelong love of baseball with a brief commentary on his use of baseball in OMS and "The Three-Day Blow."]

Goodheart, Eugene. "Ernest Hemingway? In The Cambridge Companion to American Novelists. Ed. Timothy Parrish. Cambridge, NY: Cambridge UP, 2013. 104-13. [Geared to students, teachers, and general readers, Goodheart's contribution briefly evaluates EH's life, work, and legacy, focusing on EH's innovative prose style and thematic preoccupation with fear, courage, and heroism in such works as SAR, FTA, and FWBT.]

Grue, Dustin, Teresa M. Dobson, and Monica Brown. "Reading Practices and Digital Experiences: An Investigation into Secondary Students' Reading Practices and XML-Markup Experiences of Fiction." Literary & Linguistic Computing 28.2 (June 2013): 237-48. [Pedagogical approach investigating the use of digital tools in the study of literature at the secondary level. Analyzes students' semantic tagging of "Hills Like White Elephants" and Sean O'Faolain's "The Trout."]

Gutkind, Lee. "First Lede/Real Lead: A Creative Nonfiction Experiment Precipitated by Ernest Hemingway and E Scott Fitzgerald." In You Can't Make This Stuff Up: The Complete Guide to Writing Creative Nonfiction from Memoir to Literary Journalism and Everything in Between. Boston, MA: Da Capo P, 2012. 230-35. [Cites EH's cutting of the first few chapters of SAR at Fitzgerald's insistence as an example of effective lede editing.]

Heaney, Caitlin, Jewel H. Matsch, Amanda G. McNaughton, and Michael McSherry. "Current Bibliography." The Hemingway Review 32.2 (Spring 2013): 154-70.

Kimbrel, William W., Jr. "Liminal Hemingway: Living and Teaching on the Margins--Confessions of an American Traveler." The Hemingway Review 32.2 (Spring 2013): 129-36.

Letort, Delphine. "The Writing of a Film Noir: Ernest Hemingway and The Killers." In Screening Text: Critical Perspectives on Film Adaptation. Eds. Shannon Wells-Lassagne and Ariane Hudelet. Jefferson, NC: McFarland, 2013.53-65. [Treats Robert Siodmak's 1946 adaptation of the story within the film noir genre, commenting on the director's structural adherence to EH's iceberg principle, use of expressionist lighting to convey mood, and camera technique to reflect the story's confusion and disorder.]

Levin, Elizabetha. "In Their Time: The Riddle Behind the Epistolary Friendship Between Ernest Hemingway and Ivan Kashkin." The Hemingway Review 32.2 (Spring 2013): 95-108.

Long, Samantha. "Catherine as Transgender: Dreaming Identity in The Garden of Eden." The Hemingway Review 32.2 (Spring 2013): 42-57.

Madsen, Diane Gilbert. '"To Pound a Vicious Typewriter': Hemingway's Corona #3." The Hemingway Review 32.2 (Spring 2013): 109-21.

Mallier, Clara. "A Matter of Time: The Cinematographic Quality of Narration in Hemingway's The Sun Also Rises". In Approaches to Film and Reception Theories. Eds. Christophe Gelly and David Roche. Clermont-Ferrand, France: PU Blaise Pascal, 2012. 245-62. [Draws on reader response theory to examine the relationship between EH's representations of time in the novel and conventions of film narration. Concludes that EH's narrative technique of providing limited insight into the hero-narrator's mind results in a new form of identification between the reader and Jake Barnes based on perception rather than psychology.]

McDermott, John V. "Modern Man: Mirror Images of Hemingway's Four Witnesses of Christ's Crucifixion in 'Today is Friday'" Notes on Contemporary Literature 42.4 (September 2012): 10-12. [On the contrasting attitudes of the three soldiers and George in relation to their varied alignment with Christ and reaction to the Crucifixion.]

Meyers, Jeffrey. "The Swedish Thing." Times Literary Supplement 5745 (5/10/2013): 14-15. [Delves into material in the Swedish Academy archive to shed light on the process that led to EH's winning of the 1954 Nobel Prize. Includes commentary on EH's candidacy as well as the deliberations of the Nobel committee.]

--. "Annotations to Hemingway's Poetry" Notes on Contemporary Literature 42.5 (November 2012): 8-11. [Corrects errors and adds allusions to the 1979 edition of Hemingway's 88 Poems (Harcourt, Brace, Jovanovich).]

--. "Hemingway's Poetry." Notes on Contemporary Literature 42.5 (November 2012): 4-6. [Brief overview of EH's poetic output, commenting on his enduring themes of war, nature, and sexuality. Asserts that two poems deserve greater critical attention: "The Ernest Liberal's Lament" and "Poem, 1928."]

