What leads to better visitor outcomes in live interpretation?
Stern, Marc J. ; Powell, Robert B.
Figure 1. Best practices for live interpretive programs observed in the study. 1. Confidence * Comfort, eloquence, apparent knowledge 2. Authentic emotion and charisma * Passion, sincerity, charisma 3. Appropriateness for audience 4. Organization * Quality of introduction, appropriate sequence, effective transitions, holistic story, clear theme, link between introduction and conclusion 5. Connection * Links to intangibles and universal concepts, cognitive engagement, relevance to audience, affective messaging, provocation 6. Consistency 7. Clear message 8. Responsiveness 9. Audibility 10. Appropriate logistics 11. Verbal engagement 12. Multisensory engagement 13. Appropriate pace 14. Avoid focusing on knowledge gain as the program's central goal and communicating solely factual information 15. Avoid making uncertain assumptions about the audience
Table 1. Park units included in the study.
Annual
Resource Recreation
Park Unit Focus Park Location Visits (a)
Aztec Ruins National Cultural Remote 37,437
Monument
Badlands National Park Natural Remote 977,778
Bryce Canyon National Park Natural Remote 1,285,492
Chaco Culture National Cultural Remote 34,226
Historical Park
Ford's Theater National Cultural Urban 662,298
Historic Site
Fort McHenry National Cultural Urban 611,582
Monument and Historic
Shrine
Gettysburg National Military Cultural Urban- 1,031,554
Park Proximate
Grand Canyon National Park Natural Remote 4,388,386
Urban-
Great Smoky Mountains Mix Proximate 9,463,538
National Park
Harpers Ferry National Cultural Urban- 268,822
Historical Park Proximate
Independence National Cultural Urban 3,751,007
Historical Park
Jefferson National Expansion Cultural Urban 2,436,110
Memorial
Jewel Cave National Monument Natural Remote 103,462
Lincoln Home National Cultural Urban 354,125
Historic Site
Manassas National Cultural Urban- 612,490
Battlefield Park Proximate
Mesa Verde National Park Mix Remote 559,712
Mount Rushmore National Cultural Remote 2,331,237
Memorial
National Mall Cultural Urban 1,363,389
Navajo National Monument Mix Remote 90,696
Point Reyes National Natural Urban- 2,067,271
Seashore Proximate
San Francisco Maritime Cultural Urban 4,130,970
National Historical Park
Ulysses S. Grant National Cultural Urban 39,967
Historic Site
Wind Cave National Park Natural Remote 577,141
Yosemite National Park Natural Remote 3,901,408
(a) Annual visitation from 2010 (http://www.nature.nps.gov/stats/)
Table 2. Programs observed and total number of surveys collected.
Park unit Programs Programs Surveys
attempted observed collected
Aztec Ruins National Monument 4 2 4
Badlands National Park 22 19 157
Bryce Canyon National Park 12 12 133
Chaco Culture National Historical 9 8 85
Park
Ford's Theater National Historic 20 20 519
Site
Fort McHenry National Monument 23 14 133
and Historic Shrine
Gettysburg National Military Park 26 21 206
Grand Canyon National Park 30 30 384
Great Smoky Mountains National 19 14 96
Park
Harpers Ferry National Historical 21 15 100
Park
Independence National Historical 36 22 156
Park
Jefferson National Expansion 22 16 146
Memorial
Jewel Cave National Monument 20 20 190
Lincoln Home National Historic 18 14 89
Site
Manassas National Battlefield 20 17 88
Park
Mesa Verde National Park 14 14 301
Mount Rushmore National Memorial 23 19 171
National Mall 47 22 65
Navajo National Monument 8 3 23
Point Reyes National Seashore 12 9 34
San Francisco Maritime National 20 16 69
Historical Park
Ulysses S. Grant National 15 9 40
Historic Site
Wind Cave National Park 18 18 215
Yosemite National Park 29 22 199
Totals 488 376 3,603
Park unit Used in analyses
Programs Surveys
Aztec Ruins National Monument 2 4
Badlands National Park 14 118
Bryce Canyon National Park 12 127
Chaco Culture National Historical 7 70
Park
Ford's Theater National Historic 18 448
Site
Fort McHenry National Monument 11 113
and Historic Shrine
Gettysburg National Military Park 18 186
Grand Canyon National Park 28 363
Great Smoky Mountains National 12 86
Park
Harpers Ferry National Historical 12 79
Park
Independence National Historical 17 122
Park
Jefferson National Expansion 14 135
Memorial
Jewel Cave National Monument 18 177
Lincoln Home National Historic 10 72
Site
Manassas National Battlefield 15 80
Park
Mesa Verde National Park 14 290
Mount Rushmore National Memorial 9 101
National Mall 16 49
Navajo National Monument 3 23
Point Reyes National Seashore 8 32
San Francisco Maritime National 14 64
Historical Park
Ulysses S. Grant National 8 36
Historic Site
Wind Cave National Park 13 175
Yosemite National Park 19 172
Totals 312 3,122
Table 3. Program characteristics observed in the study, their
definitions, and operationalization.
Program characteristic Definition Scoring
Introduction quality Degree to which the 3 = Oriented audience
(Brochu and Merriman, introduction captured and captured
2002; Ham, 1992; the audience's attention
Jacobson, 1999) attention and
oriented (or pre/ 2 = Minimally
disposed) the oriented audience;
audience to the did not necessarily
program's content capture attention
and/or message.
