Current bibliography.

Larson, Kelli A.

[The current bibliography aspires to include all serious contributions to Hemingway scholarship. Given the substantial quantity of significant critical work appearing on Hemingway's life and writings annually, inconsequential items from the popular press have been omitted to facilitate the distinction of important developments and trends in the field. Annotations for articles appearing in The Hemingway Review have been omitted due to the immediate availability of abstracts introducing each issue. Kelli Larson welcomes your assistance in keeping this feature current. Please send reprints, clippings, and photocopies of articles, as well as notices of new books, directly to Larson at the University of St. Thomas, 333 JRC, 2115 Summit Avenue, St. Paul, MN 55105-1096. E-Mail: Kalarsonl@ stthomas.edu]

BOOKS

Bloom, Harold, ed. Ernest Hemingway (Bloom's Modern Critical Views). New York: Bloom's Literary Criticism, 2011. [Reader's companion to EH's life and major works, including SAR, FTA, and OMAS. Reprints criticism from such well known EH scholars as George Monteiro, Susan F. Beegel, and Donald A. Daiker. Includes a bibliography and chronology of the author's life.]

--. Ernest Hemingway's The Sun Also Rises--New Edition (Bloom's Modern Critical Interpretations). New York: Bloom's Literary Criticism. 2011. [Reader's companion to the novel. Reprints criticism from such well known EH scholars as H.R. Stoneback, James Nagel, and Donald D. Daiker. Includes a bibliography and chronology of the author's life along with a brief introductory essay by Bloom characterizing SAR as an elegy.]

Calabi, Silvio, Steve Helsley and Roger Sanger. Hemingway's Guns: The Sporting Arms of Ernest Hemingway. Camden, ME: Shooting Sportsman, 2010. [Thoroughly researched descriptive guide to EH's extensive collection of guns, revealing much about the author and his sporting life along the way. Argues that EH's inclination for quality and functionality reflected his high level of expertise. Traces EH's lifelong use of and fascination with firearms beginning with his introduction by his father at just two and a half years old. Includes short excerpts from letters and works such as GHA and UK and over 100 black and white photographs of EH hunting and shooting with family, friends, celebrities, and associates.]

Larsen, Lyle. Stein and Hemingway: The Story of a Turbulent Friendship. Jefferson, NC: McFarland, 2011. [Literary and historical biography tracing EH and Stein's complicated and troubled relationship. Covers their initial 1922 Paris meeting, their falling out after the publication of SAR, and occasional reconciliations over the next two decades. Draws on memoirs, biographies, letters, and previously unpublished material from the Kennedy Library to piece together the evolution of their friendship from budding admiration to intense resentment and jealousy.]

Newlin, Keith, ed. The Sun Also Rises by Ernest Hemingway (Critical Insights Series). Pasadena, CA: Salem P, 2010. [Study geared toward students and general readers. Divided into two parts, the first section contains new essays on the novel's composition, critical history, and Paris context. The second reprints essays from such well known EH scholars as Carlos Baker, Mark Spilka, and Scott Donaldson reflecting the changing critical landscape over the years. Newlin's introductory materials, "About This Volume" and "On The Sun Also Rises," outline the novel's origins and compositional history and surveys the volume's contents including six new essays annotated below.

Pp. 12-16: "Biography of Ernest Hemingway" by Stanley Archer. [Brief biography of the author's life and major literary achievements.]

Pp. 17-19: "The Paris Review Perspective" by Petrina Crockford for the Paris Review. [Muses on the novel's cultural impact and creative influence on other writers.]

Pp. 23-35: "An American in Paris: Hemingway and the Expatriate Life" by Matthew J. Bolton. [Contextualizes the novel within the larger expatriate scene by examining EH's fictionalization of his real life Paris experience. Focuses on his development of the definitive autonomous expatriate figure.]

Pp. 36-48: "Gender Identity and the Modern Condition in The Sun Also Rises" by Jennifer Banach. [Discusses the novel's revision of traditional gender roles resulting from the unsettled aftermath of World War I. Suggests the novel's androgynous strains reflect postwar uncertainty regarding the extinction of old world notions of sexuality, love, and romance, and that Jake's impotence becomes an allegory of the modern condition.]

Pp. 49-64: "The Art of Friction: Ernest Hemingway and William Faulkner" by Lorie Watkins Fulton. ]Draws on biography, correspondence and published materials in reconstructing EH and Faulkner's lifelong literary rivalry. Concludes that Jake's troubled relationship with Robert Cohn anticipates EH'S later competition with Faulkner.]

Pp. 65-83: "The Critical History of The Sun Also Rises" by Laurence W. Mazzeno. [Surveys important scholarly developments and trends from contemporary reviews to the most recent feminist and gender studies.]

