Current bibliography.

Larson, Kelli A.

[The current bibliography aspires to include all serious contributions to Hemingway scholarship. Given the substantial quantity of significant critical work appearing on Hemingway's life and writings annually, inconsequential items from the popular press have been omitted to facilitate the distinction of important developments and trends in the field. Annotations for articles appearing in The Hemingway Review have been omitted due to the immediate availability of abstracts introducing each issue. Kelli Larson welcomes your assistance in keeping this feature current. Please send reprints, clippings, and photocopies of articles, as well as notices of new books, directly to Larson at the University of St. Thomas, 333 JRC, 2115 Summit Avenue, St. Paul, MN 55105-1096. E-Mail: KaLarson1@stthomas.edu.]

BOOKS

Broer, Lawrence R. Vonnegut and Hemingway: Writers at War. Columbia, SC: U of South Carolina P, 2011. [Comparative study arguing that "Vonnegut's life and work exist as a veritable palimpsest of Hemingway's." Broer examines their shared legacy of childhood trauma, disabling war experience, and depression and its impact on their writing, contending that despite Vonnegut's numerous attempts to exorcise EH's ghost, his fictional self-creations mirrored the Hemingway hero's quest for wholeness and psychic balance. Pairing works such as SAR with Mother Night, FTA with Slaughterhouse-Five, and DIA with Breakfast of Champions, Broer demonstrates how each "artist warrior" was not only at war with himself but also with the other's artistic vision, and with the concept of war itself. The study closes with an examination of EH's discovery of the transformative power of the buried feminine self in his later works, including FWBT, OMS, IIS, GOE, and UK.]

Claridge, Henry, ed. Ernest Hemingway (Critical Assessments of Major Writers Series). 4 vols. New York: Routledge, 2012. [Extensive four volume collection of previously published essays, reviews, and other critical materials on EH's life and work by renowned EH scholars such as Michael Reynolds, Philip Young, and Mark Spilka. Reviewers include contemporary authors and critics such as Gertrude Stein, F. Scott Fitzgerald, and Edmund Wilson. Chronological arrangement of materials allows readers to trace significant critical trends. Claridge's Introduction surveys EH's life and career, discussing his innovative writing style and cultural impact. Volume I is devoted to biographical studies, memoirs, and interviews. Also includes a chronological list of EH's major works and a bibliography of book-length criticism. Volume II focuses on EH's ties to Europe and contributions to the short story genre. Volume III is devoted to critical essays on the major works, including SAR, FTA, FWBT, OMS, IIS, and GOE. Volume IV provides a general critical overview of EH and his work. Concludes with a helpful index of all four volumes.]

del Gizzo, Suzanne and Frederic J. Svoboda, eds. Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Kent, OH: Kent State UP, 2012. [Collection of mainly reprinted essays and reviews on the novel's composition, themes, narrative structure, and subject matter such as gender, sexuality, and race. This volume provides an overview of the critical conversation on the novel to date, including essays by such well known EH scholars as Mark Spilka, Rose Marie Burwell, and Carl Eby. Includes one previously unpublished essay by Tom Jenks on the trials and tribulations of working with EH's manuscripts and his editorial process in bringing GOE to press.]

Dudley, Marc K. Hemingway, Race, and Art: Bloodlines and the Color Line. Kent, OH: Kent State UP, 2012. [Study of the racial consciousness challenging white privilege and socially constructed notions of racial identity that permeates EH's writings. Begins with close readings of EH's treatment of Native Americans and African-Americans in several stories including "Indian Camp," "The Doctor and the Doctor's Wife," "The Battler," and "The Porter" before moving on to an examination of his complex relationship with Africa in "The Snows of Kilimanjaro," "The Short Happy Life of Francis Macomber," GHOA, and UK. Reads EH's concern with race as a reflection of the nation's growing anxiety in the early 20th century over the changing racial landscape. Chapter 4 appeared in slightly revised form as "Killin'em with Kindness: 'The Porter' and Hemingway's Racial Cauldron" in The Hemingway Review 29.2 (Spring 2010): 28-45.]

