文章基本信息

标题：Donna Coates, ed. Sharon Pollock: First Woman of Canadian Theatre.
期刊名称：Comparative Drama
印刷版ISSN：0010-4078
出版年度：2016
期号：March
语种：English
出版社：Comparative Drama
摘要：This volume begins with acknowledgments (vii) and an introduction by the editor (1-12). The primary text includes the following essays: Jerry Wasserman, " Walsh and the (De-)Construction of Canadian Myth" (13-28); Shelley Scott, "Sharon Pollock and the Scene of the Crime" (29-46); Jason Wiens, "Ownership and Stewardship in Sharon Pollocks Generations" (47-64); Cynthia Zimmerman, "Different Directions: Sharon Pollock's Doc" (65-82); Wes D. Pearce, '"The art a seein' the multiple realities': Fragmented Scenography in Sharon Pollock's Plays" (83-106); Carmen Derkson, "Listening is Telling: Eddie Roberts's Poetics of Repair in Sharon Pollock's Fair Liberty's Call" (107-26); Kathy K. Y. Chung, "Loss and Mourning in Sharon Pollock's Fair Liberty's Call (127-46); Tanya Schaap, "Questions of Collective Responsibility in Sharon Pollock's Man Out of Joint" (147-68); Donna Coates, "Equal-Opportunity Torturers in Judith Thompson's Palace of the End and Sharon Pollock's Man Out of Joint" (169-96); Martin Morrow, "Sharon Pollock and the Garry Theatre (1992-97)" (197-206); Jeton Neziraj, "Sharon Pollock in Kosovo" (207-12); Sherrill Grace, "Biography and the Archive" (213-36); Calgary Playing with Pollock Collective: Lindsay Burns, Pamela Halstead, Grant Linneberg, and Laura Parken, "Sharon's Tongue" (237-72). The text concludes with "Pollock on Plays" (273-302), contributors (303-10), and an index (311-28).
关键词：Books

Donna Coates, ed. Sharon Pollock: First Woman of Canadian Theatre.

Donna Coates, ed. Sharon Pollock: First Woman of Canadian Theatre. Calgary: University of Calgary Press, 2015. Pp. vii + 328. $34.95.

This volume begins with acknowledgments (vii) and an introduction by the editor (1-12). The primary text includes the following essays: Jerry Wasserman, " Walsh and the (De-)Construction of Canadian Myth" (13-28); Shelley Scott, "Sharon Pollock and the Scene of the Crime" (29-46); Jason Wiens, "Ownership and Stewardship in Sharon Pollocks Generations" (47-64); Cynthia Zimmerman, "Different Directions: Sharon Pollock's Doc" (65-82); Wes D. Pearce, '"The art a seein' the multiple realities': Fragmented Scenography in Sharon Pollock's Plays" (83-106); Carmen Derkson, "Listening is Telling: Eddie Roberts's Poetics of Repair in Sharon Pollock's Fair Liberty's Call" (107-26); Kathy K. Y. Chung, "Loss and Mourning in Sharon Pollock's Fair Liberty's Call (127-46); Tanya Schaap, "Questions of Collective Responsibility in Sharon Pollock's Man Out of Joint" (147-68); Donna Coates, "Equal-Opportunity Torturers in Judith Thompson's Palace of the End and Sharon Pollock's Man Out of Joint" (169-96); Martin Morrow, "Sharon Pollock and the Garry Theatre (1992-97)" (197-206); Jeton Neziraj, "Sharon Pollock in Kosovo" (207-12); Sherrill Grace, "Biography and the Archive" (213-36); Calgary Playing with Pollock Collective: Lindsay Burns, Pamela Halstead, Grant Linneberg, and Laura Parken, "Sharon's Tongue" (237-72). The text concludes with "Pollock on Plays" (273-302), contributors (303-10), and an index (311-28).