Homage to Vonnegut A young couple runs across the road, hand in hand, a gauntlet of gunfire behind them; neighbors lie in the street, blood washing like rain down the gutters Married or not, they were lovers, you can tell from the still photo of them lying in the road, like their neighbors, their friends: the sniper, I imagine, fired from a pockmarked house, a sidewall blown out; he stood at a second story window in the shadow of the eaves Pink mist is what they're trained for, a head shot, one round to the temple, but he missed, or had aimed at their bodies: whatever mistake it was, she wasn't killed and the young man wrapped himself around her fallen body, pulling her close as if they were in bed on a cool night, he warming her chilled arms and legs, whispering as he did then I love you as the rounds tore through them both Usually a photograph of a shoe in the rubble, a child's doll, a broken watch to pinpoint the time, is all we need--a mere suggestion, little more than a hint--and that suffices We know the story from all the shoes, dolls, watches we've seen before--nothing left to tell But the couple: here we have everything and we want more. We ask ourselves questions: why were they out in the city streets? why didn't they leave at the first signs of hell? And what did they wish for-- a boy or a girl, perhaps a house overgrown with lilacs or roses-- longing as they did for something, anything, to make sense: etcetera
Homage to Vonnegut.
Ritterbusch, Dale E.
Homage to Vonnegut
A young couple runs across the road,
hand in hand,
a gauntlet of gunfire
behind them; neighbors
lie in the street, blood washing
like rain down the gutters
Married or not, they were lovers,
you can tell from the still photo
of them lying in the road, like their neighbors,
their friends: the sniper, I imagine,
fired from a pockmarked house, a sidewall
blown out; he stood at a second story
window in the shadow of the eaves
Pink mist is what they're trained for,
a head shot, one round to the temple,
but he missed, or had aimed at their bodies:
whatever mistake it was, she wasn't killed
and the young man wrapped himself around
her fallen body, pulling her close
as if they were in bed on a cool night,
he warming her chilled arms and legs,
whispering as he did then
I love you as the rounds tore
through them both
Usually a photograph of a shoe in the rubble,
a child's doll, a broken watch to pinpoint
the time, is all we need--a mere suggestion,
little more than a hint--and that suffices
We know the story from all
the shoes, dolls, watches we've seen
before--nothing left to tell
But the couple: here we have everything
and we want more. We ask ourselves
questions: why were they out in the city streets?
why didn't they leave at the first signs
of hell? And what did they wish for--
a boy or a girl, perhaps a house
overgrown with lilacs or roses--
longing as they did for something,
anything, to make sense:
etcetera