Fruscione, Joseph. Faulkner and Hemingway: Biography of a Literary Rivalry. Columbus: Ohio State UP, 2012. [Biographical and analytical study examining EH and Faulkner's complicated and contentious relationship of more than three decades. Fruscione demonstrates through their fiction, nonfiction, correspondence, and public statements how each informed and influenced the writing of the other and how their competitive rivalry simultaneously hindered and supported their literary efforts. Fruscione analyzes their corresponding writings decade by decade, arguing that their allusive works "form a kind of modernist intertext that traces a narrative of intense rivalry, joint psychological influence, rifting, and complementary authorial-masculine performance." Pairings include FTA with The Sound and the Fury, FWBT with The Unvanquished, THHN with Men at War, and DS and GHOA with Go Down, Moses and Big Woods. Chapter 3 appeared in somewhat revised form as "Hemingway, Faulkner and the Clash of Reputations" in New England Review 33.1 (2012): 62-79.]

Hays, Peter L. The Critical Reception of Hemingway's The Sun Also Rises (Literary Criticism in Perspective Series). New York: Camden House, 2011. [Surveys the eight decades of criticism devoted to the novel from initial 1926 reviews to the latest developments in Hemingway studies. Introduction provides an overview of the novel's composition and publication history. Hays discusses the beginnings of in-depth criticism in the late 1940s, the expansion of the Hemingway industry in the 1960s and 70s, and the impact of critical theories from the 1970s onward. In focusing on the range of criticism, Hays reveals how the novel's changing interpretations often reflect the critics and their cultural concerns more than the novel itself. Concludes that the scholarly industry on SAR "shows little sign of slackening."

Herlihy, Jeffrey. In Paris or Paname: Hemingway's Expatriate Nationalism. New York: Rodopi, 2011. [On the function of place and cultural displacement in EH's novels, including SAR, FTA, FWBT, ARIT, and OMS. Herlihy examines EH's thematic preoccupation with foreign settings in relation to his protagonists' sense of identity, expatriate experience, and failed attempts at assimilation. Argues that the Hemingway hero, while longing for redefinition within a foreign culture, is unable to completely overcome his origins and thus fails to fully integrate into that foreign culture. Includes previously published material from The Hemingway Review, European Journal of American Studies, North Dakota Quarterly, and Metamorphosis and Place (2009).]

Khan, A.A. and Qamar Talat. Ernest Hemingway: Short Stories and Humanism. New Delhi: Adhyayan, 2010. [Not seen.]

Main, Georgianna. Pip-Pip to Hemingway in Something from Marge. Bloomington: iUniverse, 2011. [Biography setting the record straight regarding EH's lifelong friendship with Marjorie Bump, inspiration for Marge of "The End of Something" and "The Three Day Blow" Main, daughter of Bump, draws on her mother's recollections, letters, photos, and EH's fiction in reconstructing Bump's warm and affectionate relationship with the author. Illuminates EH's early years in northern Michigan.]

Moriani, Gianni, ed. Hemingway's Veneto. Corcetta del Montello (Treviso): Antiga, 2011. [Catalog accompanying the 2011 Venice photography exhibition commemorating the 50th anniversary of EH's death. This collection of over 100 black-and-white photographs along with the two critical essays (in both Italian and English) documents EH's lifelong interest in and relationship with Italy from his 1918 wounding to his final return to Venice in 1954. Gianni Moriani's "Hemingway's Veneto" covers EH's numerous visits to Italy, his World War I experience, early journalism career, writing of "Out of Season" and relationship with Adriana Ivancich, inspiration for Renata of ARIT. Rosella Mamoli Zorzi's "Hemingway: Fifty Years After His Death" provides a broader literary context in her examination of American modernism, the Hemingway myth, and the influence of Venice and the Veneto on such writings as IOT, FTA, and ARIT.]

O'Rourke, Sean. Grace Under Pressure: The Life of Evan Shipman. Bloomington, IN: Unlimited, 2010. [Biography of journalist Evan Shipman, lifelong friend of EH. Recounts their initial 1923 meeting in Paris along with later visits in NY, Key West, Cuba, and Madrid. Frequent references to EH throughout.]