Vernon, Alex. Hemingway's Second War: Bearing Witness to the Spanish Civil War. Iowa City: U of Iowa P, 2011. [Literary biography examining EH's involvement in the Spanish Civil War. Opens with a biographical overview of EH's coverage of the war as a correspondent for NANA and a stylistic analysis of his dispatches. Includes important background material on EH's politics and the complicated leftist politics of the period. Explores both the film and book version of The Spanish Earth and provides a detailed account of EH'S role in the filming of the documentary. Vernon closes with a thorough analysis of FWBT, including a close look at historical connections, gender roles, and parallels between Robert Jordan and Frederic Henry of FTA. Chapter 2 appeared in slightly revised form as "Style, Politics, and Ernest Hemingway's Spanish Civil War Dispatches" in Mailer Review 4.1 (Fall 2010): 427-444.]

ESSAYS

Ammary, Silvia. "'The Road Not Taken' in Hemingway's 'The Snows of Kilimanjaro.'" Connotations 18.1-3 (2008/2009): 123-138. [Thematically connects Frost's poem of illusory choice and lamentable chance to EH's oeuvre, most specifically to "The Snows of Kilimanjaro." Focuses on Harry's sense of loss coupled with remorse over his failed writing career. Examines EH's narrative style and symbolism, arguing for Harry as an unreliable narrator who projects his frustrations and regrets on his wife who, unlike her husband, possesses a realistic view of life.]

--. "Poe's 'Theory of Omission' and Hemingway's 'Unity of Effect.'" Edgar Allan Poe Review 11.2 (Fall 2010): 53-63. [Influence study. Begins with a close reading of Poe's early use of omission in "The Cask of Amontillado" before analyzing EH's employment of the unity of effect in "Cat in the Rain" in which all story elements, including setting, characterization, theme, and imagery, contribute to its claustrophobic sense of isolation and loneliness.]

Arner, Robert D. "On First Looking (and Looking Once Again) into Chopin's Fiction: Kate and Ernest and 'A Pair of Silk Stockings.'" In Awakenings: The Story of the Kate Chopin Revival. Ed. Bernard Koloski. Baton Rouge: Louisiana State UP, 2009. 112-130. [Cites briefly EH'S theory of omission as support for his reading of Chopin's underlying theme of gendered identity construction and critique of capitalism.]

Baskett, Sam S. "Ezra and Hem: A Moveable Friendship?' In Ezra Pound, Language and Persona. Eds. Massimo Bacigalupo and William Pratt. Genoa, Italy: Dipartimento di Scienze della Comunicazione Linguistica e Culturale, Universita degli Studi di Genova, 2008. 78-90. [Drawing on correspondence, Baskett surveys EH'S longtime personal and professional relationship with Ezra Pound beginning with their 1922 meeting in Paris and ending with EH'S suicide in 1961.]

Bayindir, Turgay. "War-Broken Masculinities and the Search for Healing in The Sun Also Rises and Home to Harlem. In Literatures of War. Eds. Richard Pine and Eve Patten. Newcastle upon Tyne, England: Cambridge Scholars, 2008.132-146. [Comparison study focusing on the theme of fractured masculine ideals (especially the notions of masculinity as conquest and war as masculine adventure) in SAR (1926) and Claude McKay's Home to Harlem (1928). Argues against the possibility of Jake Barnes and Jake Brown experiencing true masculine "healing" in the post-World War I wasteland of American culture.]

Beegel, Susan E "Bulletin Board." The Hemingway Review 30.2 (Spring 2011): 142-144.

Benchley, Nat. "Note to R (G) B From E (of) H: Hemingway's Inscriptions to Robert Benchley." The Hemingway Review 30.2 (Spring 2011): 118-119.

Carella, Amanda, Corey J. Dahl, Adam Lownik, and Ted Weiers. "Current Bibliography." The Hemingway Review 30.2 (Spring 2011): 129-141.

Cheuse, Alan. "The Form Read Round the World: American Short Fiction and World Story." World Literature Today 84.5 (September/October 2010): 24-27. [Surveys the origins and development of the modern short story, briefly commenting on Chekov's influence on EH and EH's influence on later writers.]

Christ, Tomas. "Uses of German Characters and Language in 20th-Century American Fiction: Some Examples from Stein, Hemingway, O'Brien and DeLillo." In The German Presence in the U.S.A. Eds. Josef Raab and Jan Wirrer. Berlin: Lit (2008): 397-416. [Examines "Black Ass at the Cross Roads" to reveal EH'S intentional deconstruction of German stereotypes. Concludes that his use of German words demonstrates the code hero's superior competence and ability to maintain his humanity in moments of crisis.]

Cirino, Mark. "Hemingway's "Big Two-Hearted River": Nick's Strategy and the Psychology of Mental Control" Papers on Language & Literature 47.2 (Spring 2011): 115-140. [Examines Nick's attempt at self-diagnosis and rehabilitation by replacing his unpleasant memories of the war with simple and manageable stimulation drawn from nature and camping. After analyzing Nick's careful suppression of emotional reactions, Cirino concludes that his trauma runs too deep to "fish his way out of his shock."]