1 = Poorly executed
Appropriate Degree to which basic 4 = Well planned and
logistics (Jacobson, audience and program appropriate
1999; Knudson et needs were met (i.e.,
al., 2003) restrooms, weather, 3 = Audience/program
technology, needs mostly
accessibility, shade, addressed
etc.).
2 = Needs marginally
addressed
1 = Needs not met
Appropriate for Degree to which the 5 = Very appropriate
audience (Beck and program aligned with
Cable, 2002; audience's ages, 4 = Appropriate
Jacobson, 1999; cultures, and level
Knudson et al., of knowledge, 3 = Moderately
2003) interest, and appropriate
experience.
2 = Only slightly
appropriate
1 = Not appropriate
Appropriate sequence Degree to which the 4 = Enhanced
(Beck and Cable, program followed a messaging
2002; Ham, 1992; logical sequence.
Jacobson, 1999; 3 = Appropriate
Larsen, 2003)
2 = Choppy
1 = Detracted from
messaging
Transitions Degree to which 4 = Enhanced
(Beck and Cable, program used messaging and were
2002; Brochu and appropriate smooth
Merriman, 2002; Ham, transitions that kept
1992; Jacobson, the audience engaged 3 = Appropriate
1999; Larsen, 2003) and did not detract
from the program's 2 = Forced or
sequence. irrelevant
1 = Detracted from
messaging or not
present
Links to intangible Communication 5 = Extensively
meanings and connected tangible developed; powerful
universal concepts resources to concepts
(NPS Module 101; intangible meanings
Beck and Cable, and universal 4 = Well developed
2002; Brochu and concepts.
Merriman, 2002; Ham, Intangibles: stories, 3 = Present but weak
1992; Knudson, et ideas, meanings, or
al., 2003; Larsen, significance that 2 = Difficult to
2003; Lewis, 2005; tangible resources detect or slightly
Moscardo, 1999; represent used
Tilden, 1957; Ward Universals: concepts
and Wilkinson, 2006) that most audience 1 = Clearly not
members may identify present
with
Multisensory (Beck Degree to which the 3 = Explicit/
and Cable, 2002; program intentionally purposeful inclusion
Knudson et al., and actively engaged of two sense beyond
2003; Lewis, 2005; more than just basic sight and sound
Moscardo, 1999; sight and sound.
Tilden, 1957; 2 = Actively
Veverka, 1998; Ward incorporated a sense
and Wilkinson, 2006) beyond passive use of
sight and sound, or
actively focused upon
either of these and
senses as a vehicle
for conveying the
message (e.g., "close
your eyes and sound
listen")
1 = Primarily a talk
in which the ranger
did not explicitly
use multiple sense
beyond passive use of
sight (scenery/
objects) and sound
(words)
Physical engagement Degree to which the 4 = Central
(Beck and Cable, program physically programming element
2002; Knudson, et engaged audience
al., 2003; Lewis, members in a 3 = Occurred multiple
2005; Moscardo, participatory times
1999; NPS Module experience; i.e.,
101; Sharpe, 1976; through touching or 2 = Minimal effort to
Tilden, 1957) interacting with engage
resource.
1 = No efforts
Verbal engagement Degree to which the 5 = Central
(Knudson, et al., program verbally programming element
2003; Moscardo, engaged audience
1999; Sharpe, 1976; members in a 4 = Occurred multiple
Tilden, 1957; participatory times
Veverka, 1998) experience; i.e.,
dialogue (a two-way 3 = Modestly engaged
discussion).
2 = Minimal effort to
engage
1 = No efforts
Cognitive engagement Degree to which the 5 = Central
(Knudson, et al., program cognitively programming element
2003; Moscardo, engaged audience
1999; Sharpe, 1976; members in a 4 = Occurred multiple
Tilden, 1957; participatory times
Veverka, 1998) experience beyond
simply listening; 3 = Modestly engaged
i.e. calls to imagine
something, reflect, 2 = Minimal effort to
etc. engage
1 = No efforts
Multiple activities Degree to which the 4 = 2+ primary
(Knapp and Benton, program consisted of activities included
2004; Moscardo, a variety of
1999; Ward and activities and 3 = 2+ secondary
Wilkinson, 2006) opportunities for activities included
direct audience
involvement (not 2 = One secondary
including dialogue). activity included
1 = One activity only
Props (Jacobson, A visual aide beyond 1 = Prop(s) used
1999; Knapp and a screen-based
Benton, 2005; Ham, slideshow. 0 = Not used
1992; Ward and
Wilkinson, 2006)
Relevance to Degree to which the 5 = Major focus of
audience (Beck and program explicitly messaging
Cable, 2002; Brochu communicated the
and Merriman, 2002; relevance of the 4 = Well developed
Ham, 1992; Jacobson, subject to the lives efforts
1999; Knapp and of the audience.
Benton, 2004; Lewis, 3 = Moderate efforts
2005; Moscardo,
1999; NPS Module 2 = Minimal efforts
101; Sharpe, 1976;
Tilden, 1957; 1 = No efforts
Veverka, 1998)
Affective messaging Degree to which the 5 = Central
(Jacobson, 1999; program communicated programming element
Lewis, 2005; Madin emotion (in terms of
and Fenton, 2004; quantity, not 4 = Frequent and
Tilden, 1957; Ward quality). repeated messages
and Wilkinson, 2006)
3 = Occasional
messages
2 = Minimal effort to
include messages
1 = Messages absent
Fact-based messaging Degree to which the 1 = Messaging was
(Frauman and Norman, program communicated solely fact-based
2003; Jacobson, factual information.