Zorzi, Rosella Mamoli and Gianni Moriani. In Venice and in the Veneto with Ernest Hemingway. Venice: Supernova, 2011. [Guide to the important places in Venice, Torcello, and the Veneto that EH experienced and wrote about. Biographical commentary sums up EH's lifelong relationship with Italy from his 1918 wounding to his final return to Venice in 1954 with frequent references to his works set in Italy. Tour itineraries include restaurants, bars, hotels, and historical attractions. Includes a brief chronology of EH's life, glossary of Italian words, photographs, maps, and illustrations.]

ESSAYS

Adair, William. "Ernest Hemingway's The Sun Also Rises: The Novel as Gossip." The Hemingway Review 31.2 (Spring 2012): 114-118.

Aguilera Linde, Maruicio D. "Ernest Hemingway (1899-1961)." In Writers of the Spanish Civil War: The Testimony of their Auto/Biographies (Spanish Perspectives on English and American Literature, Communication and Culture Series). Ed. Celia M. Wallhead. New York: Peter Lang, 2011. 137-185. [Analysis of the view of Spain that emerges through EH'S autobiographical writings (DIA, SAR, and FWBT) in contrast to his biographers' perspectives. Opens with a discussion of EH's blurring of gender binaries in his works and a brief overview of the major biographical studies before narrowing to Baker (1969), Lynn (1987), and Mellow (1994). Focuses on primitivism, bullfighting, and the Spanish Civil War in his examination of Spain as a spatial metaphor capable of relieving the rootlessness of the modern world.]

Beidler, Philip. "The Two Ernestos." Dalhousie Review 91.2 (Summer 2011): 295-309. [Compares the legacies and continuing impact of these two iconic figures on contemporary Cuban popular culture.]

Blower, Brooke L. "The Expatriates Reconsidered." In Becoming Americans in Paris: Transatlantic Politics and Culture between the World Wars. New York: Oxford UP, 2011. 213-256. [Transnational study treating the cultural exchange between Parisians and Americans following World War I. Blower details the American impact on the economy, politics, and culture of Paris and how Paris helped to shape the New American identity in the early 20th century. Counters EH'S characterization of the expatriates in SAR as escapists with her broad portrait of the expatriates' devotion to art, interest in foreign affairs, and commitment to liberal politics.]

Brandt, Kenneth K. "A World Thoroughly Unmade: McCarthy's Conclusion to The Road." Explicator 70.1 (January-March 2012): 63-66. [On McCarthy's allusion to "Big Two-Hearted River," arguing that EH's ending on the restorative powers of the pastoral landscape is more salutary and reassuring than McCarthy's final images of the fragility of the natural world.]

Carey, Craig. "Mr. Wilson's War: Peace, Neutrality, and Entangling Alliances in Hemingway's In Our Time." The Hemingway Review 31.2 (Spring 2012): 6-26.

Connors, Michael and Brent Winebrenner. The Splendor of Cuba: 450 Years of Architecture and Interiors. New York: Rizzoli, 2011. 292-297. [Over 300 stunning color photographs coupled with informative captions and brief historical essays document the architectural heritage of Cuba. Includes a dozen photos primarily of the interior of the newly restored Finca Vigia.]

Dick, Christopher. "Drama as Metaphor in Ernest Hemingway's 'Today Is Friday."' Explicator 69.4 (October-December 2011): 198-202. [Examines EH's use of theatrical elements, arguing that his adoption of the passion play tradition "highlights the fragile psychology of the soldiers."]

--."Transforming Frederic Henry's War Narrative: In Einem Andern Land and Translational Embellishment." The Hemingway Review 31.2 (Spring 2012): 46-64.

Dowling, David. '"Just Like Brothers': Ernest Hemingway and Gertrude Stein." In Literary Partnerships and the Marketplace: Writers and Mentors in Nineteenth-Century America. Baton Rouge: Louisiana State UP, 2012.167-187.

