Current bibliography.

Larson, Kelli A.

[The current bibliography aspires to include all serious contributions to Hemingway scholarship. Given the substantial quantity of significant critical work appearing on Hemingway's life and writings annually, inconsequential items from the popular press have been omitted to facilitate the distinction of important developments and trends in the field. Annotations for articles appearing in The Hemingway Review have been omitted due to the immediate availability of abstracts introducing each issue. Kelli Larson welcomes your assistance in keeping this feature current. Please send reprints, clippings, and photocopies of articles, as well as notices of new books, directly to Larson at the University of St. Thomas, 333 JRC, 2115 Summit Avenue, St. Paul, MN 55105-1096. E-Mail: Kalarsonl@stthomas.edu.]

BOOKS

Bak, John S. Homo americanus: Ernest Hemingway, Tennessee Williams, and Queer Masculinities. Madison, WI: Fairleigh Dickinson UP, 2010. [Influence study. Examines the sociohistorical, sociopolitical, and literary connections between the two authors, primarily through an intertextual reading of SAR and Cat on a Hot Tin Roof. Discusses the ironic endings of both texts, focusing specifically on the protagonists' struggles with sexual identity and the construction of queer masculinity. Bak "uses Hemingway as a means to examine Williams's evolving relationship with the heterosexual community at the height of the Cold War and with the homosexual community of post-Stonewall gay liberation." Argues that EH's posthumous novels (HTS, GOE, and TAFL) more openly support Williams's efforts to challenge the Cold War's sexual politics than earlier works such as SAR.]

Bouchard, Donald F. Hemingway: So Far from Simple. Amherst, MA: Prometheus Books, 2010. [Argues against those who find EH's writing superficial and artless, showing how EH's careful attention to style and lifelong concern with his career as a writer earned him the title of one of America's most important and influential authors. Draws on EH's correspondence, AMF, his statements about art, and the postmodernist writings of Foucault, Deleuze, and Said to trace EH's evolving style in relation to changing times. Analyzes the major works chronologically, devoting greatest attention to those suffering from critical neglect such as GHOA and DIA. The first portion of the study focuses on EH's emerging modernist style in IOT, SAR, and AFTA. The middle portion deals with EH's writings of the 1930s, exploring his shift away from modernism toward a gradually developing social and political awareness found in GHOA, DIA, FWBT, and THHN. Concludes with an analysis of OMATS and AMF.]

Goodheart, Eugene, ed. Critical Insights: Ernest Hemingway. Pasadena, CA: Salem Press, 2010. [Guide to EH's life and major works geared toward students and general readers. Introductory essays include a brief biography, cultural and historical overview, and assessment of EH's prose style and critical reception. Most of the volume is devoted to reprinted essays by such renowned EH scholars as Carlos Baker, Hilary Justice, Scott Donaldson, and Mark Spilka. Includes one new critical essay by Neil Heims. See below.

Pp. 157-171: "The Scapegoat, the Bankrupt, and the Bullfighter: Shadows of a Lost Man in The Sun Also Rises" by Neil Heims. [On the allegorical and anti-Semitic nature of SAR. Heims concludes that EH intentionally utilizes anti-Semitic attitudes as a way to define his characters, especially Jake.]

Hemingway, Ernest. The Old Man and the Sea. Ukraine, 1966. [Newly discovered edition in English with Ukrainian footnotes.]

Lamb, Robert Paul. Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story. Baton Rouge: Louisiana State UP, 2010. [A study of the aesthetics of EH's short stories. Beginning with the influences of Poe, Cezanne, Maupassant and others, Lamb traces the evolution of EH's unique style, focusing on his use of omission and his refinement of impressionism and expressionism. Covers EH's innovations in narrative form, voice, point of view, and dialogue in addition to assessing his legacy. Explores numerous stories beginning with the early works of the 1920s and continuing roughly through 1939. Gives greatest attention to "An Alpine Idyll," "Big Two-Hearted River," "Cat in the Rain," "Che Ti Dice la Patria?" "A Clean, Well-Lighted Place," "Hills Like White Elephants," "In Another Country," "Indian Camp," and "Now I Lay Me." Along the way, Lamb constructs a critical apparatus--an analytic toolbox of terminology--for analyzing the short story as a separate genre worthy of serious critical study in its own right.]