1999; Lewis, 2005; 0 = Messaging was not
Tilden, 1957; Ward solely fact-based
and Wilkinson, 2006) (incorporated
affective messaging)
Surprise (Beck and Degree to which the 3 = Major element
Cable, 2002; program used the
Moscardo, 1999) element of surprise 2 = Minor element
in communication.
This could include 1 = Not used
"aha" moments or
unexpected or
contrasting messages.
Novelty (Beck and Degree to which the 3 = Major element
Cable, 2002; Frauman program presented
and Norman, 2003; novel ideas, 2 = Minor element
Knapp and Benton, techniques, or
2004; Moscardo, viewpoints as an 1 = Not used
1999) element of
communication; i.e.,
using a device not
usually associated
with or related to
resource.
Provocation (Beck Degree to which the 4 = Powerful and
and Cable, 2002; program explicitly explicit inclusion
Brochu and Merriman, provoked participants
2002; Knudson, et to personally reflect 3 = Occasional
al., 2003; Tilden, on content and its inclusion
1957) deeper meanings.
2 = Isolated or vague
inclusion
1 = No attempt made
Multiple viewpoints Degree to which the 3 = Multiple
(Beck and Cable, program explicitly viewpoints developed;
2002; Brochu and acknowledged multiple none given clear
Merriman, 2002; perspectives or priority
Tilden, 1957) uncertainty within a
theme or message. 2 = Primarily one
(Primarily for viewpoint, with some
controversial focus on others
messaging; when an
argument is made, was 1 = No effort
a relevant counter-
argument provided?) NA = not applicable
Holistic Degree to which the 5 = Holistic story
storytelling (Beck program aimed to used throughout; all
and Cable, 2002; present a holistic messaging tied to
Larsen, 2003; story (with story
Tilden, 1957) characters and a
plot) as opposed to 4 = Holistic story
disconnected pieces present; some info
of information. did not relate to
story
3 = Equal mix of
storytelling and
factual information,
no single, holistic
story
2 = Factual
information primarily
used; some stories
used to create
relevance.
1 = Facts and
information
primarily; no attempt
at storytelling.
Place-based Degree to which the 5 = Central focus of
messaging (Beck & program emphasized messaging
Cable, 2002; the connection
Knudson, et al., between the visitor 4 = Well-developed
2003; Lewis, 2005; and the site/ connection through
Moscardo, 1999; NPS resource. repetition and
Module 101; Sharpe, engagement
1976)
3 = Moderately
emphasized through
repetition or
engagement
2 = Slightly
developed verbally
1 = Not developed
Introduction and Degree to which 4 = Intro and
conclusion linkage program connected conclusion were
(Beck and Cable, conclusion back to linked in a cohesive
2002; Brochu and the introduction in way that enhanced
Merriman, 2002; an organized or messaging
Larsen, 2003) cohesive way (i.e.,
program "came full 3 = Intro and
circle.") conclusion were
linked, but didn't
necessarily enhance
messaging
2 = Intro and
conclusion were
weakly linked
1 = Intro and
conclusion were
disconnected from
each other
Clear theme (Beck Degree to which the 4 = Theme is clearly
and Cable, 2002; program had a clearly developed and
Brochu and Merriman, communicated communicated
2002; Ham, 1992; theme(s). A theme is
Jacobson, 1999; defined as a single 3 = Easy to detect,
Knudson, Cable, and sentence (not but not well
Beck, 2003; Larsen, necessarily developed
2003; Lewis, 2005; explicitly stated)
Moscardo, 1999; that links tangibles, 2 = Difficult to
Sharpe, 1976; intangibles, and detect, present but
Veverka, 1998; Ward universals to at least somewhat
and Wilkinson, 2006) organize and develop ambiguous
ideas.
1 = Unclear/not
present
Central message Degree to which 4 = Clearly
(Beck and Cable, program's message(s) communicated and well
2002; Brochu and was clearly developed
Merriman, 2002; Ham, communicated; i.e.,
1992; Jacobson, the "so what?" 3 = Easy to detect,
1999) element of the but not well
program. developed
2 = Difficult to
detect, ambiguous
1 = Unclear/not
present
Consistency (Beck Degree to which the 3 = Consistent
and Cable, 2002; program's tone and
Ham, 1992) quality were 2 = Some shift in
consistent throughout either tone or
the program quality during the
program
1 = Shift in both
tone and quality
Pace (Jacobson, Degree to which the Categorical:
1999) pace of the program
allowed for clarity Too fast
and did not detract
from the program. Too slow
Just fine
Quality of the Degree to which the 3 = Contextually
resource resource where iconic or grandiose
program took place is
awe-inspiring or 2 = Pleasant but not
particularly iconic. iconic
1 = Unimpressive/
generic
Unexpected negative Were there any 1 = Yes
circumstance unexpected
interruptions or 0 = No
emergencies during
the program, such as
a sudden change in
weather, medical
emergency, technical
difficulties, or
hazardous conditions
that detracted from
the quality of the
program?