Clark, Matthew. "The Dyadic Subject: Hegel, Aristophanes, Hemingway." In Narrative Structures and the Language of the Self. Columbus: Ohio State UP, 2010. 44-63. [Relies on Hegel's parable of the Master and the Slave from the Phenomenology of Spirit and Aristophanes' fable of the divided self from Plato's Symposium to examine the role of the doubled self in FTA, a story of both love and war. Argues that the two consciousnesses, Frederic and Catherine, merge into one and that Frederic achieves the knowledge to interpret his experience only through the death of Catherine, his other self.]

Daiker, Donald A. "'Don't Get Drunk, Jake': Drinking, Drunkenness, and Sobriety in The Sun Also Rises." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 169-185). [Close reading of the Botin's restaurant scene within the context of the novel, arguing that Jake's sobriety signals his determination to separate permanently from Brett, making for a quietly optimistic ending. Notes that Jake's tolerance for alcohol matches that of his creator and that for EH heavy drinking does not always equate with drunkenness.]

Del Gizzo, Suzanne, Camille Roman, Hsui-Ling Lin, Scott Donaldson, George Monteiro, and Thomas Travisano. "A Frost/Hemingway Roundtable." The Hemingway Review 30.2 (Spring 2011): 99-117.

Fleming, Robert E. "The Death of the Children in Islands in the Stream." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 140-146. [Speculates on the reason behind Hudson's neglect of and failure to protect his children, attributing his aloof manner with his family to his inability to balance his artistry with his parenting.]

Forter, Greg. "Redeeming Violence in The Sun Also Rises: Phallic Embodiment, Primitive Ritual, Fetishistic Melancholia." In Gender, Race, and Mourning in American Modernism. New York: Cambridge UP, 2011.54-95. [Reads SAR as EH'S melancholic response to the social transformation of white manhood occurring at the turn of the twentieth century. Examines the novel's treatment of gender, race, and primitivism, focusing on EH's ambivalence over the loss of the socially "feminine" male disparaged by the emergent social order. Greatly expanded version of "Melancholy Modernism: Gender and the Politics of Mourning in The Sun Also Rises." The Hemingway Review 21.1 (Fall 2001): 22-37.]

Gorman, Reita. "Teaching Hemingway and O'Brien in an Inner-City High School?' In Approaches to Teaching the Works of Tim O'Brien. Eds. Alex Vernon and Catherine Calloway. New York: Modern Language Association of America, 2010. 202-208. ]Pedagogical approach to "In Another Country" FTA, and Tim O'Brien's The Things They Carried by relating psychological conflicts and themes such as heroism and cowardice to the students' everyday lives.]

Gradoli, Marina. "Hemingway's Criteria in Ordering the Sequence of the Vignettes of in our time (1924) and In Our Time (1925)." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 186-190. [Structural analysis. Argues for a symmetric order to the vignettes of IOT based on a thematic and geographic arrangement. Reads the organization of the stories as thematic and chronological.]

Guill, Stacey. "Pilar and Maria: Hemingway's Feminist Homage to the 'New Woman of Spain' in For Whom the Bell Tolls." The Hemingway Review 30.2 (Spring 2011): 7-20.

Harding, Jennifer Riddle. "'He Had Never Written a Word of That': Regret and Counterfactuals in Hemingway's 'The Snows of Kilimanjaro.'" The Hemingway Review 30.2 (Spring 2011): 21-35.

Hays, Peter L. "Imperial Brett in The Sun Also Rises." ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 23.4 (2010): 238-242. [Connects the novel's numerous imperialism references to Brett's colonization of men, including Cohn, Mippipopolous, Romero, and Jake. Concludes that by novel's end, Jake realizes his domination and seeks to free himself of Brett's control.]

Hemmingson, Michael. "Chapter 2 in Hemingway's In Our Time." Explicator 68.4 (October-December 2010): 264-265. [Compares EH'S 20 October 1922 news dispatch on the flight of Greek war refugees with his fictional rendering of the same story, Chapter II of IOT.]

Herlihy, Jeffrey. "The Complications of Exile in Ernest Hemingway's The Sun Also Rises." North Dakota Quarterly 76.1-2 (Winter/Spring: 2009): 40-49. [Reprinted with minor revision in Exile and the Narrative/Poetic Imagination. Ed. Agnieszka Gutthy. Newcastle upon Tyne, England: Cambridge Scholars, 2010. 51-59.]