[Characterizes EH's relationship with Stein as strangely fraternal, sexually intimate, and mutually beneficial. Covers Steins stylistic tutelage and emotional support, frequently comparing EH's apprenticeship to Thoreau's literary adoption by Emerson.]

Feldman, Matthew. "The 'Pound Case' in Historical Perspective: An Archival Overview." Journal of Modern Literature 35.2 (Winter 2012): 83-97. [Recounts Pound's institutionalization at St. Elizabeth's Hospital, drawing on recently released FBI documents and other archival materials to explore the depths and lucidity of Pound's commitment to Fascism. Brief references to EH and his efforts to secure Pound's freedom.]

Field, Roger. '"Across the river and into the trees, I thought': Hemingway's Impact on Alex La Guma." In Hemingway and the Black Renaissance. Eds. Gary Edward Holcomb and Charles Scruggs. Columbus: Ohio State UP, 2012. 214-228. [Influence study on EH's stylistic, thematic, and political impact on the works of Alex La Guma, South African writer and pro-Soviet political activist. Field traces strains of FWBT, DIA, and ARIT in La Guma's A Soviet Journey (1978) and Time of the Butcherbird (1979), concluding that EH's modernist mode of representation was sufficiently realist "to be unconditionally accommodated within the Soviet aesthetic of the 1970s"]

Fruscione, Joseph. "Knowing and Recombining: Ellison's Ways of Understanding Hemingway" In Hemingway and the Black Renaissance. Eds. Gary Edward Holcomb and Charles Scruggs. Columbus: Ohio State UP, 2012. 78-119. [On EH's intellectual and stylistic influence on Ellison. Fruscione draws on biography, correspondence, and published materials to reconstruct Ellison's ambivalent attitude toward his "literary ancestor." Discusses Ellison's criticism of EH's lack of racial awareness and moral exploration in "The Battler," "The Killers," THHN, and other works.]

Graffunder, Jennifer R., Emily C. Koenig, Paige M. Patet, and Samantha I. Schwab. "Current Bibliography." The Hemingway Review 31.2 (Spring 2012): 138-149.

Harrison, Jim. "Hemingway: The 45th Parallel--Two Bars." The Hemingway Review 31.2 (Spring 2012): 112-113.

Hench, John B. Books as Weapons: Propaganda, Publishing, and the Battle for Global Markets in the Era of World War II. Ithaca, NY: Cornell UP, 2010. [On the U.S. government's propagandistic efforts to expand the American publishing industry in occupied Europe during and after World War II. Briefly mentions the translation and publication of FWBT in Germany and Japan.]

Herlihy-Mera, Jeffrey. "'He Was Sort of a Joke, In Fact': Ernest Hemingway in Spain" The Hemingway Review 31.2 (Spring 2012): 84-100.

--. "When Hemingway Hated Paris: Divorce Proceedings, Contemplations of Suicide, and the Deleted Chapters of The Sun Also Rises." Studies in the Novel 44.1 (Spring 2012): 49-69. [Draws on the author's journalism, correspondence, and fiction (including deleted portions of SAR) to reveal the detrimental impact of extended foreign living on EH'S emotional state and its effects on his writing.]

Hogan, Patrick Colm. "A Passion for Plot: Prolegomena to Affective Narratology." Symploke 18.1-2 (2010): 65-81. [Narratological treatment of emotion in "A Very Short Story" from the perspective of both Luz and the soldier.]

Holcomb, Gary Edward. "Hemingway and McKay, Race and Nation." In Hemingway and the Black Renaissance. Eds. Gary Edward Holcomb and Charles Scruggs. Columbus: Ohio State UP, 2012. 133-150. [Comparison study of SAR (1926) with Claude McKay's Home to Harlem (1928), arguing that the novels mirror one another and together create a "bilateral intertext of the interwar period." Looks specifically at EH's use of modern primitivism and McKay's use of modernist angst in his novel of black proletarians. Reprinted with minor revision from Journal of Modern Literature 30.4 (Summer 2007): 61-81.]