Unexpected positive Was there an 1 = Yes
circumstance unexpected experience
that occurred during 0 = No
the program, such as
seeing charismatic
wildlife or other
unique phenomena that
added significantly
to the quality of the
experience?
Behavioral theory elements
The following were only measured for programs in which a behavioral
change was expressed by the interpreter as a desired program outcome.
Benefits of action Degree to which the 4 = Explicitly/
(Ajzen, 1991; Ham program emphasized purposefully
et. al., 2007; the potential emphasized
Jacobson, 1999; benefits resulting
Knudson, et al., from performing a 3 = Mentioned a
2003; Moscardo, particular action(s). moderate amount
1999; Peake et. al,
2009) 2 = Explained a
little
1 = No mention
NA = not applicable
Costs of action Degree to which the 4 = Explicitly/
(Ajzen, 1991; Ham program emphasized purposefully
et. al., 2007; the potential costs emphasized
Jacobson, 1999; resulting from
Knudson, et al., performing a 3 = Mentioned a
2003; Moscardo, particular action(s). moderate amount
1999; Peake et. al,
2009) 2 = Explained a
little
1 = No mention
NA
Norms of action Degree to which the 4 = Explicitly/
(Ajzen, 1991; Ham program emphasized purposefully
et. al., 2007; the social emphasized
Jacobson, 1999; acceptability of
Knudson, et al., performing a 3 = Mentioned a
2003; Moscardo, particular behavior moderate amount
1999) or desired action.
2 = Explained a
little
1 = No mention
NA
Ease of action Degree to which the 4 = Explicitly/
(Ajzen, 1991; Ham program communicated purposefully
et. al., 2007; the ease (or emphasized
Jacobson, 1999; difficulty) of
Knudson, et al., performing a 3 = Mentioned a
2003; Moscardo, particular behavior moderate amount
1999; Tilden, 1957) or desired action.
2 = Explained a
little
1 = No mention
NA
Demonstrates action Degree to which the 4 = Majority of
(Ajzen, 1991; Beck program provided audience engaged
and Cable, 2002; examples of, or
Knudson, et al., opportunities for, 3 = Demonstration by
2003; Moscardo, performing a desired ranger or small
1999; Sharpe, 1976; action. proportion of
Widner Ward and audience
Wilkinson, 2006)
2 = Verbal
description
1 = No mention/
demonstration
NA
Table 4. Interpreter characteristics observed in the study, their
definitions, and operationalization.
Interpreter Definition Scoring
characteristic
Professional The extent to which 0 = Interpreter
appearance the interpreter appears disheveled or
appears properly unkempt and is not
dressed and groomed. professionally
dressed
1 = Interpreter
appears well-groomed
and is professionally
dressed
Comfort of the Degree to which the 1 = Interpreter seems
interpreter interpreter scared, nervous, or
(Lewis 2008; presenting the unable to lead the
Moscardo, 1999; Ward program seems program
and Wilkinson, 2006) comfortable with the 2 = Interpreter seems
audience and capable nervous and struggles
of successfully with much of the
presenting the program
program without
apparent signs of 3 = Interpreter seems
nervousness or self- comfortable, but
doubt. might become
uncomfortable at
times
4 = Interpreter is
not nervous and
handles the program
with ease
Responsiveness The extent to which NA = Not able to
(Jacobson, 1999; the interpreter observe (e.g., large
Knudson et al., interacts with the programs in dark
2003; Lewis, 2008) audience, collects theatres)
information about
their interests and 1 = Interpreter is
backgrounds, and aloof or averse to
responds to their the visitors'
specific questions presence
and requests or non-
verbal cues. 2 = Interpreter is
somewhat responsive
to visitors'
questions/body
language
3 = Interpreter was
very responsive to
the audience
Inequity The presence of 1 = Interpreter did
(Ham and Weiler, unequal attention not pay equal
2002) devoted to certain attention to all
attendees and not audience members.
others through
greater interaction 0 = No inequity
or attentiveness. issues.
Humor quality How funny is the 1 = Not funny at all
(Ham and Weiler, interpreter overall?
2002; Knapp and Does the audience 2 = A little funny
Yang, 2002; Regnier react positively to
et al., 1992) the interpreter's use 3 = Moderately funny
of humor and seem to
enjoy it? 4 = Hilarious
Humor quantity The extent to which 1 = Interpreter
the interpreter attempts no humor
attempts to use throughout the
humor, sarcasm, or presentation
jokes to share the
topic with the 2 = Interpreter
visitor, regardless rarely uses humor
of their success.
3 = Interpreter uses
an equal mix of humor
and non-humor to
convey the message
4 = Interpreter is
mostly trying to be
humorous
5 = Interpreter uses
humor as the primary
vehicle to convey
their message
Sarcasm The degree to which 1 = Not at all
the interpreter used
sarcasm (the use of 2 = Done to some
mocking, extent
contemptuous, or
ironic language or 3 = A central feature
tone) or self- of the delivery style
deprecation that was
not meant to be
serious, as a part of
presenting their
program.