Martinez de Pison, Ignacio. To Bury the Dead. Trans. Anne McLean. Cardigan [Wales]: Carnival/Parthian, 2009. [English translation of the 2005 Spanish biography of Jose Robles Pazos, Spanish Republican activist and friend of EH and Dos Passos during the Spanish Civil War. Chronicles Robles's life and uncovers the facts behind his execution. Theorizes that Robles's murder by the Soviets may have caused the rift between Dos Passos and EH. Frequent references to EH throughout.]

Paul, Bart. Double-Edged Sword: The Many Lives of Hemingway's Friend, the American Matador Sidney Franklin. Lincoln: U of Nebraska P, 2009. [Biography of the first American bullfighter, Sidney Franklin, who trained with the legendary matador Rodolfo Gaona. Details Franklin's life in and out of the bullring, frequently addressing his turbulent relationship with EH beginning in Spain in 1929. Covers Franklin's early friendship with Pauline and EH, time spent with EH and Gellhorn during the Spanish Civil War, and contributions to the writing of DIA.]

Stoltzfus, Ben. Hemingway and French Writers. Kent, OH: Kent State UP, 2010. [Discusses the progression of EH's major works, including SAR, AFTA, DIA, THHN, FWBT, ARIT, and OMATS, within the context of 20th century, avant-garde Paris. Compares EH's works with those of contemporary French novelists such as Sartre, Camus, Montherlant, and Gide to reveal how each informs the other in their parallel experimentations with style, structure, and theme. Includes revised, previously published articles and book chapters, including "The Stones of Venice, Time and Remembrance: Calculus and Proust in Across the River and into the Trees" from The Hemingway Review 22.2 (Spring 2003): 19-29.]

Wilson, R. Andrew. Write Like Hemingway: Writing Lessons You Can Learn from the Master. Avon, MA: Adams Media, 2009. [Guide for the aspiring author based on EH's life and writings. Frequent examples from EH's short stories and novels demonstrate lessons in voice, character, and setting. Covers basic story writing techniques and includes writing exercises to aid in emulating EH's style.]

ESSAYS

Bates, Stephen. "'An Apostle for His Work': The Death of Lieutenant Edward Michael McKey." The Hemingway Review 29.2 (Spring 2010): 61-73.

Beegel, Susan F. "Bulletin Board." The Hemingway Review 29.2 (Spring 2010): 172-173.

Beckman, Mary Beth, Kelly Kraemer, Rebecca Ney, and Zachary Wefel. "Current Bibliography." The Hemingway Review 29.2 (Spring 2010): 159-171.

Bolton, Matthew J. "Memory and Desire: Eliotic Consciousness in Early Hemingway." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 37-56. [Intertextual reading of IOT and Eliot's The Waste Land, comparing style, content, and structure. Argues for the importance of Pound's influence on Eliot and Eliot's influence on the young Hemingway.]

Cirino, Mark. "An Evening at the Kennedy White House: Fredric March Performs Hemingway's Islands in the Stream." The Hemingway Review 29.2 (Spring 2010): 123-132.

--. "The Persistence of Memory and the Denial of Self in A Farewell to Arms." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 149-165. [Draws on the theories of James, Freud, Bergson and others to explicate the function of memory at key moments in both the manuscript and novel to reveal the fragility of Henry's character.]

Cushman, Stephen. "Why Didn't Hemingway Mention This Crater?" Southwest Review 94.4 (2009): 462-477. [Attempts to explain EH's omission of the Ngorongoro Crater from GHOA, comparing such an omission to visiting Niagara Falls, New York and leaving out Niagara Falls. Argues that EH was not after geographical comprehensiveness "but rather the transformation of northern and central Tanganyika into an eroticized paradise of pursuit and procession." Suggests that by reinventing Africa, EH was able to escape from an old and used up America. Frequently references Pauline Hemingway's unpublished journal covering the safari.]