Herman, David. "Narrative Theory after the Second Cognitive Revolution." In Introduction to Cognitive Cultural Studies. Ed. Lisa Zunshine. Baltimore, MD: Johns Hopkins UP, 2010. 155-175. [Narratology study relying on theories of discursive psychology. Opens with an overview of the discipline's origins and aims before moving into an applied analysis of the face-to-face interaction found in the literary text "Hills Like White Elephants?' Suggests that Hemingway's construction of "talk" scenes has much to teach narrative theory.]

--. "Time, Space, and Narrative Worlds:' In Teaching Narrative Theory. Eds. David Herman, Brian McHale, and James Phelan. New York: Modern Language Association of America, 2010. 123-136. [Pedagogical approach introducing students to fundamental issues of narrative theory through an examination of time and space in "Hills Like White Elephants:' Focuses on how specific textual cues affect the reader's imaginative projection of himself into the world of the story.]

Holt, Joseph. "The Textual Condition of Hemingway's African Book." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 50-70. [On the difficulties inherent in editing and publishing EH's African book manuscript into three distinct posthumous narratives, "African Journal," TAFL, and UK, concluding that each successfully meets its own unique editorial goals. Includes tables comparing the bibliographical features and excised sections of each publication.]

Hotchner, A.E. "Hemingway, Hounded by the Feds." The New York Times (2 July 2011): A19 (L). [Reminiscence on his final days with EH. Includes Hotchner's belated admission that EH was right after all--the F.B.I. had been following him since the 1940s.]

Houk, Walter. "Hemingway's Cuban Son Looks Back on Life with Papa." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 71-76. [Reminiscence on his time spent with EH at the Finca Vigia and aboard the Pilar during the early 1950s. Favorably reviews Rene Villarreal's recent memoir, Hemingway's Cuban Son: Reflections on the Writer by His Longtime Majordomo, in which EH's young servant confirms many of Houk's own impressions of life with Papa in Havana.]

Huang, Liangguang. "Man is Invincible--About Hemingway's Humanism." English Language Teaching 3.2 (June 2010): 115-118. [Argues against interpreting OMAS as a Christian allegory in favor of a Humanist reading celebrating the dignity, courage, and invincibility of humankind.]

Jolliff, William. "Redeeming the Serpentine Subtext: Dennis Covington's Appropriation of Hemingway's The Sun Also Rises in Salvation on Sand Mountain." The Hemingway Review 30.2 (Spring 2011): 73-87.

Josephs, Allen. "Confessions of an Animal Lover: Clearing Up a Few Things about Hemingway, Spain, and the Bulls?' North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 77-89. [Muses over his experiences writing about bullfighting, connecting it to EH's evolution in attitude toward the corrida from the blood and gore of DIA to the sublime artistry of DS.]

--. "Picasso, Hemingway, and Lorca: or Toreo As a Modernist Principle." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 90-98. [Focuses on the use of bullfighting as a central theme in their modernist art, arguing that the ancient nature of toreo embraced a timeless truth lost in the modern world.]

Knight, Christopher J. "Ernest Hemingway (In Our Time)?' In Omissions Are Not Accidents: Modern Apophaticism from Henry James to Jacques Derrida. Toronto, Canada: U of Toronto P, 2010. 52-63. [Examines EH'S technique of omission and use of parataxis as indicators of open-ended or greater experience in "Indian Camp" and "Big Two-Hearted River." Touches on Bakhtin's notion of "parodia sacra" (parody of sacred texts and rituals) in relation to "A Clean, Well-Lighted Place" and SAR.]

L'Heureux, John. "Talk That Walks: How Hemingway's Dialogue Powers a Story." Wall Street Journal--Eastern Edition 257.35 (12 February 2011): C12. [On the "suggestive" power of dialogue (the feeling expressed beneath the spoken words) found in "Hills Like White Elephants."]

Lacy, Robert. "Four of a Kind: Sewanee Review 119.2 (Spring 2011): 295-300. [Biographical study connecting EH with Ty Cobb, John Berryman, and Hamlet. Though circumstances differ, each blamed his mother for the death of his father. Asserts that EH's hatred of his mother over his father's suicide provided him with writing material.]

Lamberti, Elena. "'Wandering Yankees': The transatlantic review or How the Americans Came to Europe." In Ford Madox Ford, Modernist Magazines and Editing. Ed. Jason Harding. New York: Rodopi, 2010. 215-228. [Surveys the short-lived transatlantic review and its role in bringing American modernist literature to the forefront. Includes frequent references to EH, his turbulent relationship with Ford and role as assistant editor, as well as the evolving American expatriate movement of the period.]

MacGowan, Christopher. "Ernest Hemingway (1899-1961)." In The Twentieth-Century American Fiction Handbook. Malden, MA: Wiley-Blackwell, 2011. 91-95. [Brief biography geared to a general audience tracing familiar elements of EH's life and literary accomplishments.]