Charisma (Ward and A general sense of 1 = Not likeable/
Wilkinson, 2006) the overall found interpreter
likeability/charisma irritating
of the interpreter,
commonly recognized 2 = Somewhat off-
by seemingly genuine putting
interaction with the
visitors, including 3 = Neither liked or
smiling, looking disliked interpreter
people in the eye,
and having an overall 4 = More or less
appealing presence. liked interpreter
5 = Found interpreter
very likeable/
charismatic
Sincerity The degree to which 1 = Interpreter
(Ham, 2009) the interpreter seems seemed to only be
genuinely invested in going through the
the messages he or motions, with no real
she is communicating, emotional connection
as opposed to or sincerity
reciting information,
and seems sincere in 2 = Interpreter
the emotional seemed somewhat
connection they may connected through the
exude to the message words they used,
and/or the resource. though their
In other words, the mannerisms or
extent to which the intonation didn't
interpretation was corroborate their
delivered through words
authentic emotive
communication. 3 = Interpreter
seemed mostly sincere
with authentic
emotive communication
for most of the
program
4 = Communication was
clearly sincere and
authentic throughout
the program, as
evidenced by words,
gestures, intonation,
or other mannerisms
Passion The interpreter's 1 = Interpreter seems
(Beck and Cable, apparent level of completely detached/
2002; Ham and enthusiasm for the disinterested from
Weiler, 2002; material, as opposed the program
Moscardo, 1999) to a bored or
apathetic attitude 2 = Low levels of
toward it. The passions
overall vigor with
which the material is 3 = Interpreter shows
presented. moderate levels or
sporadic instances of
passion
4 = Pretty high
levels of passion
overall
5 = Interpreter seems
extremely passionate
about the program
Personal sharing The degree to which 1 = Interpreter did
(Jacobson, 1999; the interpreter not share any
Myers et al., 1998) shared personal personal information
insights or about themselves with
experiences, answered the audience
questions about
themselves for the 2 = Interpreter
audience, or provided shared minimal
their own opinion on personal information
topics or events or viewpoints
relevant to the
program. 3 = Interpreter
shared a large amount
of personal
information and
perspective
4 = Interpreter's
personal life/point
of view is explicitly
the central focus of
the experience (used
themselves as the
primary framework for
the program)
Apparent knowledge The degree to which 1 = Interpreter seems
(Ham and Weiler, the interpreter not at all
2002; Lewis, 2008; appears to know the knowledgeable (unsure
Ward and Wilkinson, information involved of facts or has a
2006) in the program, the hard time recalling
answers to visitors the information
questions, and has intended for the
local knowledge of program)
the area and its
resources. 2 = Interpreter seems
somewhat
knowledgeable, but
appears to forget a
few things or leave
out important details
3 = Interpreter
appears more or less
knowledgeable without
any major hiccups or
uncertainty
throughout the
program.
4 = Interpreter's
presentation of facts
and information
during the program is
flawless
Audibility The extent to which 1 = Interpreter could
the interpreter can not be heard by the
clearly be heard and audience during the
understood by the majority of the
audience. program
2 = Interpreter could
be clearly heard for
the majority of the
program, but wasn't
audible during some
parts
3 = Interpreter could
be clearly heard
throughout the entire
program
Eloquence The extent to which 1 = Interpreter
(Lewis, 2008) the interpreter spoke stumbled on their
clearly and speech throughout
articulately, and did their entire program
not mumble or and was hard to
frequently use filler understand
words such as "um" or
"like."
2 = Interpreter had
some minor issues
with mumbling or
unclear speech
3 = Interpreter had
no such issues during
the program
4 = Interpreter was
exceptionally
eloquent
Impatience Did the interpreter 1 = Interpreter was
show any explicit explicitly impatient
impatience toward with the audience
audience members?
0 = No issues noted
Formality The degree to which 1 = Interpreter was
the interpreter was extremely casual
very formal and
official vs. casual 2 = More casual than
and laid back about formal
the presentation.
3 = Interpreter was
neither explicitly
casual nor formal
4 = More formal than
casual
5 = Interpreter was
entirely formal
False assumption of At any point during 1 = No problem with
the audience the program, did the false assumptions
interpreter make
assumptions of the 2 = Some minor false
audience's attitudes assumptions that
or knowledge that likely did not
could have easily detract from the
been false? quality of the
program
3 = Obvious false
assumptions that made
the experience less
enjoyable or
meaningful
Character acting The degree to which 0 = Interpreter does
role playing or no character role
character acting is playing during the
incorporated into the program, he/she is
program, either to simply leading the
add authenticity or program
to help tell a story.
1 = Interpreter acts
like one or more
characters during
parts of the program
2 = Interpreter is in
full costume or does
not break character
at any point during
the program
Primary identity Friend: outwardly 1 = primary identity;
(Ham and Weiler, friendly, casual, 0 = not
2002; Ham, 2002; approachable, mingles
Knapp and Yang, informally
2002; Larsen, 2003;
Mills, 1920; Wallace Authority figure: 1 = primary identity;
and Gaudry, 2005) emphasizes own role 0 = not
as a park ranger and
focuses on rules,
regulations, and/or
authority to
communicate
Walking encyclopedia: 1 = primary identity;
Focused on conveying 0 = not
a large volume of
facts
Questionable Obvious factual 1 = present
information inaccuracy (incorrect
or inaccurate 0 = not present
information) or false
attribution
(unfounded claims
about others, e.g.,
"the native people
were happy to hand
over their land so a
National Park could
be formed.")
Bias Did the interpreter 1 = yes
share any apparent
bias or strong 0 = no
opinion with
potential effects on
relationships with
audience members?