Holcomb, Gary Edward and Charles Scruggs. "Hemingway and the Black Renaissance." In Hemingway and the Black Renaissance. Eds. Gary Edward Holcomb and Charles Scruggs. Columbus: Ohio State UP, 2012. 1-26. [Surveys EH'S impact on the themes and aesthetic form of such black authors as Chester Himes, Ralph Ellison, Richard Wright, Claude McKay, and Toni Morrison. Discusses EH's writings within the blues tradition and closes with a brief study of the intertextual relations between 10T and Jean Toomer's Cane. Reprinted with minor revision from Arizona Quarterly 67.4 (Winter 2011): 111-133.]

Hollenberg, Alexander. "The Spacious Foreground: Interpreting Simplicity and Ecocritical Ethics in The Old Man and the Sea." The Hemingway Review 31.2 (Spring 2012): 27-45.

Hurley, C. Harold. '"Top-hole' in Hemingway's 'A Way You'll Never Be."' Explicator 69.3 (July 2011): 109-112. [On EH's subtle wordplay involving the British terms "topping" in "The Short Happy Life of Francis Macomber" and "top-hole" in "A Way You'll Never Be."]

Iftikhar, Shabnum. "For Whom the Bell Tolls in Ernest Hemingway's For Whom the Bell Tolls." Language in India 12.4 (April 2012): 368-373. [Comments briefly on the significance of the novel's Spanish Civil War setting as well as characterization, title, and universal themes of war, violence, and death.]

James, Clive. "Style is the Man?' Atlantic Monthly 309.4 (May 2012): 92-98. [Brief mention of American essayist Dwight Macdonald's disdain for OMS.]

Kershaw, Alex. "Story of a Lifetime." World War II 27.1 (May/June 2012): 26-39. [Recounts EH's well known exploits as a war correspondent during the 1944 D-Day invasion of France.]

Kumar, Sanjay. "How True is 'True Gen' on Fitzgerald in Hemingway's A Moveable Feast: Fault Lines of Narration." Ravenshaw Journal of Literary and Cultural Studies 1.2 (July 2011): 47-61. [Not seen.]

Maier, Kevin. "A Trick Men Learn in Paris': Hemingway, Esquire, and Mass Tourism." The Hemingway Review 31.2 (Spring 2012): 65-83.

Marshall, Ian. "Rereading Hemingway: Rhetorics of Whiteness, Labor, and Identity" In Hemingway and the Black Renaissance. Eds. Gary Edward Holcomb and Charles Scruggs. Columbus: Ohio State UP, 2012. 177-213. [Examines the marginalization or omission of blacks and working-class whites in nine early stories, including "The Killers," "The Short Happy Life of Francis Macomber," "The Undefeated," "The Battler," "Big Two-Hearted River," and "The End of Something." Marshall reveals how the lack of human will within these two groups highlights the idealized white American identity permeating EH'S works.]

Mazlin, Cyrena. "Rose Macaulay's And No Man's Wit: The Forgotten Spanish Civil War Novel." Hecate 37.1 (May 2011): 56-69. [Briefly compares Macaulay's Spanish Civil War novel with FWBT published the same year. Notes that unlike FWBT, And No Man's Wit has been overlooked in the canon of war literature, perhaps because it was written by a woman.]

McDermott, John V. "Hemingway's 'Cat in the Rain': A Reproof of the Self." Notes on Contemporary Literature 41.1 (January 2011): 11-12. [On the main characters' myopic vision, insensitivity, and selfishness.]

McGill, Christopher. "A Reading of Zoomorphism in 'The Short Happy Life of Francis Macombed.'" Explicator 70.1 (January-March 2012): 57-60. [Narrative study focusing on the reader's understanding of the lion's perspective to the extent that the lion becomes a character in the story's broader interspecies context.]

Meyers, Jeffrey. "Hemingway's Christian Name." Notes on Contemporary Literature 41.2 (March 2011): 4-6. [On EH's loathing of his first name and lifelong rebellion against the moral tradition associated with it.]

Miller, D. Quentin. "Free Men in Paris: The Shared Sensibility of James Baldwin and Ernest Hemingway." In Hemingway and the Black Renaissance. Eds. Gary Edward Holcomb and Charles Scruggs. Columbus: Ohio State UP, 2012. 120-132. [Comparison study of MF with Baldwin's Notes of a Native Son exploring how each author's inner struggle to achieve individual identity independent of his expatriate community is reflected in his use of war imagery.]