Del Gizzo, Suzanne. "'Glow-in-the-Dark Authors': Hemingway's Celebrity and Legacy in Under Kilimanjaro." The Hemingway Review 29.2 (Spring 2010): 7-27.

Djos, Matts G. "Alcoholism in Ernest Hemingway's The Sun Also Rises: A Wine and Roses Perspective of the Lost Generation." Writing Under the Influence: Alcoholism and the Alcoholic Perception from Hemingway to Berryman. New York: Palgrave Macmillan, 2010. 13-27. [Characterizes SAR as a faithful portrait of the disease of alcoholism. Labeling Jake, Brett, Mike and even Cohn as practicing alcoholics, Djos relates key elements of the addictive personality such as excessive levels of anxiety and dependence to each character. Concludes that the novel depicts "degeneration without solution" by focusing on "people who feel compelled to fabricate a code of conduct that has very little to do with living and even less to do with integrity." Revised from original published in The Hemingway Review 14.2 (Spring 1995): 64-79.]

Ducille, Ann. "The Short Happy Life of Black Feminist Theory." Differences (Bloomington, IN) 21. 1 (2010): 32-47. [Advocating the applicability of black feminist theory to the study of all literature, Ductile uses "The Short Happy Life of Francis Macomber" as her test case. Surveys critical opinion on the story, noting the lack of interest in its racial dimensions. Contends that while Margot may be a victim of white patriarchy, she is also actively engaged in and benefits from that system of oppression. Concludes that EH's story of the rich, idle, and brutal is "an ugly example of what white privilege can do to those who waste it."]

Dudley, Marc. "Killin'em with Kindness: 'The Porter' and Hemingway's Racial Cauldron." The Hemingway Review 29.2 (Spring 2010): 28-45.

Field, Allyson Nadia. "Expatriate Lifestyle as Tourist Destination: The Sun Also Rises and Experiential Travelogues of the Twenties." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 83-96. [Situates SAR, with its tour of expatriate places, within the tradition of contemporary travelogues. Originally published in The Hemingway Review 25.2 (Spring 2006): 29-43.]

Fortuny, Kim. "Dispatches from Constantinople: Ernest Hemingway on the Greco-Turkish War." American Writers in Istanbul: Melville, Twain, Hemingway, Dos Passos, Bowles, Algren, Baldwin, and Settle. New York: Syracuse UP, 2009. 56-93. [On EH's journalistic coverage of the conflict, praising his sensitive understanding of the history and politics of the region. Stylistic analysis of individual dispatches reveals EH's growth as a journalist, shedding bias and applying fictional techniques to enhance the "human interest" angle of his vivid yet balanced accounts of the war.]

Godfrey, Laura Gruber. "Hemingway and Cultural Geography: The Landscape of Logging in 'The End of Something.'" In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 69-82. [Reads the story through the lens of cultural geography, analyzing EH's depiction of continuous shifts of setting. Argues for place, over character, as central to the narrative, stressing the importance of the community's historical past, with Nick and Marjorie making up only a small part of the larger place. Originally published in The Hemingway Review 26.1 (Fall 2006): 47-62.]

Grimes, Larry. "Echoes and Influences: A Comparative Study of Short Fiction by Ernest Hemingway and Robert Morgan." Southern Quarterly 47.3 (Spring 2010): 98-116. [Influence study drawing numerous textual parallels in style and content between EH's fiction and Morgan's 1999 short story collection, The Balm of Gilead Tree. Compares and contrasts "Indian Camp" with "The Tracks of Chief de Soto," "In Another Country" with "A Brightness New and Welcoming," "Soldier's Home" with "The Welcome," AFTA with "Tailgunner," and "A Natural History of the Dead" with "The Balm of Gilead Tree."]

--. "Lions on the Beach: Dream, Place, and Memory in The Old Man and the Sea." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 57-66. [Close reading of the lion imagery demonstrating the connection between memory and physical geography. Argues for EH's multicultural complexity by reading the Africa sections through the lens of Afro-Cuban religions.]

