I [Hard-Clenched Knuckle-Forward Fist] New York.
Choundas, George
This city is full of fights.
There is the man across the sidewalk from East 86th Street Cinemas.
He sells cheap wallets and phone cases and handbags. Early fifties,
paunchy, shirt untucked. His beard is fitful. It's had more than
enough time to come in, and it's done its best, and still it
disappoints. His merchandise is laid across a folding table at the
sidewalk's edge. There is more space between the items than any
businessman would prefer. Parked in the street alongside the table is a
peeling van with its side cargo door open. Inside the van are black
garbage bags, lolling and flappy; inside the bags are white boxes. Sick
grudging tongues and pills unswallowed.
There is the woman in her crisp forties standing across the
sidewalk, her back to East 86th Street Cinemas. Not shabbily-dressed.
She has set her body square to the accessory monger as if to make clear
she will not let this go, she will not let him go; she also sends looks
like darts on the chance he has missed her meaning. But she breaks off
eye contact after each look. (Which can mean fear. Which can also mean
its haughty opposite. You can't tell yet. Keep watching.) Woman
speaks into her phone, using a voice that tries for steadiness but
allows itself to climb into indignation.
"Yeah, he's right here," she says.
"I'm looking at him right now," she says.
"I'm going to call the police."
"Eighty-Sixth Street, east of Third. On the south side."
"He's just standing there. Like it's nothing."
Man does not look at Woman. He does not turn in her direction.
Instead he bustles around his table--across the front, around the sides,
toward his van, back away from his van--and he puts a finger to the
training beard and then withdraws it before it's had a chance at a
meaningful stroke, whether because his exercised state prevents it or
because he has resolved not to trespass upon that endangered flora, and
since everybody knows that anybody who paces in public must also be
heard to mutter, he mutters passionately, leaving as much space between
the sentences as between his display pieces of nominal leather, of
notional beard.
"I don't need that shit," he says. "Fuck
that."
"Who you think I am?" he says. "Fuck, who you think
you are?"
Everybody knows the longer the silence between mutters, the more
deeply felt the sentiment.
"That bullshit. Fuck it, I don't need it. Fuck
that."
Fuck it, you have to be somewhere, you keep walking.
This city starts fights. Unfair ones.
Unfair: lopsided, pitiably so, for reasons having nothing to do
with their conduct.
Unfair: regrettable, entirely so, the two sides so wildly different
that the notion they might fight--let alone that one might win--seems
extravagant, spurious. What could they possibly have in common? What
could they possibly have at stake?
There is the man outside the Papaya King on Third Avenue. His terms
are simple:
"Dollar for coffee. Anybody got a dollar for a cup of
coffee?" But his pitch is far from it:
"It's my birthday today. Today is my birthday."
"Ain't anybody got a heart? None of these people got a
heart."
"It's my birthday today. Nobody care it's my
birthday."
He speaks in pairs of sentences, saying nearly the same thing in
each member of the pair. It is scriptural verse. He is a prophet. He
spends slightly more sentences talking about the state of people's
hearts than about his price for laying off the condemnation.
There is the boy, on the corner, leaning against something with two
of his friends. They wear white shirts, gray slacks, blue blazers. From
a nearby private school. They look fourteen, which--given the
exceptional nourishment that comes with privilege--means they're
likely twelve. He calls out to the man.
"It was your birthday yesterday, too."
And: "How many birthdays have you had this week?"
You can tell from Boy's ramshackle grin, and from the fact he
doesn't dare look straight at the man when he says these things,
and from his careful positioning behind the head of his taller friend,
that this child has no idea what he's talking about, that he has
never before witnessed this man claim it was his birthday, that it very
well may be this man's birthday, that while this man likely asks
for money every day it is perfectly possible--indeed likely, given how
vivid his claim, given how distinctive and therefore memorable and
accordingly worthless for repeat use his claim--that he was in fact born
on exactly this day thirty-odd years ago to a proud and glorying mother.
When his mouth moves, fumigating the passing crowd with guilt,
Prophet ignores Boy altogether. When his mouth stills, Prophet fixes Boy
with a glare--eyes at an angle, head and darkening sockets straight
ahead. It is a glare for apostates, a registering of maximum disdain, a
suggestion of greater ability than willingness to destroy. Boy keeps on.
Prophet keeps on.
You keep on, you are going somewhere, you cannot know what happens
next.
There is your friend Jodi, who has it figured out. Her premises are
as follows:
You cannot give to all who ask. You should not give to none at all.
I he disabled are deserving but unverifiable. A man, all else equal, can
offer manual labor. A woman, all else equal, will be pushed to offer
something else.
Her solution is a rule: Give to every woman who asks.
It is simple, reasoned, noble. You adopt the rule yourself. You
resolve to give accordingly.
Except the very next day, when you pass a woman begging whom you
recognize from before you adopted the rule--a woman who for months has
begged regularly, sometimes daily, on the sidewalks that lead to and
from your office. If you give her something today, you'll have to
give her something every day. You are a wage worker, not a micro-bank.
Except a week after, because the woman begging near Grand Central
is twenty rivers of commuters away from you and--this is an engineering
problem, not a defect of the heart--with which do you retrieve a wallet
when left hand grasps a tremendous gym bag and right hand a laptop case?
Except a third time, and you don't remember the exact woman or
the exact location, nor do you remember your reasons for not taking out
your wallet, but the latter failure of recollection is enough to
persuade you the reasons were shoddy.
One month after adoption and you have succeeded once. You gave one
woman a ten-dollar bill. The 1-3 win-loss record is dispiriting. So is
the possibility you gave her a ten not out of generosity but to ease the
dispiritment.
This city is a fight.
Right? This is what New York is, finally, isn't it? An unfair
fight? Every soul in the city against the city itself. Gray above, gray
below, and between these the press of humanity struggling for humanity.
A teeming crowd, at once intent and oblivious, at once living and inert.
We love our anonymity and yet we hate our separateness. We crave our
dignity and mourn that it takes someone known to us to recognize it.
The thing with Man and Woman, the thing with Prophet and Boy: you
do not like to remember these happened just one half-block away from
each other, just hours apart on the same day. Just five days before
Christmas.
The woman who sold you an indulgence at the right reasonable price
of ten dollars: you've never seen her again.
City always wins.