Marin Ruiz, Ricardo. "A Spanish Portrait: Spain and Its Connections with the Thematic and Structural Dimensions of For Whom the Bell Tolls." Journal of English Studies 8 (2010): 103-118. [Imagological approach focused on the portrait of Spain reflected in the novel. Opens with a detailed account of EH's lifelong love affair with Spain before turning to an examination of the novel's episodic structure and thematic preoccupation with violence, life and death, horror, and humor. Concludes that EH depicts Spain as a timeless and remote place rich in customs and characterizes its people as passionate, rebellious, and possessing a fatalistic vision of life.]

McDuffie, Bradley R. "For Ernest, with Love and Squalor: The Influence of Ernest Hemingway on J.D. Salinger." The Hemingway Review 30.2 (Spring 2011): 88-98.

McFarland, Ron. "Recent Fictional Takes on the Lost Hemingway Manuscripts." Journal of Popular Culture 44.2 (2011): 314-332. [Commentary on the recent spate of novels appropriating EH's life and writings.]

McKenna, John J. "No Homecoming for Soldiers: Young Hemingway's Flight from and Return to the Midwest." MidAmerica: The Yearbook of the Society for the Study of Midwestern Literature 36 (2009): 83-92. [Reads "A Very Short Story," "Big Two-Hearted River," and "Soldier's Home" as reflections of EH's resentment over having to return to the conventional world of Oak Park after his Italian adventures during World War I.]

Muller, Timo. "Hemingway: The Constructed Self." In The Self as Object in Modernist Fiction: James, Joyce, Hemingway. Wurzburg, Germany: Knigshausen & Neumann, 2010. 221-276. [Studies the complex and variable mode of self-objectification in EH's fiction, focusing on three main postures of "surrogate writers" found throughout his oeuvre: authenticity. simplicity, and independence. Analyzes the development of these postures beginning with the successful SAR and their subsequent modifications in later works such as GHA, "The Snows of Kilimanjaro," "The Gambler, the Nun, and the Radio;' and THHN. Argues that after the failure of ARIT, EH revised his techniques to create greater distance between himself and his characters, ultimately resulting in his becoming one of the greatest writers of the modernist period.]

Murray, Ciaran. "Some Versions of Nothing." Hungarian Journal of English and American Studies 14.1 (Spring 2008): 9-20. [Influence study. Explores the artistic expression of space or nothingness, tracing its origins to China, Japan, and India. Briefly discusses EH's theory of omission and its influence on Ezra Pound and others and in turn C6zanne's influence on EH's writing style. Scattered references to SAR, DIA, and MF.]

Nickel, Matthew. "Lighthearted Sinners and Pious Puritans, Followers, and Believers: Hemingway's 'Holy War Meat Eaters and Beer Drinkers Happy Hunting Ground and Mountain Religion' in Under Kilimanjaro" North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 106-120). [Examines EH's blending of Christianity with African tribal rituals to reconcile the local with the universal in his creation of a new religion. EH's pilgrim actively embraces the local geography, people, and customs (including drinking and hunting) of a place to attain universal vision or truth.]

Orel Kos, Silvana. "A Contrastive-Stylistic Study into the Tense Distribution in English and Slovene Fictional Texts" Linguistica 48 (2008): 227-236. [Linguistic analysis of temporal spheres in fictional texts and their translations (between English and Slovene). Brief look at two short passages from SAR.]

Peat, Alexandra. "Wandering Pilgrimage: Mobile Expatriatism in Ernest Hemingway's The Sun Also Rises, F. Scott Fitzgerald's Tender is the Night and Claude McKay's Banjo." In Travel and Modernist Literature: Sacred and Ethical Journeys. New York: Routledge, 2011. 96-130. [Comparison study of the spiritual ethics of the wandering pilgrim found in all three novels. Contesting EH's definition of SAR as tragedy, Peat positively characterizes the expatriate journey as an opportunity for the spiritual seeker to escape his deadening confines and gain a fresh perspective on the world.]

Raabe, David. "Dempsey over Hemingway in Three Rounds." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 132-139. [Describes EH's three embarrassing skirmishes with the boxer Jack Dempsey.]

Saddik, Annette I. "Recovering 'Moral and Sexual Chaos' in Tennessee Williams's Clothes for a Summer Hotel." North Carolina Literary Review 18 (2009): 53-65. [Discusses the role of EH'S ghost in Williams's play based on the turbulent relationship between Zelda and Scott Fitzgerald. Covers Williams's incorporation and interpretation of familiar biographical elements, including EH's dislike of Zelda's disruptive influence on Scott's artistry. Explores Williams's thematic treatment of masculinity, sexuality, and androgyny within the play as well as each author's anxieties over their own creative abilities.]