Herlihy, Jeffrey. "Hemingway's Hispanic Vision in For Whom the Bell Tolls." In Metamorphosis and Place. Eds. Joshua Parker, Lucie Tunkrova, and Mahomed Bakari. Newcastle upon Tyne, England: Cambridge Scholars, 2010. 141-152. [Focuses on Jordan's attempts, as an outsider in a foreign land, to assimilate fully and achieve a new identity. Arguing that Jordan's extended expatriation has led in part to his desire to adopt Spain as a surrogate culture, Herlihy suggests that Jordan's transformation of identity is left ambiguous at the end when he is rejected by his Spanish community.]

--. "The Complications of Exile in Ernest Hemingway's The Sun Also Rises." In Exile and the Narrative/Poetic Imagination. Ed. Agnieszka Gutthy. Newcastle upon Tyne, England: Cambridge Scholars, 2010. 51-59. [Noting EH's thematic preoccupation with expatriation, Herlihy focuses on Jake's attempt, as an American stranger abroad, to assimilate. Ultimately Jake's longing for redefinition within the Spanish culture goes unfulfilled due to his inability to completely shed his American identity.]

Hewson, Marc. "Memory and Manhood: Troublesome Recollections in The Garden of Eden." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 3-17. [Explores gender roles and the autobiographical nature of David's writing within GOE, paying particular attention to the African stories. Comments on EH's struggle to satisfactorily conclude the novel. Hewson's study of the manuscript endings presents EH "as a writer no longer certain that past stability can create present stability and suggests he has moved forward significantly from his earlier beliefs about masculine and feminine identity."]

Hishmeh, Richard. "Hemingway's Byron: Romantic Posturing in the Age of Modernism." The Hemingway Review 29.2 (Spring 2010): 89-104.

Jackson-Schebetta, Lisa. "Between the Language and Silence of War: Martha Gellhorn and the Female Characters of Hemingway's The Fifth Column." Modern Drama 53.1 (Spring 2010): 57-75. [Drawing on feminist theory, Jackson-Schebetta examines the play's female characters through their historically based counterparts, Martha Gellhorn and prostitutes linked to the Spanish Civil War. Investigates both their silence and speech to reveal how these women "navigate and resist the forces of objectification, repression, and militarization"]

Kale, Verna. "'A Moveable Feast' or 'a miserable time actually'? Ernest Hemingway, Kay Boyle, and Modernist Memoir." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 127-145. [Comparison of Boyle's memoir of expatriate Paris, Being Geniuses Together, with AMF. Draws numerous biographical and thematic connections while also discussing how each rewrites the Paris mythos. Kale contends "not only that Hemingway and Boyle have disparate, gendered perspectives of 1920s Paris but that these gendered perspectives further complicate the synchronic experiences that create 1920s Paris as a tropological space rather than a historical reality"]

Kosiba, Sara. "Dawn Powell: Hemingway's 'Favorite Living Writer.'" The Hemingway Review 29.2 (Spring 2010): 46-60.

Lamb, Robert Paul. "The Currents of Memory: Hemingway's 'Big Two-Hearted River' as Metafiction." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 166-185. [Surveys critical opinion on the story before moving into a discussion of its excised fragment, "On Writing." Reads the deleted ending and the final version as parables on the nature of writing. Argues for the influence of Cezanne on both Nick's life and art.]

Loots, Christopher. "The Ma of Hemingway: Interval, Absence, and Japanese Esthetics in In Our Time." The Hemingway Review 29.2 (Spring 2010): 74-88.

Lounsberry, Barbara. "Memory in The Garden of Eden." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 204-212. [Extended comparison of GOE with GHOA suggesting that GOE is a fictional reprisal of the same struggles and victories found in the earlier nonfiction volume. Draws parallels in character, setting, conflict, and the thematic treatment of memory within the artistic process. Focuses largely on the African stories.]

Mandler, Lou. "The Hemingways at Canterbury." The Hemingway Review 29.2 (Spring 2010): 105-122.

Martin, Lawrence H. "Pursuit Remembered: Experience, Memory, and Invention in Green Hills of Africa." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 97-106. [Opens with a survey of the book's negative contemporary reception before moving into a discussion of EH's imaginative transformation of memory into a meditation on self and nature. "Despite his declaration about 'an absolutely true book,' Green Hills of Africa is about its narrator-actor's emotional state, and its mode is frequently lyric.'"]