Monteiro, George. "Hemingway in Madeira in 1954." The Hemingway Review 32.2 (Spring 2013): 122-28.

Nagel, James. "The Confessional Narration of Ernest Hemingway's The Sun Also Rises." In A Companion to the American Novel. Ed. Alfred Bendixen. Hoboken, NI: Wiley-Blackwell, 2012. 488-98. [Surveys the novel's biographical origins, composition, and reception before moving into an analysis of the sense of loss reflected in lake's confessional narration. Covers the expatriate movement, Lost Generation, rise of the New Woman, and EH'S mastery of Modernist Realism. Concludes that for lake and others in the novel, there is little consolation "in the fact that the sun also rises"]

Price, Rachel. "Saints and Sinners, Sexuality and Sublimation: Benjy, Quentin, and lake as Martyr Figures." Philological Review 37.2 (Fall 2011): 23-41. [Comparison of the treatment of sexuality and martyrdom in SAR with Faulkner's The Sound and the Fury. Asserts that Brett's sexual sins are redeemed through the love and actions of lake Barnes, a Christlike figure whose impotence both reflects and symbolizes his sacrifice for Brett. Suggests that lake selflessly replaces his own need for a romantic relationship with Brett with a sincere desire to be a source of strength to those he loves.]

Requena-Perlegri, Teresa. "The Complete Body of Modernity in the 1920s: Negotiating Hegemonic and Subordinated Masculinities in Ernest Hemingway's The Sun Also Rises" In Embodying Masculinities: Towards a History of the Male Body in U.S. Culture and Literature. Ed Josep M. Armengol. New York: Peter Lang, 2013.13-29. [Draws on gender theory to examine the 1920s' socially constructed hierarchy of manliness represented in SAR. Requena-Perlegri analyzes the "whole" white male body within the context of the technologically advancing modernist period, paying particular attention to Jake Barnes's ability to transcend his position of masculine subordination resulting from his "incomplete" body, revealing the permeability of hegemonic masculinity.]

Richey, Warren. "How Ernest Hemingway's Cats Became a Federal Case" Christian Science Monitor (12/9/2012): np. [On the USDA's regulation of the descendants of EH'S cats at the Hemingway Museum in Key West.]

Roos, Michael. "Agassiz or Darwin: Faith and Science in Hemingway's High School Zoology Class." The Hemingway Review 32.2 (Spring 2013): 7-27. Shaffer, Andrew. "Bullfighting and Bullshit." In Literary Rogues: A Scandalous History of Wayward Authors. New York: Harper Perennial, 2013. 129-38. [Biography of the larger-than-life EH, recounting the author's well known struggles with alcoholism and depression along with his troubled personal relationships.]

Spinks, Randall. "Ernest Hemingway and the Bullfight Primer: Genre, Ideology, and Tragedy" The International Journal of the Humanities 9.7 (2012): 61-71. [Spinks discusses DIA within the genre conventions of the bullfight primer, applying the aesthetic theories of Marxist critic Terry Eagleton to EH's treatment of bullfighting as a tragic art form. Spinks focuses on class to show that the corrida's "actual violence is itself a representation of the economic and cultural violence relational with the changeover of one inherently exploitive mode of production, feudalism, to another, capitalism"]

Stephens, Gregory and Janice Cools. '"Out Too Far': Half-Fish, Beaten Men, and the Tenor of Masculine Grace in The Old Man and the Sea." The Hemingway Review 32.2 (Spring 2013): 77-94.

Toker, Alpaslan. "Ernest Hemingway's Characters in The Sun Also Rises Trapped within the Vicious Circle of Alienation," Journal of Academic Studies 14.56 (2013): 17-34. [Drawing on the writings of Hegel and Marx, Toker discusses the nature and source of alienation and estrangement experienced by each of the major characters in the aftermath of WWI. Includes an overview of the Lost Generation, summing up the origins along with key authors.]

Valdez, Charli G. "Racing To Have and Have Not" In Film and Literary Modernism. Ed. Robert E McParland. Newcastle upon Tyne, England: Cambridge Scholars, 2013. 124-30. [After recapping the critical debates over EH's treatment of race in the novel, Valdez focuses on how EH's use of racial epithets and construction of character translates in the film version. Valdez argues that while the film attempts to clean up the racism implicit in the novel, it only succeeds in "creatively and materially writing the black subject out of the narrative in its adaptation."]

Wittman, Emily O. "A Circuit of Ordeals: Nostalgia and the Romance of Hardship in Graham Greene's Journey without Maps and Ernest Hemingway's Green Hills of Africa" Prose Studies: History, Theory, Criticism 33.1 (April 2011): 44-61. [Detailed comparison study focusing on similarities in form, content, and plot in each author's account of interwar travel in Africa. Analyzing how each draws upon and extends the conventions of travel writing, Wittman discusses their autobiographical tone, views on Primitivism, and one-dimensional depictions of indigenous Africans. Concludes that both authors nostalgically "lament the lost world Africa represents as well as the changing Africa that they are leaving."]