Shainberg, Lawrence. "History Looks at Itself: On the Road with the Mailers and George Plimpton." In Norman Mailer's Later Fictions: Ancient Evenings through Castle in the Forest. Ed. John Whalen-Bridge. New York: Palgrave Macmillan, 2010. 159-180. [On the stage production of "Zelda, Scott, and Ernest: A Dramatic Dialogue," based on their letters and writings. Shainberg provides the play's compositional and performance history along with explanatory notes and background material connecting the six American icons: George Plimpton as Scott Fitzgerald, Norris Church Mailer as Zelda Fitzgerald and Norman Mailer as EH.]

Shakespeare, Alex. "The Names of Rivers and the Names of Birds: Ezra Pound, Louis Agassiz, and the 'Luminous Detail' in Hemingway's Early Fiction" The Hemingway Review 30.2 (Spring 2011): 36-53.

Stoltzfus, Ben. "Hemingway's Iceberg: Camus' L'Etranger and The Sun Also Rises." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 22-39. [Influence study examining how EH's iceberg principle functions in Camus' novel. Stoltzfus points out numerous thematic and situational connections between SAR and L'Etranger but focuses mainly on each author's use of omission to enrich the reader's experience.]

Stoneback, H.R. "For Whom the Flood Rolls: Ernest Hemingway and Robert Penn Warren--Connections and Echoes, Allusion, and Intertextuality." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 7-21. [Comparison study noting similarities in character, theme, and imagery between Warren's Flood (1964) and FWBT. Details their 1929 Paris meeting along with each author's later references to the other in correspondence and interviews. Also sums up Warren's criticism on Hemingway.]

Trubek, Anne. "Hemingway's Breadcrumb Trail" In A Skeptic's Guide to Writers' Houses. Philadelphia: U of Pennsylvania P, 2011.67-87. [Reminiscence of her tour of EH's houses in Ketchum and Key West. Includes snippets

of conversations with curators and tour guides along with biographical information on these residences and others such as the Sun Valley Lodge and Finca Vigia in Cuba.]

Twomey, Lisa A. "Taboo or Tolerable?: Hemingway's For Whom the Bell Tolls in Postwar Spain" The Hemingway Review 30.2 (Spring 2011): 54-72.

Tyler, Lisa. "Opera, Maternal Influence, and Gender in Ernest Hemingway's The Ash Heel's Tendon'.' In Music and Literary Modernism: Critical Essays and Comparative Studies. Ed. Robert P. McParland. Newcastle upon Tyne, England: Cambridge Scholars, 2006. 136-143. [Summarizes the role of music in EH's youth, particularly the feminizing and maternalizing influence of opera. Argues that the story, written early in the author's career, anticipates his lifelong thematic interest in the value of stoicism.]

Vernon, Alex. "The Spanish Earth Makes a Book." Ivens Magazine 16 (October 2010). [Not seen. "Vernon, Alex. Hemingway's Second War: Bearing Witness to the Spanish Civil War. Iowa City: U of Iowa P, 2011: xii.]

Willis, Lloyd. Environmental Evasion: The Literary, Critical, and Cultural Politics of 'Nature's Nation: Albany: State U of New York P, 2011.

Pp. 125-130: "Afterword: Ernest Hemingway and American Literature's Legacy of Environmental Disengagement: The Circular Trajectory of Environmental Openness in In Our Time:' [Argues that despite EH's concerns regarding the unsustainability of modern environmental policies, he creates a virginal territory, particularly in "Big Two-Hearted River" in which the natural world remains perpetually open and unthreatened.]

Pp. 130-134: "Bad Faith in Green Hills of Africa." [Contends that Hemingway confronts the issue of environmental destruction head-on in his depiction of America's imperialistic treatment of Africa, but evades the reality of Africa's eventual environmental exhaustion by turning his attention to the Gulf Stream, a new and immutable horizon that negates the threat of ultimate environmental annihilation.]

Wolf, Howard R. "Imitating Hemingway: 'After Such Knowledge.. "" Cithara 50.2 (May 2011): 14-22. [Jewish-American author Howard Wolf, once so in awe of EH that he desired to imitate his life and work, chronicles the life-changing event that opened his eyes to the danger of dismissing EH's anti-Semitism in SAR as merely a reflection of literary realism.]

Wright, Chantal. "The Water under the Bridge: Tzveta Sofronieva's Der Alte Mann, das Meer, die Frau." In Shoreless Bridges: South East European Writing in Diaspora. Ed. Elka Agoston-Nikolova. New York: Rodopi, 2010.97116. [On the Bulgarian poet's feminist retelling of OMAS in which fishing is reduced to a hobby and Manolin is replaced by a woman.]

Xie, Yaochen. "Hemingway's Language Style and Writing Techniques in The Old Man and the Sea." English Language Teaching 1.2 (December 2008): 156-158. [Commentary on EH's deliberate manipulation of language and facts in OMAS resulting in both a seemingly natural prose style and believable fictional narrative.]

Yu, Xiaoping. "The New Woman in The Sun Also Rises." English Language Teaching 3.3 (September 2010): 176-179. [Characterizes Brett as an embodiment of the New Woman based on her physical appearance and behavior.]