Matteoli, Francisca. "Sun Valley Lodge: Ernest Hemingway." American Hotel Stories. New York: Assouline, 2009. 50-55. [Guide to America's most notable hotels, briefly outlining history, myths, and legends of each. Includes EH's longtime association with the Sun Valley Lodge in Idaho beginning with his 1939 visit at the invitation of owner Averell Harriman. Numerous lavish color and black and white photographs.]

Muller, Timo. "The Uses of Authenticity: Hemingway and the Literary Field, 1926-1936." Journal of Modern Literature 33.1 (Fall 2009): 28-42. [Examination of EH's early work revealing the author's ambivalence toward authenticity in both his life and writings. Argues that EH's depiction of authentic characters and settings fortified the authentic pose he adopted for himself. Extensive comparison of the inauthentic corruption of Paris with the authentic tradition of the Spanish settings found in SAR. In connecting the construct of authenticity with the profession of writing, Muller analyzes EH's depiction of literary merit and the role of writers in SAR, "The Snows of Kilimanjaro," and GHOA.]

Nakjavani, Erik. "Alchemy, Memory, and Archetypes: Reading Hemingway's Under Kilimanjaro as an African Fairy Tale." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 107-126. [Drawing on Jung, phenomenology, and the fairy tale tradition, Nakjavani reads UK as creative nonfiction, thus opening up a realm of possible interpretation. Analyzes EH's use of setting, animals, and first-person narration.]

Ott, Mark P. and Mark Cirino. "Introduction." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. ix-xvii. [Introduction on the importance of the passage of time to EH's method of composition throughout his career. Explains how EH's fiction exists as an extension or reinvention of memory rather than autobiography.]

Perosa, Sergio. "Memory and the Sharks." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Trans. Mark Cirino. Kent, OH: Kent State UP, 2010. 31-36. [Previously published in Italian as "La memoria gli squali" in Hemingway e Venezia, ed. Sergio Perosa, Florence: L.S. Olschki, 1988. Draws on EH's correspondence and statements on writing to discuss his method of fictionalizing memory (balancing reality with imagination). Touches on SAR, AFTA, and OMATS.]

Prusse, Michael C. "Symmetry Matters: John McGahern's 'Korea' as Hypertext of Ernest Hemingway's 'Indian Camp)" In Rewriting/Reprising: Plural Intertextualities. Ed. Georges Letissier. Newcastle upon Tyne, England: Cambridge Scholars, 2009. 22-38. [Influence study drawing numerous textual parallels between "Indian Camp" and "Chapter V" of IOT and "Korea." Commenting on similar settings and themes, Prusse focuses primarily on the chiastic structure (symmetrical patterns of multiple repetitions) found in both initiation stories.]

Robe, Christopher. "The Good Fight: The Spanish Civil War and U.S. Left Film Criticism." Framework: The Journal of Cinema and Media 51.1 (Spring 2010): 79-107. [Examines the impact of the Spanish struggle on Left documentary film culture, resulting in more commercially conventional forms of cinema such as The Spanish Earth (1937). Explores the political reasons behind the film's failure to garner domestic mass-distribution despite favorable box office receipts, namely a tightly controlled Hollywood fearful of protest. Mentions in passing EH's connection to the film's director, Joris Ivens.]

Seals, Marc. "Reclaimed Experience: Trauma Theory and Hemingway's Lost Paris Manuscripts." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 18-27. [Focusing on EH's posthumous works, AMF, IITS, GOE, and TAFL, Seals examines how EH attempted to heal the wounds of trauma he suffered over the 1922 loss of his manuscripts by repeatedly writing about the episode. Originally published in The Hemingway Review 24.2 (Spring 2005): 62-72.]

St. Pierre, Scott. "Bent Hemingway: Straightness, Sexuality, Style." GLQ: A Journal of Lesbian and Gay Studies 16.3 (2010): 363-387. [Challenges Western culture's assumption that EH's clear and simple style reflects his heteromasculine sexual identity. Surveys critical opinion on the sexual politics of EH's life and works. Calls for a reappraisal of EH's seemingly straightforward style, arguing that "Hemingway's straight unstyle is actually highly idiosyncratic, highly stylized." St. Pierre's stylistic examination focuses primarily on IOT and SAR.]