Table 5. Outcome indexes developed through confirmatory factor
analyses.
OUTCOME INDEXES
Program outcome: Visitor Experience and Appreciation (Cronbach's
[alpha] = 0.89)
To what extent did the program you just attended influence any of the
following for you?
* Made my visit to this park more enjoyable
* Made my visit to this park more meaningful
* Enhanced my appreciation for this park
* Increased my knowledge about the program's topic
* Enhanced my appreciation for the National Park Service
Program outcome: Behavioral intentions (Cronbach's [alpha] = 0.94)
To what extent did the program you just attended influence any of
the following for you?
* Changed the way I will behave while I'm in this park
* Changed the way I will behave after I leave this park
Table 6. Independent variable indexes developed through exploratory
factor analyses.
INDEPENDENT VARIABLE INDEXES
Interpreter characteristic: Confidence (Cronbach's [alpha] = 0 .70)
* Comfort of the Interpreter
* Apparent knowledge
* Eloquence
Interpreter characteristic: Authentic emotion and charisma
(Cronbach's [alpha] = 0.85)
* Passion
* Charisma
* Sincerity
Program characteristic: Organization (Cronbach's [alpha] = 0.82)
* Quality of the introduction
* Appropriate sequence
* Effective transitions
* Holistic story
* Clarity of theme
* Link between introduction and conclusion
Program characteristic: Connection (Cronbach's [alpha] = 0.88)
* Links to intangible meanings and universal concepts
* Cognitive engagement
* Relevance to audience
* Affective messaging
* Provocation
Table 7. Means and standard deviations of outcome variables measured
in visitor surveys.
Variable (Scale) Means (with standard deviations)
Five or more Fewer than
attendees five attendees
Satisfaction (0 to 10) 8.96 (0.68) 9.02 (0.89)
Visitor experience and 4.41 (0.32) 4.57 (.042)
appreciation (1 to 5)
* Made my visit to this park more 4.55 (0.30) 4.70 (0.43)
enjoyable (1 to 5)
* Made my visit to this park more 4.49 (0.32) 4.69 (0.45)
meaningful (1 to 5)
* Enhanced my appreciation for 4.36 (0.37) 4.51 (0.51)
this park (1 to 5)
* Increased my knowledge about the 4.45 (0.34) 4.62 (0.47)
program's topic (1 to 5)
* Enhanced my appreciation for the 4.27 (0.36) 4.38 (0.58)
National Park Service (1 to 5)
Behavioral intentions (1 to 5) 2.92 (0.64) 3.02 (0.98)
* Changed the way I will behave 2.92 (0.67) 3.08 (0.97)
while I'm in this park (1 to 5)
* Changed the way I will behave 2.92 (0.61) 2.97 (1.04)
after I leave this park (1 to 5)
Table 8. Intended outcomes expressed by interpreters immediately
prior to their programs.
I want my audience to ... Proportion
expressing
each
outcome
Have an increased knowledge of the program topic 79.5%
Have an increased appreciation for this park 56.4%
Have an increased understanding of the park's resources 39.1%
Want to learn more about the program topic 24.8%
Be entertained 15.6%
Have an increased appreciation of the NPS 14.1%
Have an increased concern for a specific topic 11.5%
Change their attitudes toward something 10.6%
Change a certain behavior in the future 7.0%
Develop and practice a new skill 3.5%
Table 9. How interpretive programs were developed.
Program development Proportion
expressing
each
Program provided for ranger with full script planned <1%
out
Program provided for ranger with some freedom to 14%
inject own style
Program topic provided, little restrictions on 20%
information or style to be presented
General topic suggested, but wrote own script and 53%
selected information
Interpreter selected and developed entire program free 13%
of restrictions
Table 10. Means and standard deviations of ordinal interpreter
delivery styles.
Variable (Scale) Means (with standard deviations)
Five or more Fewer than
attendees five attendees
Confidence index (1 to 4) 3.28 (0.49) 3.12 (0.41)
* Comfort of the interpreter 3.49 (0.60) 3.25 (0.63)
(1 to 4)
* Apparent knowledge (1 to 4) 3.45 (0.63) 3.40 (0.59)
* Eloquence (1 to 4) 2.99 (0.65) 2.83 (0.50)
Authentic emotion and charisma 3.57 (0.85) 3.46 (0.70)
index (1 to 5)
* Passion (1 to 5) 3.23 (1.02) 3.08 (1.04)
* Charisma (1 to 5) 3.82 (0.86) 3.68 (0.69)
* Sincerity (1 to 4) 2.93 (0.77) 2.88 (0.65)
Responsiveness (1 to 3) (a) 2.81 (0.41) 2.82 (0.45)
Humor quality (1 to 4) 2.08 (0.73) 1.92 (0.58)
Humor quantity (1 to 5) 2.08 (0.72) 1.85 (0.53)
Personal sharing (1 to 4) 1.68 (0.72) 1.79 (0.73)
Audibility (1 to 3) 2.86 (0.36) 2.85 (0.36)
Formality (1 to 5) 3.21 (0.86) 3.00 (0.68)
Sarcasm (1 to 3) 1.23 (0.46) 1.15 (0.36)
False assumptions of audience (1 to 1.17 (0.40) 1.08 (0.27)
(a) Responsiveness was not observable in every case. For larger
programs, n = 245.