DISSERTATIONS

Casey, John Anthony, Jr. "The Vanishing Civil War Veteran in Late Nineteenth-Century American Literature and Culture." DAI-A 72/04, October 2011.

Dick, Christopher. "Shifting Form, Transforming Content: Stylistics Alterations in the German Translations of Hemingway's Early Fiction." DAI-A 71/02, August 2010.

Dunick, Lisa Marie Schifano. "Selling Out: The American Literary Market Place and the Modernist Novel" DAI-A 71/12, June 2011.

Lallas, Demetrios ]. "Salt of the Earth Country: A Genealogy of "The American Dream; 1914-1968: DAI-A 70/07, January 2010.

Marin Ruiz, Ricardo. "La imagen de Espana durante la Guerra Civil en 'L'espoir; 'Homage to Catalonia' y 'For Whom the Bell Tolls'" DAI-A 70/10, April 2010.

Ritchie, Matthew Jeremy. "Functional Context: Underlying Principle of Language Structure in Literary Interpretation: DAI-A 70/04, October 2009.

Rooney, Peter. "Primitivism in the Short Stories of Ernest Hemingway: A Tripartite Study:' DP2011 ROON-University College Cork, Ireland, April 2011.

BOOK REVIEWS

[Books are arranged alphabetically by author. Reviews are also arranged alphabetically by author and follow the book's bolded citation.]

Bak, John S. Homo americanus: Ernest Hemingway, Tennessee Williams, and Queer Masculinities. Madison, WI: Fairleigh Dickinson UP, 2010.

Magill, D.E. "Book Review." CHOICE 48.9 (May 2011): 1687.

Walker, Julia A. and David Roark. "Book Review" Theatre Journal 63.2 (May 2011): 297-299.

Bouchard, Donald F. Hemingway: So Far From Simple. Amherst, NY: Prometheus Books, 2010.

Fleming, Robert E. "Reviews." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 195-196.

Nash, Charles C. "Hemingway: So Far From Simple." Library Journal 135.10 (June 2010): 86.

Bruccoli, Matthew J. with Judith S. Baughman, eds. Hemingway and the Mechanism of Fame. Columbia: U of South Carolina P, 2006.

Junkins, Donald. "Reviews." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 205-209.

Calabi, Silvio, Steve Helsley, and Roger Sanger. Hemingway's Guns: The Sporting Arms of Ernest Hemingway. Camden, ME: Shooting Sportsman Books, 2010.

Martin, Lawrence H. "Book Reviews:' The Hemingway Review 30.2 (Spring 2011): 123-126.

Curnutt, Kirk and Gail D. Sinclair, eds. Key West Hemingway: A Reassessment. Gainesville: UP of Florida, 2009.

Bazin, Victoria. "Hemingway: A Reassessment." Modern Language Review 106.1 (January 2011): 249-250.

Donaldson, Scott. Fitzgerald & Hemingway: Works and Days. New York: Columbia UP, 2009.

Anon. "Book Review." Publishers Weekly 256.22 (June 2009): 41-42.

Flora, Joseph M. Reading Hemingway's Men without Women: Glossary and Commentary. Kent, OH: Kent State UP, 2008.

Davison, Richard Allan. "Review." North Dakota Quarterly 76.1-2 (Winter/ Spring 2009): 197-199.

Fleming, Robert M. "Reviews." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 192-194.

Fortuny, Kim. American Writers in Istanbul: Melville, Twain, Hemingway, Dos Passos, Bowles, Algren, Baldwin, and Settle. New York: Syracuse UP, 2009.

Orr, Jeffrey. "The Absent City: Istanbul and American Writing." American Literary History 23.1 (Spring 2011): 181-188.

Frederking, Lauretta Conklin, ed. Hemingway on Politics and Rebellion. New York: Routledge, 2010.

Fleming, Robert E. "Book Reviews" The Hemingway Review 30.2 (Spring 2011): 120-123.

Goodheart, Eugene, ed. Critical Insights: Ernest Hemingway. Pasadena, CA: Salem Press, 2010.

Fazioli, Carol. "Book Reviews." School Library Journal 56.4 (April 2010): 68.

Hemingway, Ernest. A Moveable Feast: The Restored Edition. Eds. Patrick and Sean Hemingway. New York: Scrihner's, 2009.

King, Brendan. "A Moveable Feast: The Restored Edition." TLS 5574 (1/29/2010): 27.

Robson, Leo. "Glints of a Rising Son." New Statesman 139.5009 (2010): 48-49.

Moreira, Peter. Hemingway on the China Front: His World War II Spy Mission with Martha Gellhorn. Washington, D.C.: Potomac Books, 2006.

Junkins, Donald. "Reviews." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 209-218.

Mort, Terry. The Hemingway Patrols: Ernest Hemingway and His Hunt for the U-Boats. New York: Scribner, 2009.