Wittman, Emily O. "A Clean, Well-Lighted Place for Killing: Nostalgia in Hemingway's Death in the Afternoon." In Ernest Hemingway and the Geography of Memory. Eds. Mark Cirino and Mark P. Ott. Kent, OH: Kent State UP, 2010. 186-203. [Reads DIA as both a guide to the bullfight from the perspective of the aficionado and as a nostalgic look at a dying art. "The nostalgia of Death in the Afternoon is, in part, nostalgia for a time when Hemingway did not realize that his very presence at the fiestas destabilized the integrity of the very atmosphere he admired."]

Wyatt, David. "Hemingway's Secret Histories." Hopkins Review 2.4 (Fall 2009): 485-504. [Makes a case for reading and teaching "Indian Camp" as the true beginning of IOT. Gives a close reading of the story along with an analysis of its thematic and stylistic connections with the volume's other stories/vignettes. Reads Nick's initiation as key to understanding the text as a whole, uncovering "a crucial site of American memory, the primal and largely forgotten ur-place out of which the United States was violently born." Discusses other stories about Native Americans and the theme of haunting pasts such as "Now I Lay Me," "Fathers and Sons," and FWBT.]

Yanagisawa, Hideo. "'International Friend': Ernest Hemingway in the Classified Documents of China's Kuomintang." The Hemingway Review 29.2 (Spring 2010): 133-147.

DISSERTATIONS

Dick, Christopher. "Shifting Form, Transforming Content: Stylistic Alterations in the German Translations of Hemingway's Early Fiction." DAI-A71/02, August 2010.

George, Sean M. "The Phoenix Inverted: The Re-birth and Death of Masculinity and the Emergence of Trauma in Contemporary American Literature." DAI-A71/04, October 2010.

Griffin, Jared Andrew. "American Apocalypse: Race and Revelation in American Literature, 1919-1939." DAI-A71/04, October 2010.

Harmon, Rachel. "Daughters of Eve: Childbirth in Faulkner, Hemingway, and the Real World." DAI-A70/09, March 2010.

Leary, John Patrick. "Cuba in the American Imaginary: Literature and National Culture in Cuba and the United States, 1848-1958." DAI-A70/12, June 2010.

Nesbitt, Ronald Charles. "The Femme Fatale and Male Anxiety in 20th Century American Literature, 'Hardboiled' Crime Fiction, and Film Noir." DAI-A71/03, September 2010.

West, Benjamin S. "Challenging Progress: Mob Violence and Punishing Identities in Modernist-era American Fiction." DAI-A71/06, December 2010.

INTERNET RESOURCES

Barker, Anna. "Novel Approach: Reading Courses as an Alternative to Prison." Guardian (21 July 2010). http://www.guardian.co.uk/society/2010/jul/21/texas-offenders-reading-courses [Describes mandatory reading and book clubs as an alternative to jail time or other types of rehabilitation programs. Lists OMATS as one of the most popular novels among male parolees because of how it addresses issues of male identity.]

BOOK REVIEWS

[Books are arranged alphabetically by author. Reviews are also arranged alphabetically by author and follow the book's bolded citation.]

Earle, David M. All Man!: Hemingway, 1950s Men's Magazines, and the Masculine Persona. Kent, OH: Kent State UP, 2009.

Eby, Carl. "Book Reviews." The Hemingway Review 29.2 (Spring 2010): 149-152.

Gandal, Keith. The Gun and the Pen: Hemingway, Fitzgerald, Faulkner and the Fiction of Mobilization. Oxford, UK: Oxford UP, 2008.

Kindsvatter, Peter S. "Review." The Journal of Military History 73.3 (July 2009): 979-981.

Villarreal, Rene and Raul Villarreal. Hemingway's Cuban Son, Reflections on the Writer by His Longtime Majordomo. Kent, OH: Kent State UP, 2009.

Peterson, Martin L. "Book Reviews." The Hemingway Review 29.2 (Spring 2010): 156-158.