Ott, Mark P. "A Shared Language of American Modernism: Hemingway and the Black Renaissance" In Hemingway and the Black Renaissance. Eds. Gary Edward Holcomb and Charles Scruggs. Columbus: Ohio State UP, 2012.27-37. [Explores EH'S connections to the Harlem Renaissance via his relationships with Sherwood Anderson, Claude McKay, and Langston Hughes. Concludes that while EH did not participate directly in the Harlem Renaissance, he existed within a modernist community of writers and artists who shared an aesthetic allegiance to depicting both the ugliness and beauty of American life.]

Parker, Joshua. "Hemingway's Lost Presence in Baldwin's Parisian Room: Mapping Black Renaissance Geographies." In Hemingway and the Black

Renaissance. Eds. Gary Edward Holcomb and Charles Scruggs. Columbus: Ohio State UP, 2012. 38-54. [Influence study of Baldwin's adaptation of EH's map of Paris from SAR as a model for Giovanni's Room. Parker focuses on geographical direction, symbolic place names, and themes of homosexuality and isolation to argue that expatriate authors projected their own psychological struggles onto foreign settings.]

Perrin, Thomas Gordon. "The Old Men and the 'Sea of Masscult': T.S. Eliot, Ernest Hemingway, and Middlebrow Aesthetics." American Literature 84.1 (March 2012): 151-174. [Uses American essayist Dwight Macdonald's well known critique of EH's and Eliot's later works as middlebrow as the basis for his own examination of how OMS (1952) in contrast to "The Undefeated" (1927) addresses the incoherencies of postwar modernist literature and thus reveals an opposing aesthetic philosophy. Perrin writes that OMS "represents an author forced implicitly to acknowledge his middlebrow aesthetic because of an inability, despite his best efforts, to make his writing comprehensible in what had come to be accepted modernist terms"]

Reynolds, Nicholas. "A Spy Who Made His Own Way: Ernest Hemingway, Wartime Spy." Studies in Intelligence 56.2 (Extracts June 2012): 1-11. [Focuses on EH'S World War II spying activities, including his work with the intelligence operations of the U.S. Embassy in Havana, the Office of Naval Intelligence, and the EB.I. Reynolds concludes that EH's independent nature kept him from reaching his true potential as a spy.]

Rohy, Valerie. "A Darker Past in The Garden of Eden." In Anachronism and Its Others: Sexuality, Race, Temporality. Albany: SUNY, 2009. 99-119. [Focuses on the temporal dimension, connecting sexuality, race, and primitivism. Rohy relies on queer and psychoanalytic theories as she explores both Catherine's fantasies and David's story, paying particular attention to the bond of Oedipal fathers and sons and men's relationships with one another. Rohy concludes, "In The Garden of Eden, which turns back in time to remedy time's backward turn, we encounter the queer substrate beneath the developmental narrative of heteronormative masculinity."]

--. "Hemingway, Eiteralism, and Transgender Reading." Twentieth Century Literature 57.2 (Summer 2011): 148-179. [Thematic study of transgender and gender identities in GOE, paying particular attention to the difference between literal and figurative readings and the role of literalism. Rohy surveys transphobic responses by biographers and critics to the author's male femininity and closes with an analysis of EH'S discussion of his own femininity in passages from Mary's safari diary.]

Safiullina, Nailya. "The Canonization of Western Writers in the Soviet Union in the 1930s" Modern Language Review 107.2 (April 2012): 559-584. [Briefly mentions EH's popularity among Soviet readers in a 1939 survey.]

Scruggs, Charles. "Looking for a Place to Land: Hemingway's Ghostly Presence in the Fiction of Richard Wright, James Baldwin, and Ralph Ellison." In Hemingway and the Black Renaissance. Eds. Gary Edward Holcomb and Charles Scruggs. Columbus: Ohio State UP, 2012. 55-77. [Influence study on how each author adapted EH's existential theme of "a man alone" in his post-Harlem Renaissance writings. Scruggs focuses on their efforts to define their own independent places in American fiction through revision of EH's themes of violence, loneliness, and search for refuge found in "A Clean, Well-Lighted Place," "The Killers" IOT, FTA, and THHN.]