Table 11. Descriptive statistics of interpreter delivery styles
(categorical variables).
Interpreter delivery style % of programs in which
delivery style occurred
Five or Fewer than
more five
attendees attendees
Professional appearance of the interpreter 98.2 100.0
Inequitable treatment of audience 2.9 2.5
Impatience 1.8 2.5
Primary identity: Friend 18.0 37.5
Primary identity: Authority 4.4 2.5
Primary identity: Walking encyclopedia 76.8 67.5
Character acting: partial 2.6 2.5
Character acting: complete 2.9 0.0
Interpreter bias 3.3 7.5
Questionable information 9.9 2.5
Table 12. Means and standard deviations of ordinal program
characteristics.
Variable (Scale) Means (with standard deviations)
Five or more Fewer than
attendees five attendees
Organization index (1 to 5) 3.34 (0.71) 3.14 (0.65)
* Quality of introduction (1 to 3) 2.13 (0.45) 1.93 (0.42)
* Appropriate sequence (1 to 4) 2.79 (0.69) 2.70 (0.69)
* Transitions (1 to 4) 2.72 (0.76) 2.55 (0.71)
* Holistic story (1 to 5) 2.78 (1.01) 2.78 (0.77)
* Conclusion linked to intro 2.63 (0.86) 2.48 (0.75)
(1 to 4)
* Clear theme (1 to 4) 2.82 (0.86) 2.58 (0.90)
Connection index (1 to 5) 2.77 (0.78) 2.74 (0.55)
* Links to intangible meanings and 2.88 (0.94) 3.00 (0.80)
universal concepts (1 to 5)
* Cognitive engagement (1 to 5) 2.85 (0.94) 2.78 (0.83)
* Relevance to audience (1 to 5) 2.86 (0.86) 2.70 (0.69)
* Affective messaging (1 to 5) 2.43 (0.95) 2.38 (0.71)
* Provocation (1 to 4) 2.24 (0.72) 2.25 (0.67)
Clear message (1 to 4) 2.20 (0.94) 2.00 (0.85)
Appropriate logistics (1 to 4) 3.11 (0.93) 3.15 (0.89)
Appropriate for the audience 3.93 (0.70) 4.15 (0.83)
(1 to 5)
Multisensory (1 to 3) 2.39 (0.51) 2.35 (0.48)
Physical engagement (1 to 4) 1.42 (0.69) 1.50 (0.75)
Verbal engagement (1 to 5) 2.51 (1.02) 2.68 (0.80)
Surprise (1 to 3) 1.10 (0.31) 1.03 (0.16)
Novelty (1 to 3) 1.18 (0.43) 1.10 (0.30)
Consistency (1 to 3) 2.88 (0.37) 2.88 (0.34)
Resource quality (1 to 3) 2.37 (0.70) 2.13 (0.69)
Multiple viewpoints (1 to 3) (a) 2.63 (0.51) 2.61 (0.50)
Behavioral theory elements (b)
Benefits of action (1 to 4) 2.52 (0.63) 2.80 (0.45)
Costs of action (1 to 3) 1.97 (0.75) 2.40 (0.89)
Norms of action (1 to 3) 1.48 (0.57) 1.40 (0.55)
Ease of action (1 to 3) 1.81 (0.65) 1.20 (0.45)
Demonstrates action (1 to 4) 2.13 (0.96) 2.20 (1.30)
(a) Multiple viewpoints were not appropriate or relevant in every
case (e.g., a talk on butterfly life cycles). We only observed this
variable where it seemed potentially relevant (n = 94 for larger
programs; n = 22 for smaller programs).
(b) These variables are explicitly associated with behavioral
change theory. As such, they were only observed on a small subset
of cases within the sample where specific behaviors were discussed
by the interpreter (n = 31 for larger programs; n = 5 for smaller
programs).
Table 13. Descriptive statistics of program characteristics
(categorical variables).
Program characteristics % of programs w program
characteristic was observed
Five or more Fewer than
attendees five
attendees
Fact-based messaging 26.8% 25.0%
Use of props 30.5% 27.5%
Pace too fast 6.2% 5.0%
Pace too slow 9.2% 5.0%
Pace just right 84.6% 90.0%
Unexpected positive circumstance 1.8% 2.5%
Unexpected negative circumstance 15.8% 10.0%
Table 14. Pearson correlations between ordinal independent variables
and visitor outcomes for programs with five or more attendees.
Variable Satisfaction Visitor Behavioral
experience intentions
and
appreciation
Interpreter style: .479 ** .277 ** .174 **
Confidence index
Interpreter style: .423 ** .303 ** .182 **
Authentic emotion and
charisma index
Program characteristic: .381 ** .378 ** .153 *
Approp. for audience
Program characteristic: .362 ** .219 ** .132 *
Organization index
Program characteristic: .342 ** .259 ** .124 *
Connection index
Interpreter style: Humor .288 ** .233 ** .155 *
quality
Program characteristic: .271 ** .281 ** .034
Consistency
Program characteristic: .255 ** .281 ** .187 **
Clear message
Interpreter style: .241 ** 245 ** .061
Responsiveness
Program characteristic: .234 ** .240 ** .162 **
Verbal engagement
Program characteristic: .216 ** .115 .141 *
Multisensory engagement
Interpreter style: .197 ** .134 * .104
Audibility
Interpreter style: False -.172 ** -.197 ** -.088
assumption of audience
Program characteristic: 170 ** .245 ** .165 **
Appropriate logistics
Program characteristic: .150 * .151 * .127 *
Surprise
Program characteristic: .145 * .024 .014
Novelty
Interpreter style: Humor .144 * .097 .062
quantity
Program characteristic: .074 .120 * .061
Physical engagement
Interpreter style: -.069 -.155 * -.023
Formality
Interpreter style: .105 .053 -.114
Sarcasm
Program characteristic: .077 .068 .065
Quality of the resource
Interpreter style: .035 .048 .112
Personal sharing
Program characteristic: .031 .157 .128
Multiple points of view
Table 15. Statistically significant t-tests results,
comparing the means of visitor outcome scores for
selected categorical variables for programs with five
or more attendees.