Wright-Cleveland, Margaret E. "Mentoring American Racial Identity: Sherwood Anderson's Lessons to Ernest Hemingway." Midamerica: The Yearbook of the Society for the Study of Midwestern Literature 38 (2011): 28-40. [Influence study focusing on Anderson's Dark Laughter and EH's TOS. Wright-Cleveland contends that EH's satiric treatment of Anderson's racial stereotyping exposes the absurdity of Anderson's flawed views on white privilege and superiority. Concludes that Anderson's misunderstanding of the connection between blackness and whiteness influenced later writers such as EH, Faulkner, and Toomer to redefine the pivotal role of race in the formation of American identity.]

INTERNET RESOURCES

Hemingway, John Patrick. "Hemingway: A Love Affair with Bimini." Sport Fishing Magazine URL: http://www.sportfishingmag.com/hemingway-bimini-s-historic-fishing [Brief history by Hemingway's grandson on the author's love of fishing in Bimini. Includes classic photographs of EH aboard the Pilar and with fishing trophies.]

Mazur, Mike. "Hemingway in Bimini--Then & Now" Sport Fishing Magazine URL: http://www.sportfishingmag.com/hemingway-traditions [Photo gallery of the island, documenting EH's love of sport fishing and interaction with locals. Includes both black and white and stunning color photos with captions.]

Melnick, Burton. "Writing as Fishing: Conceptual Metaphor and 'Resonance' in a Story by Hemingway and a Poem by Wordsworth" Consciousness, Literature and the Arts 13.3 (December 2012). http://www.blackboard. lincoln.ac.uk/bbcswebdav/users/dmeyerdinkgrafe/index.htm [Focuses on the layers of conceptual metaphor underlying "Big Two-Hearted River" and Wordsworth's poem "Resolution and Independence." Melnick explains how in both works greater significance is attributed to the simple events of the narratives than those events warrant. Focusing on two aquatic metaphors, the mind as a body of water and fishing as writing, Melnick analyzes the mostly unconscious influence of Christian associations on the reader, concluding that Nick's fish represent stories that he will write and that "spiritually, those stories will nourish and sustain Nick" far beyond his current therapeutic fishing trip.]

DISSERTATIONS

Alsop, Elizabeth. "Making Conversation: The Poetics of Voice in Modernist Fiction" DAI-A 74/02(E), August 2013.

Civille, Michael. "Illusions of Prestige: Hemingway, Hollywood, and the Branding of an American Self-Image, 1923-1958." DAI-A 74/07(E), January 2014.

Linnemann, Amy E.C. "Bearing Others: Maternity at the Margins of Modernism" DAI-A 73/10(E), April 2013.

Matheny, Kathryn Grace. "The Short Story Composite and the Roots of Modernist Narrative." DAI-A 73/10(E), April 2013.

McGill, Christopher D. "Figuring the Beast: The Aesthetics of Animality in American Literature, 1900-1979" DAI-A 74/01 (E), July 2013.

Nemecek, Angela Lea. "Disabling Modernism: Disability and Anti-Eugenic Ethics in the Modernist Novel" DAI-A 74/02(E), August 2013.

Rhodes, Evan Wright. "Kin Aesthetics: Boxing and the Public Arenas of Modernism." DAI-A 74/05(E), November 2013.

Scott, Joseph B. "The American Alien: Immigrants, Expatriates and Extraterrestrials in Twentieth-Century U.S. Fiction." DAI-A 74/02(E), August 2013.

Shepherd, Aram. "The Contours of America: Latin America and the Borders of Modernist Literature in the United States" DAI-A 74/04(E), October 2013.

Stoeckl, Sarah. "Static Chaos: The Great War and Modern Novels of Sterility" DAI-A 74/01(E), July 2013.

Suarez, Elizabeth Park. "Going Beyond the Victory Garden: War, Gender, and Women of National Concern." DAI-A 72/10, April 2012.

Trinidad, Antolin. "The Location of Trauma" DAI-A 74/05(E), November 2013.

