Multiple channels for online branding.
Schneider, Gary P. ; Bruton, Carol M.
ABSTRACT
Companies have been doing brand development for physical world
products and services for many years. These experiences have led to a
body of generally accepted approaches and processes that constitute the
activity called brand building. In recent years, both new and existing
companies have undertaken the task of building new brands for their
online offerings. This paper examines the new approaches that are being
used alone and in combination with existing approaches to build online
brands.
INTRODUCTION
This paper examines a multi-channel approach to building online
brands that combines the time-tested methods of brand building that have
been used for years for products in the offline world (Neuborne &
Hof, 1998) with some new techniques that have been developed to exploit
opportunities in the online world (Dennis, 2001; Kalin, 2001; Pastore
& Saunders, 2001). The paper uses publicly available information
about two online businesses, RedEnvelope.com (Helft, 2001) and Kozmo
(Blair, 2001), to illustrate this multi-channel approach. The use of
these two companies allows us to contrast a successful application of
the approach with a less-successful application (Schneider, 2003). The
comparison provides lessons for marketers and suggestions for future
research.
JUST ANOTHER WEB GIFT SHOP
In September 1997, a new gift shop opened for business on the Web.
Of course, in 1997, there were already many gift shops on the Web. Thus,
this new store needed to create a new and distinctive brand. Since this
store carried items that were chosen specifically to meet the needs of
last-minute gift shoppers, the owners decided to call it 911 Gifts.com.
By using 911, which is the emergency telephone number used in most parts
of the United States, in the store's name, the owners hoped to
convey the impression of crisis-solving urgency (Marschak, 1998).
The company's two major strengths were its promise of next-day
delivery on all items and its site layout, in which gift selections were
organized by holiday rather than by product type. Thus, the harried
shopper could simply click the Mother's Day gifts link and view a
set of gift choices appropriate for that holiday that were ready for
immediate delivery. The site also included a reminder service, called
GiftAlert, so that its customers would not find themselves in an
emergency gift situation on the next holiday (Marschak, 1998).
A NEW NAME, A NEW BRAND
By 1999, the company had 90,000 customers signed up for GiftAlert
and was doing about $1 million in annual sales. It carried about 500
products, and each of the products was chosen to yield a gross margin of
at least 40 percent (Marschak, 1998). 911Gifts.com was a successful
business, but without additional capital to build the company's
brand, future growth would be difficult. To take the company to the next
level, the company hired Hilary Billings, a retail marketing executive
whose experience included building the Pottery Barn catalog business at
Williams-Sonoma. Billings undertook a complete reevaluation of the
911Gifts.com marketing plan and, after revising it, took it to investors
and raised over $30 million for a rebranding and complete overhaul of
the company's Web site. In October 1999, the new brand was born as
RedEnvelope. In many Asian countries, gifts are sent in a simple, red
envelope. The new brand was designed to create a sense of elegant
simplicity to replace the sense of panic and emergency solutions
conveyed by the old brand name (Helft, 2001). The product line was
revamped to fit the new image as well. About 300 products were dropped
and replaced with different products that focus groups had judged to be
more appealing. The new product line had an even higher average gross
margin than the old line (RedEnvelope, 2001).
MULTI-CHANNEL BRAND BUILDING
Billings launched a massive brand-awareness campaign that included
online advertising, buses in seven major cities painted red and
festooned with large red bows, and print advertising in upscale
publications. The most important change in advertising strategy was the
launching of a print catalog (Helft, 2001). RedEnvelope's use of
multiple advertising channels (including some old-fashioned offline
channels) was unusual for a dot-com company at that time (Clarkson,
2001; Dennis, 2001; Miles, 2001). RedEnvelope catalogs are mailed to
customers to coincide with major gift-giving holidays and serve as
additional reminders. Because RedEnvelope sells a small set of products
that are chosen for their visual appeal and for the status they are
intended to convey, the full-color, lushly illustrated print catalogs
are a powerful selling tool (Hoffman & Novak, 2000; Koprowski,
1998).
One year later, the results of this extensive makeover were clear.