Seed, David. "Ernest Hemingway: The Observer's Visual Field," In Cinematic Fictions. Liverpool: Liverpool UP, 2009.68-85. [Traces the differing modes of visual representation in EH'S major fiction, including IOT, SAR, FTA, FWBT, and THHN. Analyzes EH's cinematic technique through close readings of individual scenes, examining the author's experiments in perspective and careful sequencing of descriptive details through the gaze of an observer.]

Stoneback, H.R. '"I Would ... Be Hanged with You': Ernest Hemingway and Ezra Pound." In Ezra Pound: Ends and Beginnings (AMS Studies in Modern Literature Series). Eds. John Gery and William Pratt. New York: AMS P, 2011. 165-177. [Detailed account of EH'S unceasing efforts to secure Pound's release from St. Elizabeth's Hospital, characterizing EH's support on Pound's behalf as "steady, enduring, forceful, and practical."]

Takeuchi, Masaya. "Frederic's Conflict between Homosociality and Heterosexuality: War, Marvell, and Sculpture in A Farewell to Arms." Midwest Quarterly 53.1 (Fall 2011): 26-44. [Thematic study of the fluidity of sexual and gender identities, focusing on the relationships between Frederic and Catherine and Rinaldi. Discusses Frederic's movement between the homosocial army and heterosexual postwar civil society.]

Voelker, John [Robert Traver]. "Some Post-Fishing Thoughts on Hemingway and Writing." The Hemingway Review 31.2 (Spring 2012): 104-111.

Waldmeir, Joseph J. "Introduction to Special Section: Michigan Memories and Michigan Writers on Hemingway." The Hemingway Review 31.2 (Spring 2012): 101-103.

Worden, Daniel. "A Discipline of Sentiments: Masculinity in Ernest Hemingway's Death in the Afternoon." In Masculine Style: The American West and Literary Modernism (Global Masculinities Series). New York: Palgrave Macmillan, 2011. 107-125. [Masculinity study tracing the roots of EH's modernist style to the "cowboy masculinity" of the late 19th century dimenovel western. Worden explores how DIA serves as a guide for masculine self-fashioning, arguing that for Hemingway masculinity is a performance based on self-discipline and repetition.]

Wright-Cleveland, Margaret E. "Cane and In Our Time: A Literary Conversation about Race" In Hemingway and the Black Renaissance. Eds. Gary Edward Holcomb and Charles Scruggs. Columbus: Ohio State UP, 2012. 151-176. [Examines the intertextual relations between Jean Toomer and EH along with their impact on the emerging modernist short story cycle. Wright-Cleveland shows how each author's construction of race connects to American identity and modernism.]

Yu, Yan. "The Call of the Wild: An Eco-critical Reading of The Old Man and the Sea." Canadian Social Science 7.3 (30 June 2011): 167-175. [Relying on ecocritical theories, Yu examines EH's ambivalent attitude towards nature and the novel's anti-ecological-consciousness reflected in Santiago's heroic image and "tough guy" spirit. Also discusses Santiago's utilization of and desire to conquer nature along with his cruelty towards animals.]

DISSERTATIONS

Nickel, Matthew C. "Hemingway's Dark Night: Catholic Influences and Intertextualities in the Work of Ernest Hemingway." DAI-A73/05, November 2012.

Ross, Heather Renee. "The Search for Love and Feminine Identity in the War Literature of Ernest Hemingway and Tim O'Brien." DAI-A72/11, May 2012.