Observed
category Satisfaction
Mean Cohen's
diff. t P d
Impatience -0.36 -2.2 0.031 0.68
"Friend" 0.23 2.3 0.023 0.36
"Walking
encyclopedia"
Fact-based -0.34 -3.9 <0.001 0.50
messaging
Unexpected neg. -0.29 -2.8 0.006 0.45
circumstance
Observed Visitor experience and
category appreciation
Mean Cohen's
diff. t P d
Impatience -0.47 -3.3 0.001 1.28
"Friend"
"Walking
encyclopedia"
Fact-based -0.12 -2.6 0.011 0.36
messaging
Unexpected neg. -0.19 -3.6 <0.001 0.60
circumstance
Observed
category Behavioral intentions
Mean Cohen's
diff. t P d
Impatience
"Friend"
"Walking -0.20 -2.2 0.031 0.32
encyclopedia"
Fact-based
messaging
Unexpected neg.
circumstance
The following categorical variables yielded no
statistically significant differences in visitor
outcomes: Inequitable treatment of the audience,
questionable information, "Authority" identity,
unexpected positive circumstances, use of props.
Table 16. One-way ANOVA comparing outcome variables for programs of
different pace with five or more attendees. Items not sharing the
same superscript are statistically different from one another.
Means
Visitor
Pace Satisfaction experience and Behavioral intentions
appreciation
Too fast [8.62.sup.A] [4.27.sup.AB] [2.56.sup.A]
Too slow [8.43.sup.A] [4.23.sup.A] [2.84.sup.AB]
Appropriate [9.03.sup.B] [4.44.sup.B] [2.96.sup.B]
Statistics F = 12.9; F = 6.9, F = 3.2, p = 0.042
p < 0.001 p = 0.001 Cohen's d
Cohen's d Cohen's d (appropriate pace vs.
(appropriate (appropriate others): 0.34
pace vs. pace vs.
others): others): 0.57
0.78
Table 17. Independent samples t-tests comparing means of
characteristics for programs that experienced attrition (people left
the program early) vs. those that did not.
Program Cohen's
Characteristic attrition? Means t p d
Responsiveness of the Yes 2.62 -2.4 0.020 0.46
interpreter No 2.83
Audibility Yes 2.72 -2.3 0.025 0.49
No 2.91
False assumption of Yes 1.31 2.4 0.020 0.50
the audience No 1.11
Appropriate logistics Yes 2.44 -5.0 <0.001 0.86
No 3.23
Confidence Yes 3.08 -2.8 0.006 0.46
No 3.32
Organization Yes 3.09 -2.2 0.031 0.32
No 3.36
Program
Outcomes attrition? Means T p
Satisfaction Yes 8.49 -3.9 <.001 0.79
No 9.04
Visitor experience Yes 4.26 -2.6 .014 0.51
and appreciation No 4.44
Behavioral intentions Yes 2.73 -1.8 .070 0.34
No 2.95
Table 18. Chi-square tests comparing programs that experience attrition
vs. those that did not.
Pearson Relation to
Characteristic [chi square] P attrition
statistic
Interpreter identity: walking 3.6 .058 More attrition
encyclopedia
Use of props 12.4 .001 More attrition
Slow pace 5.8 .026 More attrition
Unexpected negative occurrence 8.9 .006 More attrition
Table 19. Statistically significant t-tests results, comparing the
means of visitor outcome scores for interpreters who expressed
different intended outcomes for their interpretive programs.
Satisfaction
Mean Cohen's
Intended outcome diff. t P d
Increased knowledge
Increase desire to learn 0.20 2.2 0.029 0.30
Change attitude 0.18 2.0 0.048 0.31
Increase appreciation for Park 0.22 2.7 0.007 0.34
Increase understanding of
resource
Increase level of concern
Change visitor behavior
Visitor experience and
appreciation
Mean Cohen's
Intended outcome diff. t P d
Increased knowledge -0.12 2.4 0.019 0.37
Increase desire to learn 0.14 3.2 0.002 0.46
Change attitude 0.16 4.3 <0.001 0.45
Increase appreciation for Park 0.09 2.2 0.028 0.28
Increase understanding of 0.08 2.1 0.040 0.26
resource
Increase level of concern
Change visitor behavior
Behavioral intentions
Mean Cohen's
Intended outcome diff. t P d
Increased knowledge
Increase desire to learn
Change attitude
Increase appreciation for Park
Increase understanding of
resource
Increase level of concern 0.27 2.2 0.032 0.41
Change visitor behavior 0.41 2.7 0.008 0.66