RedEnvelope had tripled its number of customers and had increased sales
by over 400 percent (RedEnvelope.com, 2001). The company chose a
specific part of the gifts market and targeted its offerings to meet the
needs and desires of those customers. The company created a brand, a
marketing plan, and a set of advertising and promotion strategies that
would expose the company to the largest portion of that market it could
afford to reach. RedEnvelope matched its inventory selection, delivery
methods, and marketing efforts to each other and to the needs of its
customers. This integration of operations and strategy is especially
important for online businesses (Geyskens, Gielens & Dekimpe, 2002;
Grebb, 2001; McWilliams, 2002).
DIGITAL PROMISES
One of the most important elements of any brand, online or offline,
is the promise imbedded in the brand. Dayal, Landesberg, and Zeisser
(2000) argue that online promises, which they call "digital
promises," are at least as important as explicit or implied
promises made using traditional advertising and promotion channels.
RedEnvelope.com's main digital promises were convenience and
reliability. Customers would know that they could rely on RedEnvelope to
have a last-minute gift available that was of high quality and that
RedEnvelope would deliver it on time to the recipient. The company used
traditional methods (focus groups and questionnaires) to obtain
knowledge about its customer needs (Lochridge, 2001). RedEnvelope had to
make adjustments to its business model (changing its product mix and its
online catalog presentation) to ensure that this promise was consistent
with what it could deliver. Business model changes are often required to
accomplish this (Dayal, et al., 2000; Jarvis, 2002).
A CONTRASTING CASE
Kozmo was launched in 1998 to meet the needs of New York City denizens who were in their homes late at night craving videos and snack
foods. With its orange-jacketed delivery persons riding bicycles or
motor scooters, Kozmo promised delivery of most items within an hour of
ordering. Kozmo did not offer as wide a range of items as most
convenience stores sold, so its main competitive advantage was its
delivery service. Kozmo attempted to become profitable by adding
high-margin items such as DVD players and Sony PlayStations and by
expanding its delivery areas to include higher-income neighborhoods. In
addition to Manhattan, Kozmo opened operations for a short time in
Houston and San Diego. In these cities, the higher average distances
between deliveries made it even more difficult for Kozmo to cover its
operating costs (Blair, 2001).
FAILURE TO DEVELOP BRAND
Despite its best efforts, Kozmo was unable to create a brand image
that was much different from that of a convenience store on wheels.
Kozmo found it difficult to convince customers that having snack food
items and videos delivered made those items significantly more valuable.
Most of Kozmo's product line consisted of items for which most
people were accustomed to paying low prices. Kozmo lacked the
integration of customer needs, a brand that communicated an ability to
satisfy those needs, and a set of operations that, in fact, fulfilled
those customer needs. Kozmo's failure to integrate (Grebb, 2001;
McWilliams, 2002) would prove to be fatal to the company.
DEATHBED INTEGRATION ATTEMPT
In March 2001, just one month before closing operations, Kozmo
announced a marketing plan that included spending $2.5 million to print
and circulate 400,000 catalogs (Blair, 2001). The plan was a last
desperate attempt to increase brand awareness, gain new customers, and
convince people who did not have an Internet connection to use
Kozmo's phone order service. Unlike RedEnvelope, however, the Kozmo
catalog was not a part of an integrated business plan. Kozmo's
tactic did not provide the same kind of added value that
RedEnvelope's catalog provides. Unfortunately, a bag of potato
chips does not gain much appeal by appearing in a full-color catalog
photo.
CONCLUSION: LESSONS LEARNED
Kozmo's experience illustrates that using one element from a
branding strategy that has worked for another company is not a magic key
to success. Branding techniques are effective only when implemented as
part of an integrated strategy that fits the company's products and
gives customers a compelling reason to buy (Grebb, 2001). RedEnvelope
found that a print catalog could be an integral part of branding and
promoting its online sales. However, a print catalog is only a good idea
if it provides customers with recognizable value and augments the rest
of the company's branding strategy.
FUTURE RESEARCH
The elements of offline branding strategies are well understood and
have been used successfully by many companies for many years. The use of
new online information delivery approaches has been the subject of some
research (Moffett, Stone & Crick, 2002), but not much has been done
regarding the integration of the new and old approaches. Also, the use
of older approaches to enhance the branding of new online businesses has
not been studied carefully. These are two areas of research that could
produce useful results that could be applied by practitioners as they
move forward in the brave new world of integrated online branding.
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Gary P. Schneider, University of San Diego Carol M. Bruton,
California State University San Marcos