FOREIGN LANGUAGE SCHOLARSHIP

Bastos, Manuel de Lima. O albergue das letras: Ernest Hemingway, Alvaro Cunqueiro, Brito Camacho, Aquilino Ribeiro & companhia. Parede: Sopa de Letras, 2012. [Portuguese]

Cella, Susana. Escenario movil: Cuestiones de representacion. Ciudad Autonoma de Buenos Aires: Editorial de la Facultad de Filosofia y Letras, Universidad de Buenos Aires, 2012. [Spanish]

Derail-Imbert, Agnes and Philippe Jaworkski. Ernest Hemingway, "The Sun Also Rises" entre sens et absence. Paris: Editions rue d'Ulm, 2012. [French]

Efimov, Igor'. "Ernest Kheminguei: Portret v dialogakh." Zvezda 8 (2012): 177201. [Russian]

Espejo, Beatriz. "Ernest Hemingway: Escribir y vivir." Universidad de Mexico: Revista de la Universidad Nacional Autonoma de Mexico 86 (April 2011): 23-30. [Spanish]

Gye, Joengmoen. "Lost Among Homosexuals: Representation of Male Homosexuality in Hemingway's Early Literature." British and American Fiction 18.1 (Spring 2011): 5-23. [Korean]

Imamura, Tateo and Norio Shimamura. Heminguei daijiten. Benseishuppan, 2012. [Japanese]

Kusaka, Yosuke. Heminguuei to senso: buki yo saraba shinwa kaitai. Tokyo: Sairyusha, 2012. [Japanese]

Lorigliola, Davide. Sfide. Hemingway e lo sport. Lignano Sabbiadoro (UD): Citta di Lignano Sabbiadoro, 2012. [Italian]

Yang, Zhao Zhu. Dui jue ren sheng: fie du hal ruing wei. Tai bei shi: Mai tian, 2013. [Chinese]

BOOK REVIEWS

[Books are arranged alphabetically by author. Reviews are also arranged alphabetically by author and follow the book's bolded citation.]

Bouchard, Donald F. Hemingway: So Far from Simple. Amherst, MA: Prometheus Books, 2010.

Fraley, Cassidy. "Book Reviews." The Hemingway Review 32.2 (Spring 2013): 147-50.

Del Gizzo, Suzanne and Frederic J. Svoboda, eds. Hemingway's The Garden of Eden: Twenty-Five Years of Criticism. Kent, OH: Kent State UP, 2012.

Ledden, Dennis B. "Book Reviews?' The Hemingway Review 32.2 (Spring 2013): 144-47.

Fruscione, Joseph. Faulkner and Hemingway: Biography of a Literary Rivalry. Columbus, OH: Ohio State UP, 2012.

Stubbs, Neil Edward. "Book Reviews." The Hemingway Review 32.2 (Spring 2013): 137-41.

Grissom, C. Edgar. Ernest Hemingway: A Descriptive Bibliography. New Castle, DE" Oak Knoll P, 2011.

Meyers, Jeffrey. "Ernest Hemingway: A Descriptive Bibliography." Papers of the Bibliographical Society of America 106.3 (September 2013): 385-89.

Hawkins, Ruth A. Unbelievable Happiness and Final Sorrow: The Hemingway-Pfeiffer Marriage. Fayetteville: U of Arkansas P, 2012.

Candido, Anne Marie. "Unbelievable Happiness and Final Sorrow?' Arkansas Historical Quarterly 72.1 (Spring 2013): 85-87.

Stafford, Norman E. "Unbelievable Happiness and Final Sorrow?' Arkansas Review: A Journal of Delta Studies 43.3 (December 2012): 211-13.

Hays, Peter L. The Critical Reception of Hemingway's The Sun Also Rises. New York: Camden House, 2011.

Fruscione, Joseph. "Book Reviews." The Hemingway Review 32.2 (Spring 2013): 141-44.

Hendrickson, Paul. Hemingway's Boat: Everything He Loved in Life, and Lost, 1934-1961. New York: Knopf, 2011.

Buchanan, John M. "St. Ernest?" Christian Century 129.9 (5/2/2012): 3.

Mandel, Miriam B., ed. Hemingway and Africa. Rochester, NY: Camden House, 2011.

J.S.D. "Hemingway and Africa?' Contemporary Review 294.1705 (June 2012): 262-63.

Spanier, Sandra and Robert W. Trogdon, eds. The Letters of Ernest Hemingway Volume I, 1907-1922. New York: Cambridge UP, 2011.

Allen, Edward. "Typecasting Hemingway; or, Mine's a Corona!" Cambridge Quarterly 42.2 (June 2013): 183-94.

Cohen, Patricia. "Hemingway's Softer Side, in Letters." New York Times (3/29/2012): 40p.

Daiker, Donald A. "'I Sure Like to Get Letters?" Twentieth-Century Literature 58.2 (Summer 2012): 349-54.

Vernon, Alex. Hemingway's Second War: Bearing Witness to the Spanish Civil War. Iowa City, Iowa: U of Iowa P, 2011.

Borchard, Gregory. "Hemingway's Second War: Bearing Witness to the Spanish Civil War" Journalism History 38.4 (Winter 2013): 259-60.

KELLI A. LARSON

University of St. Thomas