Anon. "Book Review." Publishers Weekly 256.22 (June 2009): 42.

Ondaatje, Christopher. Hemingway in Africa: The Last Safari. Toronto, Canada: HarperCollins, 2003.

Fleming, Robert E. "Reviews" North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 194-195.

Ott, Mark P. Ernest Hemingway and the Geography of Memory. Kent, OH: Kent State UP, 2010.

Solomon, R.H. "Book Review" CHOICE 48.4 (December 2010): 680.

Reef, Catherine. Ernest Hemingway: A Writer's Life. New York: Clarion, 2009.

Anon. "Reviews." Social Education 74.3 (May/June 2010): 4.

Hunt, Jonathan. "Review." Horn Book Magazine 85.5 (September-October 2009): 583.

Stoner, Theresa. "Ernest Hemingway: A Writer's Life?' Library Journal 134.19 (2009): 42.

Stoneback, H.R. Reading Hemingway's The Sun Also Rises: Glossary and Commentary. Kent, Ohio: Kent State UP, 2007.

Fleming, Robert E. "Reviews." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 191-192.

Trogdon, Robert W. The Lousy Racket: Hemingway, Scribners, and the Business of Literature. Kent OH: Kent State UP, 2007.

Holt, Joseph. "Reviews." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 223-224.

Wagner-Martin, Linda, ed. Hemingway: Eight Decades of Criticism. East Lansing: Michigan State UP, 2009.

Haselmo, Zak. "Hemingway: Eight Decades of Criticism." North Dakota Quarterly 76.1-2 (Winter/Spring 2009): 161-168.

FOREIGN SCHOLARSHIP

Augustin, Annegret, Achim Hoppner, and Axel Wostry. Bedeutende Personen der Weltgeschichte [...] Kemal Ataturk, Pablo Picasso, Charlie Chaplin, Ernest Hemingway. Mtinchen Audio Media, 2010. [German]

Brunn, Stefani. Sherwood Anderson's and Ernest Hemingway's Stories of Initiation. Mtinchen GRIN Verlag GmbH, 2011. [German]

Cardona Morales, Cezanne. "San Juan nunca se acaba." Torte: Revista de la Universidad de Puerto Rico 14.53-54 (2009): 421-429. [Spanish]

De Cortanze, Gerard. Le roman de Hemingway. Monaoo: Rocher, 2011. [French]

Humbert, Denis. Le sang est plus epais que l'encre: roman. Paris: Presses de la cite, 2011. [French]

Knappe, Sven. Grosse Frauen und Manner der Weltgeschichte [...] Hannibal, Johann Sebastian Bach, Ernest Hemingway, Katharina II., Roald Amundsen, Konfuzius, Winston Churchill, Charlie Chaplin. Stuttgart, Deutschland; Ztirich, Schweiz; Wien, Osterreich: Reader's Digest, 2010. [German]

Lin, Guangze. "de xu shu yu shi fen xi." Yangtze River Academic 4 (2009): 2832. [Chinese]

Michel, Luce. Ernest Hemingway a 20 ans: un homme blesse. Vauvert: Au diable vauvert, 2011. [French]

Moriani, Gianni. II Veneto di Hemingway. Crocetta del Montello: Antiga, 2011. [Italian]

Muller, Kurt. "Psychodrama und 'Talking Cure': Gesprach und Selbstgesprach in Ernest Hemingway's For Whom the Bell Tolls." In Seelengesprache. Eds.

Beatrice Jakobs and Volker Kapp. Berlin: Duncker & Humblot, 2008. 183199. [German]

Nigro, Raffaele. Fernanda e gli elefanti bianchi di Hemingway. Milano: Rizzoli, 2010. [Italian]

Vasilevskii, Boris. Kot, spiaschii na Kheminguee. Druzhba Narodov: Nezavisimyi Literaturno-Khudozhe Strennyi i Obshchestvenno-Politicheskii Ezhemesiachnik 6 (2009). [Russian]

Vauthier, Benedicte. "Transfiguraciones y juegos de las escrituras del yo en Paris (Ernest Hemingway, Miguel de Unamuno, Enrique Vila-Matas)" Hispanogalia: Revista Hispanofrancesa de Pensamiento, Literatura y Arte 3 (2006/2007): 181-194. [Spanish]

Xiong, Wei and Tiejun Hou. "Qing jiao yu biao fa yu Meiguo wen xue zhong de jiu shu zhu ti-Yi Bai jing, 'Hai shang pian zhou' he Lao ren yu hal wei li" Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu 30.3 (June 2008): 64-69. [Chinese]

Yamaguchi, Jun. Papa & Capa: Ernest Hemingway by Robert Capa. Tokyo: Hankyukomyunikeshonzu, 2011. [Japanese]

KELLI A. LARSON

University of St. Thomas