After the Evening Movie Lulling in the curiosity of an evening movie, the four of us look like pieces broken off a relic, small and large fragments caught in an archaeologist's sieve. Ribs, elbows, shoulders and knees lean freely against one another. The illusion, flickering, reflects off the screen onto the ionic architecture of our flesh. "We might have been happy," you utter with the same compassionate tone you use when talking about the dog tied to a pole in the courtyard on that fearful night of lightning. We turn out the lights, get ready for bed, our heads glowing like lemons in the dark, sour and dissatisfied. "We could ... if ..." We hide beneath a suffocating embrace simply to avoid speaking, simply because we fear that we might have to tell a story, a story whose ending we don't yet know, because we no longer hear barking in the courtyard. Clay turns on its wheel unable to realize that it is history itself, that same story told over and over in countless ways.
After the Evening Movie.
Lleshanaku, Luljeta
After the Evening Movie Lulling in the curiosity of an evening movie, the four of us look like pieces broken off a relic, small and large fragments caught in an archaeologist's sieve. Ribs, elbows, shoulders and knees lean freely against one another. The illusion, flickering, reflects off the screen onto the ionic architecture of our flesh. "We might have been happy," you utter with the same compassionate tone you use when talking about the dog tied to a pole in the courtyard on that fearful night of lightning. We turn out the lights, get ready for bed, our heads glowing like lemons in the dark, sour and dissatisfied. "We could ... if ..." We hide beneath a suffocating embrace simply to avoid speaking, simply because we fear that we might have to tell a story, a story whose ending we don't yet know, because we no longer hear barking in the courtyard. Clay turns on its wheel unable to realize that it is history itself, that same story told over and over in countless ways.