FOREIGN LANGUAGE SCHOLARSHIP

Marin Ruiz, Ricardo. Tres Visiones de Espana durante la Guerra Civil: L'Espoir, Homage to Catalonia y For Whom the Bell Tolls. Madrid: Nausica, 2011. [Spanish]

Tanritanir, Btilent C. "Iki G[??]nullu Vatansiz Yazarin Amerikali Kimlikleri: E Scott Fitzgerald ve Ernest Hemingway." Uluslararasi Sosyal Arastirmalar Dergisi/Journal of International Social Research 3.14 (Fall 2010): 489-496. [Turkish]

BOOK REVIEWS

[Books are arranged alphabetically by author. Reviews are also arranged alphabetically by author and follow the book's bolded citation.]

Cirino, Mark and Mark P. Ott, eds. Ernest Hemingway and the Geography of Memory. Kent, OH: Kent State UP, 2010.

Solomon, R.H. "Ernest Hemingway and the Geography of Memory," CHOICE 48.4 (December 2010): 680.

Federspiel, Michael R. Picturing Hemingway's Michigan. Detroit: Wayne State UP, 2010.

Svoboda, Frederic. "Picturing Hemingway's Michigan" Michigan Historical Review 37.1 (Spring 2011): 149-150.

Fruscione, Joseph. Faulkner and Hemingway" Biography of a Literary Rivalry. Columbus: Ohio State UP, 2012.

Bonner, T. "Faulkner and Hemingway: Biography of a Literary Rivalry." CHOICE 49.11 (July 2012): 2055.

Grissom, C. Edgar. Ernest Hemingway: A Descriptive Bibliography. New Castle, DE: Oak Knoll P, 2011.

DeFazio, Albert J. III. "Book Reviews." The Hemingway Review 31.2 (Spring 2012): 123-126.

Roberts, R.M. "Ernest Hemingway: A Descriptive Bibliography." CHOICE 49.4 (December 2011): 648.

Hendrickson, Paul. Hemingway's Boat: Everything He Loved in Life, and Lost, 1934-1961. New York: Knopf, 2011.

Anon. "The Old Man and the Sea." Economist 400.8755 (15 October 2011): 95.

Campbell, James. "A Wack with the Axx." TLS 5673/5674 (23 December 2011): 7-8.

Freeman, Franklin. "Hemingway's Boat." America 206.1 (2 January 2012): 26-27.

Flora, Joseph M. "Book Reviews." The Hemingway Review 31.2 (Spring 2012): 119-123.

Massie, Allan. "The Slow Crack-Up" Wall Street Journal--Eastern Edition 258.72 (24 September 2011): C5.

Phillips, Arthur and James Salter. "Hemingway's Boat: Everything He Loved in Life, and Lost, 1934-1961." Biography 35.1 (Winter 2012): 220.

Robson, Leo. "Leaky Vessel." New Statesman 141.5090 (30 January 2012): 50.

Salter, James. "Hemingway's Boat: Everything He Loved in Life, and Lost, 1934-1961." Biography 34.3 (Summer 2011): 584.

--. "The Finest Life You Ever Saw." New York Review of Books 58.15 (13 October 2011): 4-8.

Moriani, Gianni, ed. Hemingway's Veneto. Crocetta del Montello (Treviso): Antiga, 2011.

Cirino, Mark. "Book Reviews" The Hemingway Review 31.2 (Spring 2012): 130-133.

Spanier, Sandra and Robert W. Trogdon, eds. The Letters of Ernest Hemingway Volume I, 1907-1922. New York: Cambridge UP, 2011.

Anon. "New Books." Harper's Magazine 324.1942 (March 2012): 65-67.

Campbell, James. "A Wack with the Axx." TLS 5673/5674 (23 December 2011): 7-8.

Green, Peter. "The First Fine Careless Rapture." New Republic 243.2 (16 February 2012): 32-35.

Moynihan, Michael C. "Papa's Beginnings." Wilson Quarterly 36.1 (Winter 2012): 96-97.

O'Hagan, Andrew. "Issues for His Prose Style," London Review of Books 34.11 (7 June 2012): 6-8.

Miller, S. "The Letters of Ernest Hemingway: v. 1:1907-1922." CHOICE 49.7 (March 2012): 1259.

Paul, Steve. "The Letters of Ernest Hemingway: 1907-1922." Booklist 108.3 (1 October 2011): 17.

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